THE ONLY PEOPLE who were embarrassed by the couple’s accents were their children. To everyone else the mother and father talked that way because they were European. As far as I knew there was no derogatory intent by saying someone was European, Asian or by some other region of the world. For me I was intrigued with the fact that a friend would have a living relative from a different country; since most of mine had come to the United States either at birth or were dead by the time I was born. Some of the children were able to speak to their parents in their native tongue but they only wanted to do so when no one else was around. It is funny though; by the time these kids reached the grade levels were a foreign language was required in school, they usually got top grades. I would be lying if I did not say I was a bit envious since I struggled with the language I chose to learn. THERE COMES AN age in a child’s life where I think it is natural for them to feel embarrassed at times by their parents’ actions. I think it is just a generational thing, like styles of clothing or genres of music. Each generation wants to own something unique to them that was not from their parents’ generation. Hanging out at a friend’s house, it was not unusual for a parent to come check on us. However, some parents would ask questions or try to fit into our conversation. At this point the parent’s child would do or say something to try to get their parent to leave. I remember one parent who would come into the basement where we were listening to music and try to dance to it. This always produced a groan from their son or daughter. In the scheme of things, compared to what was shown in this dramatic film based on a true story, dancing around would be the very least thing to be embarrassed about. GROWING UP IN a constant state of change and disarray had effected the children of Rex and Rose Mary, played by Woody Harrelson (War for the Planets of the Apes, Wilson) and Naomi Watts (The Book of Henry, Demolition), in ways that would last for a lifetime. This biographical film also starred Brie Larson (Free Fire, Room) as Jeannette, Ella Anderson (The Boss, Mother’s Day) as a young Jeanette and Max Greenfield (The Big Short, New Girl-TV) as David. The story was so bizarre to me that I wondered if the scenes I was seeing really happened in the life of this family. I thought the acting was wonderful, especially from Woody and Brie. At first I was not too crazy about the jumping back and forth in time method, but realized at some point it made better sense to tell the story that way. It emphasized the way the adult versions were acting in their scenes. The issue I had with this picture was the latter part; it seemed as if things were tied up in a quick and easy way. Having not read the book, it just came across as not having the realness of the other parts of the story. I almost want to say it was being painted with a happier ending just to please the movie goers. The book I am willing to bet is more intense than this film. Not that anyone needs to be embarrassed with the final product here; the story still is unbelievable and in my opinion sets a different standard for defining a dysfunctional family.
2 ¾ stars
HATE DOES NOT discriminate or it just has poor aim. I was standing outside with a group of people who came from diverse backgrounds. We were talking and laughing while deciding where we wanted to go eat. A vehicle driving down the street slowed as it neared us, not that any of us were paying attention to it. A beer bottle flew out the window at us before the vehicle sped away. Luckily no one got hit with glass as it shattered in front of us on the sidewalk, but a couple of people were splashed with beer. There was no reason for it; it wasn’t like we were provoking anyone. You could say it was a random act of violence but I would not believe it. I felt some of the people in our group were the target because I caught a glance of the vehicle’s bumper where there was a sticker. Maybe I was wrong for not mentioning it but I did not want anyone to feel worse or different than anyone else. THE THING THAT puzzles me about hatred is how it gets formed in a person. Having been the victim of both acts of hatred and bullying, I have tried to understand the prejudicial mind or let me say bigot. Why does the life of a complete stranger, who has had no contact with you or whose actions have no bearing on your well being, affect you in such a way to lash out at them? I have thought about this for years; in fact, I still remember a story I heard about a family friend who hated a particular minority group. The reason was because his brother was murdered by an individual of the same minority; that was it. That is one of the reasons why I say hate does not discriminate. I used to think hatred was this laser focused emotion that targeted only a single individual, but it appears to me as if that focus has widened to engulf anyone in its path or intent. And especially when the person filled with hatred is in a position of power it can become intensely lethal. This film’s story is based on true events, so you can see what I mean. THE TIMES WERE volatile as racial tensions rose in the city of Detroit during the late 1960s. From a single sound of a gun going off the guests of the hotel Algiers were subjected to a night of terror. Directed by Kathryn Bigelow (Zero Dark Thirty, The Hurt Locker), this historical crime drama starred John Boyega (Star Wars: The Force Awakens, The Circle) as Dismukes, Will Poulter (We’re the Millers, The Revenant) as Krauss, Jacob Latimore (Sleight, The Maze Runner) as Fred and Algee Smith (Earth to Echo, The New Edition Story-TV) as Larry. The majority of this movie was filled with heightened tension and anxiety; I was mortified by the things I was seeing on screen thanks to Kathryn’s eye for detail and buildup. She did an incredible job as this picture felt part documentary, part reenactment. The acting from John Boyega and Will Poulter was outstanding. I swear John reminded me of a young Denzel Washington; it was amazing to see him in this role and to see the depth of his acting skills. The same has to be said for Will too. There was a bit of manipulation I felt where the violence and human ugliness were used to move the audience members. Despite feeling that way I still was affected by the story. A majority of people might feel uncomfortable sitting through this film and that would be a good thing.
