FOR ME, IT ALL STARTED WITH bell bottom pants. They were the latest fashion trend when I was young, and it seemed as if everyone in school was getting a pair. I desperately wanted a pair, but no manufacturer had come out with pants in my size. It troubled me deeply because everywhere I looked kids were wearing these bell bottom pants in all kinds of styles. There were some that were huge at the bottom, so they were called elephant bells. Several girls in school had accents going down the sides of their pants, like rhinestones or metal studs. Boys stuck to basic styles on their pants like patterns that included stripes and plaids. I was stuck wearing my wide waisted pants and felt like an outsider. This was my first encounter where I was aware of peer pressure. Everyone wanted to “fit in” with the new style. Though no one said anything to me about it, I could tell something was different. I could not be part of the conversation about bell bottom pants and fashions. In the scheme of things, this was not a huge deal; however, it did mess my mind up where I felt like a large loser and put the focus on my weight which was the last thing I wanted to happen. Months went by and I quietly yearned to have a pair of those pants. Then one day while browsing in the neighborhood department store, I came across a display table filled with men’s pants. Rifling through all of them, I discovered a blue pair of bell bottom pants with white pinstripes, in my size. I finally arrived and could be part of the majority.      DURING AND AFTER MY COLLEGE YEARS, I became keenly aware of the importance of looking and acting like everyone around you. This was particularly so at the bars and dance clubs. Walking into the club and not dressed for the part immediately left one being the only resident of an island in the middle of a sea of dancing, drinking, and laughing patrons. I did not have the physique to wear clingy, tight-fitting clothes with shirts unbuttoned enough to display one’s wares so to speak. I found myself staying on the fringes and to be honest, I soon found it preferable because I discovered, or it was self-preservation, I had an aversion to looking like a clone, like everyone else. As I looked around the bar, everyone was the same person. If one individual was wearing one of those Qiana silky shirts, they all were wearing the same kind. There was no room for individuality; I was feeling like a minority within a minority. Looking back now, it reminds me of those gated communities where everyone’s house and lawn must look the same. It also reminds me, in a way, of that movie, “The Stepford Wives;” where all the women live in the same way. If you are not familiar with it, you might see a similar vibe taking place in this action, comedy mystery.      AFTER BEING TOLD HE WAS SHOT dead the night before, a drug dealer and two associates delve into the previous night’s events and discover something forbidding taking place right in their own neighborhood. With John Boyega (Star Wars franchise, The Woman King) as Fontaine, Jamie Foxx (Dreamgirls, Day Shift) as Slick Charles, Teyonah Parris (Dear White People, If Beale Street Could Talk) as Yo-Yo, Kiefer Sutherland (Flatliners, Forsaken) as Nixon and David Alan Grier (Native Son, Clifford the Big Red Dog) as The Preacher; this satire was slicker than Slick Charles. The throwback vibe of the script touched on the blaxploitation films of the 1970s, making this a wicked fun viewing experience. There was craziness, humor and science fiction blended in a smart, cool way. My only issue was part of the dialog was spoken too fast for me to understand it very well. I could make out some of the one liners being spoken, but not all the time. The pacing and direction were both on point and kept the story engaging and interesting. This was a smart, fun film with a unique style of its own.  

3 ¼ stars