Category Archives: Dramedy
WATCHING the irate customer badger the salesclerk over the rung up price for a box of cereal reminded me of myself. How awful; I saw myself in this belittling loud consumer. Having a storehouse of anger inside of me made me be a walking pressure cooker. One perceived wrong being done to me would set me off, always going over the top since I had a vast amount of anger readily available anytime. As the salesclerk remained calm, though I could see her eyes constantly scanning for a manager, I wondered how many people thought I was a crazy person. On a positive note, if you want to call it that, at least I could observe the situation and acknowledge I used to act that way; grateful that I dealt with my issues and was able to rise above the source of anger. Don’t people say recognizing the issue is the 1st step in the healing process? HAVING the opportunity to grow old allows one to reflect on the multitude of personas they wore in their life. Not too long ago I was talking with a friend, mentioning something about being a former participant in a local group. My friend was taken by surprise because they never pictured me in such an activity. Curious, they asked how that came to be and why I was no longer interested in it. As I shared that part of history with them, I saw myself back in that period of time. I felt like I was talking about a distant relative like a 2nd or 3rd cousin; you know, having a blood connection but far removed to the point where there is a different level of familiarity. One of the pluses of having this type of conversation and reflection is it provides one with validation to what they have become. This dramatic comedy offered me the opportunity to see separate versions of who I used to be. WITH a broken down car in her client’s driveway holistic practitioner Beatriz, played by Salma Hayek (Here Comes the Boom, Once Upon a Time in Mexico), was invited to stay for a dinner party. For some of the guests she was the entertainment. With a cast that included John Lithgow (Miss Sloane, Love is Strange) as Doug Strutt, Connie Britton (American Ultra, Friday Night Lights-TV) as Cathy, Chloe Sevigny (Boys Don’t Cry, Big Love-TV) as Shannon and Amy Landecker (Doctor Strange, A Serious Man) as Jeana; the acting in this movie was excellent. John was the perfect choice for that character. As the story started out I was interested in the activity, particularly once the guests arrived for I found the mix of them familiar ground to my experiences. There were different ways to look at the story; it was easy to plug in variations of the good vs. evil scenario, which I will leave for the viewer to explore. However as the story unfolded I found myself losing interest. There was something lacking for me to the point I was feeling less connected. Honestly my connection to this picture was the opportunity it provided me to reflect on portions of my former life. At the end of the movie I felt unsatisfied. I would have appreciated more intensity and more discussion of philosophies between the characters. Instead I wound up getting annoyed by John’s character (which I thought was intended) and not caring for the ending. This was a mixed bag for me, but I did enjoy the opportunity to do some reflection.
2 ¾ stars
AWKWARDNESS is the initial feeling but depending on the crowd it can hopefully be replaced with something more on the pleasant side. There have been occasions where I have accompanied a date/friend to one of their family or business functions. Personally the business ones are easier for me because there is nothing expected of me; if my date is involved with others no one usually comes over to fill “the void.” At family functions there is always a relative who can’t wait to get me alone to either pump me for information or try to turn me into their personal confidant. Of course more of this takes place when I am the date instead of the friend. There are some relatives who want to know my intentions; others have no problem grilling me like FBI interrogators asking how we met, what I do for a living, where is my family from and so on. I have to just sit there with a smile on my face, choosing how to deflect some of their questions. When the environment is like this it really becomes tedious for me. However I would never do anything to embarrass the person who brought me. NOT wanting to sound like Mr. Gloom & Doom, there have been other times where I had a wonderful time. Some of the business functions I have attended have been close to obscene due to the amount of money that must have been spent on the affair. One dinner was held in a ballroom where the doorways were manned by immense ice sculptures in the shape of swans. Inside the room dining tables were set up with gold and silver tablecloths. On each