3 ½ stars
THE HONEYMOON phase is a real thing in a burgeoning relationship. However it can be quite deceptive for the individuals. I have seen many couples during this period who were bubbly and giddy in love, freely participating in public displays of affection. To the outsider they appeared perfectly in synch and for all intents and purposes they might have been. But it is here where that deception comes into play. With the couple exploring their love connection they might begin to feel that they could be together forever…and they just might succeed. But when 2 people never go past this faze to their real daily world, any slight obstacle can trip them up with drastic consequences. They were so focused on the happy, joyful, loving experiences they never took the time to really learn about each other. Even if some individuals are conscious about the different phases to a relationship they may fear showing their faults or quirks to their partner in love. RELATIONSHIPS take work sometimes; it would be great if everything was simple and easy but most people are complicated. From my past experiences I have learned to express my feelings more and not hide my quirks so far in the future hopes. The reason being I need a person to love me for who I am, instead of them focusing on the good stuff and thinking the difficult things will disappear or worse yet that they can change them in me. Going into a relationship with the idea you can change someone is the quickest way to kill the relationship. I mentioned in an earlier review about being with someone who resented me teaching fitness at night, but there have been others who thought they could change me to suit their needs. I will say it helps if a person will talk about their needs instead of going into a relationship under the pretense the person they are in love with will figure it out. I may not be an expert in the relationship department but I do know a relationship needs communication and respect. Feel free to take a gander at this Oscar nominated romantic drama to see what I mean. DISSIMILAR backgrounds and beliefs were not a concern for Elise and Didier, played by Veerle Baetens (The Ardennes, Code 37-TV) and Johan Heldenbergh (The Zookeeper’s Wife, The Brand New Testament), when they first met. Their love of bluegrass music and physical attraction to each other was a good start to begin a relationship. They were setting themselves up for a fall when their lives took an unexpected turn. This film festival winning musical movie also starred Nell Cattrysse (Labyrinthus, Het Vonnis) as Maybelle and Geert Van Rampelberg (The Treatment, The Memory of a Killer) as William. I thought the acting was excellent because to me Didier and Elise came across as a real couple. The script surprised me and I will tell you why. Normally I am not a fan of a story jumping back and forth in time; but in this case, it worked to break up the intensity of the situation with the musical numbers and home life scenes. There was honesty in the script, where I felt myself getting drawn into the lives of these people. As I stated earlier relationships are not always easy. Flemish and Dutch were spoken with English subtitles.
3 ¼ stars – DVD
CUTTHROAT was the best term to describe him. When first meeting him you would be left with the impression that he was a funny, laid back sort of fellow. Looks can be quite deceiving because that is what I originally thought of him. We used to work for the same company; I was involved with inventory and he was in sales. Dressed immaculately every day, he walked around the office like a proud peacock; I know that may sound like a cliché but he really did. If he had had feathers attached to his backside they would have always been fanned out to draw attention to him. Underneath that polished and pleasant veneer there was a hunger for money. In sales that would be a good thing; however, he had no boundaries. He would lie, cheat, essentially anything to make a sale to increase his commission check. Sure the company benefited but his goal was his bank account. THERE has been several times where I have encountered this type of individual in other settings. It always makes me uncomfortable because I can never get a sense of trust established with the individual. I am all about trust; even at a big box retailer where I know the sales help does not get commission, I will end a conversation with someone who I feel is not trustworthy. Maybe this is prejudicial on my part, but I am simply going with my feelings. It is irritating when an employee gives the consumer the wrong information; I would rather they say they do not know and offer to find someone who knows the answer to my query. When the sales staff at a retail establishment works on commission it can be an ugly experience when you walk through the doors. They can descend on you like a pack of vultures spotting fresh road kill. You will understand my point if you watch the main character in this film festival winning dramatic movie. HEADHUNTER Dane Jensen, played by Gerard Butler (Playing for Keeps, Olympus Has Fallen franchise), would do anything to close on a sale. Even his family was not immune to the ramifications of his actions. With Alison Brie (Sleeping with Other People, Mad Men-TV) as Lynn Vogel, Willem Dafoe (The Great Wall, The Grand Budapest Hotel) as Ed Blackridge, Gretchen Mol (Manchester by the Sea, 3:10 to Yuma) as Elise Jensen, Alfred Molina (The Da Vinci Code, Spider-Man 2) as Lou Wheeler and Max Jenkins (Popstar: Never Stop Never Stopping, Sense8-TV) as Ryan Jensen; I was not impressed with the acting. Part of me feeling this way was due to the poorly written script; it was beyond predictable, so pedestrian. Add in the uninspired directing and I was bored through most of the film. Gerard gave it a good shot but being a non likable character did not help me. I could not relate to him; though some would say being unlikeable was good acting on his part. As for the script it was riddled with clichés and emotional manipulations. Funny for a film about sales it certainly had a poor sales pitch for the public. Never seeing a trailer for this at the movies should have been my first clue for what was in store for me.