table tall vases sat, filled with those fake ice cubes that light up in colors. Sprouting out the top were sprays of floral plants. The food was outrageous and plentiful; I would need more of your time to describe it all. And the ultimate feature was having a popular band performing for us. So you see these types of events can be a hit or miss; this is why I gave the main character in this dramatic comedy credit for agreeing to the travel arrangements. WHEN her producer husband Michael, played by Alec Baldwin (Blue Jasmine, 30 Rock-TV), had to cut their trip short due to his work; Anne, played by Diane Lane (Unfaithful, Night in Rodanthe), agreed to travel by car to Paris with his business associate Jacques, played by Arnaud Viard (Higher Still, Carole Matthieu). It would be a road trip with unexpected turns. This romantic film written and directed by Eleanor Coppola (Hearts of Darkness: A Filmmaker’s Apocalypse, Coda: Thirty Years Later) had two big things going for it: beautiful scenery and great looking food. Initially I felt I was connecting with the character, having been “stuck” with someone I did not know. But as the story unrolled I felt like I was a 3rd wheel in their carpool. The script and directing did nothing to enhance the characters. I appreciate Diane’s acting ability but felt she was wasted here; there was no character development. The only one I found interesting was Alec’s character, but he was used sparingly. At one point I felt I was on one of those touring tourist buses where the driver is rambling off tidbits and statistics about every single place to the point of almost numbing their passengers. If I knew this was what was going to happen on this trip I would have booked a flight instead.
UPBEAT and positive is how I would describe the man telling us about the changes in our office. We were being told how these moves decided by upper management would be a good thing for our company. I sat there with my fellow employees and I am sure they were thinking the same thing: who was going to get the ax. Maybe that is too harsh to say so here are some ways I have heard it expressed: laid off, let go, reassigned, reevaluated, eliminated and left behind. None of these terms warrant a happy face with optimistic comments. I used to work at one place that decided after many years to outsource their payroll functions. The staff for each manager had meetings set up to explain the changes in how we were going to be paid. You should have seen the spin job the managers tried to sell us. They talked about the convenience of looking up our paycheck online, the ability to schedule time off and the ease of changing our benefits package. I knew there had to be more to the meeting and sure enough towards the end the manager told us how salaries would be administered. EVERYONE’S salary was scaled back to a standard base amount. From that point you would go up the scale depending on a number of factors; each factor was worth a certain dollar amount. I remember sitting there and quickly figuring out the math and realized a majority of us would be taking a rather large pay cut. There stood this person in front of us stating the virtues of this new pay system, doing their best to sell it as if it was the best thing since sliced bread. With me losing over 30% of my salary I had a hard time keeping my mouth shut and not stating the facts about their so called great new system. Let us face it; there is no good way to promote bad news. WHILE Germany was dropping bombs on the city of London during the early 1940s, the defense department was working on a propaganda film in the hopes of drawing the United States into the war. All it needed was a woman’s touch. This film festival winner was part comedy, part drama and part romance. At first I felt the story was starting out slow but as things began to unfold I enjoyed how the writers were fitting together all the different pieces to create this enjoyable movie. Starring Gemma Arterton (The Voices, Gemma Bovery) as Catrin Cole, Sam Claflin (Me Before You, The Hunger Games franchise) as Tom Buckley, Bill Nighy (Love Actually, Pride) as Ambrose Hilliard/Uncle Frank and Jack Huston (American Hustle, Ben-Hur) as Ellis Cole; I thought the cast worked together beautifully. Bill and Gemma were the standouts for me. The script did a great job of balancing the elements of the story. Things moved naturally between the genres of drama, comedy and romance; there was the ever present war, but it never overshadowed the other story lines. I will say I thought the ending was a bit abrupt regarding one of the characters in particular; it felt somewhat false. However, as I sat and imagined what it must have been like back then, I realized there was no choice; the British government needed to stay positive.
3 1/4 stars
CONTROL was something that had been a part of me for so long that not being in control was becoming a distant memory. Using myself and several people I know who also prefer being in control, I believe certain events in one’s life steers them to becoming a “control freak” or as I prefer to say “control aficionado.” For some experiencing disappointment multiple times can trigger them to stop counting on others. For example at work if you have an employee on your team that isn’t working up to the level needed to succeed in a specific task you are involved in, you might decide to take on some of the co-worker’s responsibilities to finish your project to your satisfaction. Another thing I have noticed for some people is their lack of spontaneity increases their desire for control. I know I can relate to this one because my brain is wired to the logic, “for every action there is a reaction.” My days are usually planned out due to my multiple jobs and responsibilities. To do something out of the norm would throw off the rest of the day for me. NOW with everything I just said I recently discovered or better yet I should say rediscovered the feeling of not being in control. I have to tell you when I first realized I was relinquishing control it was unsettling for me. So you have a reference point, let me tell you that the level of my control used to be where I would not participate in a group decision on where to go out for dinner. If I did not like someone’s choice on where to eat I would not order any food. Reading what I just wrote doesn’t make me sound like a fun person does it? I hope I do not grow old and get a similar reputation like the main character in this dramatic comedy. SUCCESSFUL businesswoman Harriet Lauler, played by Shirley MacLaine (Bernie, Elsa & Fred), had such control over her life that she even needed to know what her obituary would say about her before she was gone. That tough task would fall onto newspaper employee Anne Sherman, played by Amanda Seyfried (Dear John, Mamma Mia!). Casting Shirley in the main role was a big asset for this story. Both her and Amanda worked well together I thought. Also starring newcomer AnnJewel Lee Dixon as Brenda and Thomas Sadoski (John Wick franchise, Wild) as Robin Sands, I did not mind the rest of the cast; however, even if they were all renowned thespians it would not have helped the contrived script. The scenes did not come across as totally believable and it was long into the movie before I even felt a connection to Shirley’s character. For the most part none of the scenes went beyond standard fare; what I mean is Shirley’s character could have been more extreme, the scenes if they were believable could have been pushed for more emotion. As a result I was left with a “blah” feeling by the end of the film. In fact my strongest feelings came from the idea that I could wind up like Harriet if I don’t start giving up some control in my life.
1 3/4 stars
IT always comes as a surprise to me when people make the assumption that an individual’s job is the ultimate definition of that person. Just this past week a co-worker and I were talking about a couple of restaurants we both enjoy. When I mentioned something about putting ketchup on my entrée they reacted with surprise. I asked them why they were shocked and they said they did not take me for a “ketchup guy. “ It was such an odd statement to me since I did not have a clue what constitutes being a “ketchup guy.” Here I come to find out because this employee knows I teach fitness, they assumed I kept a strict diet of eating only healthy foods. Well anyone who knows me knows all food types are open game for me on the weekends; it is only during the weekdays that I keep to a restricted diet. FROM this conversation I started to think about how I have experienced this type of thinking numerous times; not only towards me but in daily conversations I have been a part of. In a way you could say it is a form of stereotyping or typecasting. An example would be a librarian; from what I have witnessed a majority of people think of librarians as quiet, reserved individuals who keep to themselves. Or accountants, the perception people have about them is they are socially awkward and quiet. I find this simply odd; it is as if a person is not allowed to have other interests that may be opposite to the perceptions people hold about a profession. It is like me saying a truck driver cannot play the violin in a local orchestra; it makes no sense. If you care to see what I am talking about then feel free to watch this dramatic, comedic film festival winner. EVERYDAY Paterson, played by Adam Driver (Silence, Star Wars: The Force Awakens), goes to work as a bus driver then stops off to see Doc, played by Barry Shabaka (The Terminal, Miami Vice), for one drink after work before going home to his wife Laura, played by Golshifteh Farahani (Body of Lies, Exodus: Gods and Kings). The routine stays the same except when he sits down to write poetry in his notebook. Written and directed by Jim Jarmusch (Only Lovers Left Alive, Broken Flowers), this movie was done in a quiet slow pace. Maybe because I saw it on a Sunday after a hectic weekend but there were times where I was bored with the story. I thought Adam was flat in his acting, though I realized that was part of his character; however, I found the action so subtle that I could not get fully drawn into this picture. My favorite characters were Laura and Marvin the dog; they seemed to have the most life and maybe that was exactly the point. I know this film has received high praise but I have to tell you from an entertainment standpoint I was not entertained. For me, this movie would have been better seen on DVD in the comfort of my own home. That way, audience members would not have had to see this group fitness/yoga instructor fighting to keep his eyes from not shutting down into a nap.
MADE especially for you by those knotted skinny fingers, you could only imagine it must have taken months to create the gift. She is one of your favorite relatives who always remembers you on holidays and your birthday. This year she knitted you a multi-colored, bulky sweater. You could tell immediately the sweater was going to be way too big even before you unfolded it. Holding it by the shoulders you lifted it up so the body of the sweater cascaded down like a flood. The array of colored yarns clashed in such a sharp way that your eyes squinted as a few dominant colors seemed to vibrate in their confined patch of the sweater’s landscape. Gratefully you were not asked to try on the massive sweater; you did not want her to feel any anxiety seeing you lost in the yards of yarn spinning around you. It is always the thought that counts and the fact that it must have taken her months to knit only affirmed the affection and love the two of you share for each other. SINCE I believe there are no bad pets only bad owners, I keep the same attitude when I encounter someone’s dog or cat. I do not want the owner to know I am not fond of their pet; I simply remain quiet unless their pet is constantly jumping on me or is trying to bite me. Even the friends of mine who have dogs that greet you by sticking their snouts into your crotch are a bit annoying but still loveable. Having started out in veterinary science during my college years, I have always had a soft spot for animals. With that being said, I was looking forward to this comedic drama; however similar to what I said previously, I loved the dogs in this adventure film but was not fond of the script. THE relationship between dogs and their owners is explored in this heartwarming film. Directed by Lasse Hallstrom (Salmon Fishing in the Yemen, Hachi: A Dog’s Tail) and starring Dennis Quaid (Frequency, Vantage Point) as Adult Ethan, Juliet Rylance (Frances Ha, Sinister franchise) as Ethan’s Mom and Luke Kirby (The Samaritan, Shattered Glass) as Ethan’s Dad; this movie based on the novel could have been a much better picture. I was aware of the controversy surrounding a video that recently popped up of one of the dogs, but I did not feel I had all the facts to make a proper decision yet. In the meantime the script was so heavy handed that it was dripping with cloying sweetness to purposefully pull at the viewer’s heartstrings. The story was predictable and kept everything in a narrow band of emotional depth; it could have been decent if the writers had backed off from focusing on manipulating the audience’s hearts and concentrate on telling a straightforward tale. I found myself getting bored though I mostly enjoyed Josh Gad’s (The Wedding Ringer, Love & Other Drugs) voicing of Bailey. Part of me wants to give a better rating for the dogs’ performances but I know I need to be impartial. The movie studio may have had good intentions but the end result did not fit together very well.
1 ¾ stars
WHETHER there are one or two parents, raising a child is a daunting experience. Some parents use the way they were reared as a blueprint to raise their baby; others use their family members to assist them with their children. From my experiences I have witnessed such a wide variety of methods I cannot say one works better over another way. I have known some parents who worked diligently to shelter their children from everything they did not approve of in the world. Take for example slang words or as some refer to it as “swear” words. There was a couple who forbade their kids from ever uttering such words, to the point of checking every movie first before allowing them to watch it. When the children reached that age where all kids start to enforce their independence, they were ridiculed when they would tell one of their friends they said a “bad” word. SADLY I knew parents whose children grew up with the same prejudices their parents unwittingly displayed in front of their kids during their formative years. A method I have seen done successfully more times than not is exposing the child to most everything in life and explaining it. When these parents first heard their children say a slang word, they did not show anger or discomfort; the parents sat down and explained why saying such words would be hurtful and ugly. I have been impressed with the parents who take their children to volunteer at soup kitchens and shelters, exposing them to people and things their children may not experience in their local environment. Another thing I have noticed is the difference in children who were raised hearing their given language spoken properly to them instead of being talked to in “baby talk.” To me it seems these kids have an easier time articulating their feelings and thoughts. Being a fan of exposing a child to the world around them I feel I had a better understanding about the mother in this dramatic comedy. RAISING her son Jamie, played by Lucas Jade Zumann (Sinister 2, Chicago Fire-TV), without his father made Dorothea, played by Annette Bening (Rules Don’t Apply, Danny Collins), decide to expose her son to other points of view. Though they did not know it Julie, Abbie and William; played by Elle Fanning (The Neon Demon, Ginger & Rosa), Greta Gerwig (Mistress America, Maggie’s Plan) and Billy Crudup (Jackie, Big Fish); would all be contributing to Jamie’s journey to adulthood. This film festival winning movie’s story was set in southern California during the 1970s. I thought the acting was excellent with Annette making this one of her best roles. The script did not focus much on the character’s history, instead providing the viewer with snapshots of the characters’ current lives. One of the things about the story I appreciated the most was taking what was essentially a coming of age story and turning it into something new and different. In a way I found the story more authentic; in turn, I felt more connected to the characters. There were some scenes that did not work as well however, but nothing in a major way. I may not have agreed with everything Dorothea was doing in regards to raising her son, but I did walk away respecting her choices.
GREAT results can happen when one’s dream remains in a somewhat fluid state, like a soap bubble that grows with the input of more air. A young person grew up with the dream of living in the country, where her art studio would inhabit the abandoned barn on her property. Her skills as an artist were refined over the years to the point she was able to earn a living selling her works. From each sale she took a portion of the profit and squirreled it away to eventually become the down payment for her dream. But something happened when she fell in love with a man who had his own dreams. Ever since he was a young boy he wanted to live in a high rise apartment building that had a doorman. All of his schooling was laid out towards making his dream come true; he finally had his dream job that took him to all parts of the world. The only thing left was to save up and find that special apartment that would be his home base, a secure beacon high above the city. DREAMS have always been a part of my internal motivations. The story I wrote to start out this review is similar to something I experienced when I met someone who had their own dreams. Trust me it was not the easiest thing to do, to let someone else’s dream form a bond with my own; however, once I realized our dreams could blend together without losing our goals it got easier. A relationship is partially a negotiation, a compromise; the key is paring down to the important aspects of one’s dreams then finding a way where they can remain intact within the new dream being formed between two people. Let the couple in this musical movie show you. SPARKS formed right from the start when aspiring actress Mia and jazz musician Sebastian, played by Emma Stone (The Amazing Spider-Man franchise, The Help) and Ryan Gosling (The Big Short, The Place Beyond the Pines), first met. Each came into the relationship with a dream; the question was how to achieve it. This comedic drama started out with a bang by having a big, opening musical number. If you are not a fan of musicals and their history there is a good chance this film will not have a strong impact on you. I knew Ryan had a musical background but did not know Emma could sing; both of them had a wonderful chemistry together. With J.K. Simmons (Whiplash, The Closer-TV) as Bill and musical artist John Legend (Soul Men) as Keith for part of the cast, the story was partially an homage to those old fashioned musicals from the 1930s and 40s. The dance numbers were fun but I found the music only okay, nothing very memorable. The allure of this film I believe is due to its novelty; there hasn’t been a good film in this genre recently. I will tell you I enjoyed this movie, especially the story line; however, I was a bit confused to the point I felt I must have missed something, wondering if I needed to see the movie again. Maybe from the unavoidable buzz I was hearing I dreamt this was going to be one of my 4 star movies.
FOUR years attending the same school taught me more about social dynamics than any of my classes. I am not sure this applies to every school; but going into high school I was not prepared for the pecking order that was established for the student body. It could easily have been called a caste system because there were the “haves and have nots.” Within a short time one group that quickly formed were the popular kids. This class was made up of jocks, cheerleaders and anyone who the majority of students deemed beautiful or handsome. From my experience this was the alpha group. STUDENTS with the best grades, who did not qualify for the alpha group, formed their own clan known as the “brainiacs” aka smart students. Now this group used their collective intellect to thwart the jock group as a counterbalance to their top status. This group tended to be more receptive in allowing classmates to join them. If one was not fit for either of these two groups then there was a lower status group known as the “good students.” Though not as high in status, the students in this group never got in trouble, did nothing to standout in an inappropriate way or clash with any of the other groups. Continuing down the food chain so to speak there is the group referred to as the stoners. For anyone displaying behavior associated with drunkenness or high on drugs, this was their group. They did not care about the status of the other groups, barely acknowledged them or did not care at all. There are sub groups and such but down at the bottom were the leftovers in the student body and they were considered the losers. The kids in this group had to be on guard because they could be easy targets for any of the other groups. The toughest part of this caste system was trying not to carry it with you as your time served was ending. ALREADY not feeing connected to her fellow classmates Nadine, played by Hailee Steinfeld (True Grit, Begin Again), at least had one good friend. However that was not going to be enough considering her brother Darian, played by Blake Jenner (Everybody Wants Some, Glee-TV), was a star football player. This coming of age comedic drama was not like the other films that have been done in this category. With Woody Harrelson (Out of the Furnace, Now You See Me franchise) as Mr. Bruner, Kyra Sedgwick (Gamer, The Closer-TV) as Mona and Hayden Szeto (The Unbidden, Chop Shop-TV) as Erwin; this cast not only performed well together, they appeared authentic in a modern way. My experiences both helped and hindered my involvement into the story. On one hand I understood the dynamics perfectly, but then some of the scenes did not seem real to me only because I had never encountered them when I was in school. There were a couple of times that my disbelief took over which lost the scene for me. However the acting was sharp as was the script; so I was able to get back on track with the story. Having seen this movie only confirmed my belief that high school is not meant for the weak.
Unless there is something seriously dramatic going on there is no way to know your family may be different from other families. This is one of the reasons we initially grow up believing we are just normal. However once you start experiencing the dynamics within other families it can be eye opening. I remember the first time my best friend invited me for dinner when we were in 3rd grade. Sitting there I knew something was just different about his family. His older brother sat at the dinner table with us and the parents, but he never said a word to me or his younger brother. He only would talk to the parents but just barely. To an outsider they would say that brother was just being rude, but to a young me I thought he was mean. As I grew and had more opportunities to be around other families I actually started to enjoy the experiences. I wonder if that was the start of my interest in pursuing interests in psychology. A college friend invited me to their home for the weekend where I wound up feeling like I was on one of those old family television shows from the 1950s or 60s. Every family member would get dressed up for dinner; I could not understand how the mother could cook an entire meal yet look like she was ready to go out on the town. There was another family I experienced that cursed at each other like they were just having a friendly conversation. Oh and how could I forget the family that shared a meal with me where all and I mean all the home cooked foods were barely edible to me? I do not want to sound ungrateful but nothing tasted like it was supposed to taste and some things did not look like they were cooked enough; yet all of the family members carried on about the food as if it were the best thing since sliced bread. It just goes to show there really is no such thing as a “normal” family. ONLY after his mother was admitted into the hospital did John Hollar, played by John Krasinski (Away We Go, 13 Hours), travel back home to be with his family. One tends to forget about their family when they are away from them. This film festival nominated comedic drama also starred Margo Martindale (The Hours, August: Osage County) as Sally Hollar, Sharlto Copley (Elysium, District ) as Ron Hollar and Richard Jenkins (The Visitor, The Cabin in the Woods) as Don Hollar. I thought Margo and Richard were the best out of the cast. The story had fun moments in it but there really was nothing that moved me to think I was watching a good movie. Maybe because there were a variety of issues taking place I felt nothing stood out except for Margo’s character. The actors tried their best I believe and John who also directed did a decent job; but the ending left me with a blah feeling. I do not know if it is because I have seen my share of dysfunctional families that I did not think this film was any big deal.