1 2/3 stars
THOUGH I had made my way to the front I was nervous by the amount of people that were filling up the train station platform. I had not reached the start of the yellow warning strip at the edge of the platform, but one big surge or push could have detrimental results for someone. Something must have happened somewhere along the route to delay the train; the information board only listed a flashing “delay” notice for this particular train line. Everyone was being squeezed together. You could only hope the person behind you was not carrying any large packages that would dig into your back. On the plus side we were not waiting on one of the above ground stations out in the freezing cold. We were standing in a subway station underneath the downtown area. AFTER what seemed an unbearable amount of time the information board listed the arrival time for the train. I knew it was going to be a challenge to get on the train, let alone get a seat. If the train was skipping stations to make up the delay the chance would be better the passenger cars were not packed. However if it was making its usual stops, by the time it reached my station, the cars could be overflowing with people. As the train finally pulled into the station I saw the cars were over half filled with passengers. I had a good chance based on where I was standing; but only if the doors of the car stopped close in front of me. Luck was with me, one of the train car’s doors stopped directly in front of me. The two people ahead of me quickly moved inside; I followed them and we manuveured to the middle of the car as best we could. The reason was the tightest fit always occurred by the doors and one would have to constantly adjust their place as people tried to exit or shove their way inside. One could not help feeling bad for the passengers who got left behind as they watched their train pull away from the station. I felt much worse for the soldiers in this dramatic action film based on true events. MILITARY forces from Belgium, France and the British Empire were surrounded by the Nazis. The only way out was by sea, where they could easily be picked off by the enemy’s firepower. Written and directed by Christopher Nolan (The Dark Knight franchise, Interstellar) this historic war picture starred newcomer Fionn Whitehead as Tommy, Damien Bonnard (A Perfect Plan, Staying Vertical) as a French soldier, Mark Rylance (Bridge of Spies, The Other Boleyn Girl) as Mr. Dawson and Kenneth Branagh (My Week with Marilyn, Rabbit-Proof Fence) as the commander. This movie was not only beautifully filmed; it was enhanced with the incredible musical score that played a part in building up the tense scenes. The story was incredible and I felt Christopher kept it simple because honestly the event could speak for itself. With the placement of the cameras Christopher was able to maintain a deep emotional connection to the viewing audience. I saw this movie in an enhanced theater where the seats vibrated based on the sound intensity; it added more to my experience and level of enjoyment as I felt I was part of the scenes. This was such a well done picture and though my chances of dying on that train platform were slim, I could relate somewhat to the soldiers’ plight in this courageous story.
3 ½ stars
THE ghost from the love of her life remained close to her even after she found herself alone. They had been together for some years so the ghost was familiar with many of the things she enjoyed doing when she was part of a couple. She would hear a particular song and feel a tug at her heart as her feet prepared to move into step to the music; it was their song they danced to when they first expressed their love for each other. The times when she drove by the lake she could look out and almost see the two of them frolicking between the waves. No matter where or when she would experience these random moments, where she sensed there was something around her, it would alert at least one if not more of her senses. An aroma, a sound, a particular look to something and she would feel her heart sigh, experiencing a brief feeling as if she was not alone. WHEN it comes to whether I believe in ghosts or not I do not have an opinion one way or the other. Let me say I believe anything is possible just because there have been things I experienced that cannot be explained. Maybe there are invisible souls connected to us in some way; how would we really know? I will say love can affect us in such a strong way that sometimes the connection never gets broken. To this day there are a few songs I hear that immediately send me back to a time where I was sharing life with another. As time goes on I do not believe we really forget someone; I feel we just create different routines that do not always take us to the same places we used to share with them. Not to say everyone does this; there are some people who prefer staying in the same spot so they do not have to move on. EVEN in death C, played by Casey Affleck (Manchester by the Sea, Out of the Furnace), found himself in the same home he shared with M, played by Rooney Mara (The Social Network, The Girl with the Dragon Tattoo). The difference was she could not see him. Written and directed by David Lowery (Pete’s Dragon, Ain’t Them Bodies Saints), this dramatic romantic fantasy offered a deep message. I appreciated how the script tackled the topics of love, loss, legacy and connection; however, I thought the presentation of it was a slow process. One would expect the acting to be good coming from Casey and Rooney and for the most part it was, though over half the movie Casey was covered in a white sheet. For me the pacing was tedious and it was apparent I was not the only one who felt this way. During a scene where Rooney was eating an entire pie, an audience member yelled out, “It is enough already,” when the camera remained on Rooney the whole time; it really was getting painful to watch I have to say. And this is the issue I had with this picture; there were several times where I wanted to flip a switch to make the film go faster. From the trailers I was intrigued by this story and wanted the movie to be a good viewing experience. The story made me think but its execution was not entertaining for me and that is how I base my ratings.
THERE were days where it felt he had a target painted on his back. What he originally thought were random acts of violence, where he happened to be the wrong person in the wrong place at the wrong time, he began to realize he was the main focus of the perpetrators’ aggression. Unfortunately bystanders around him would also fall victim to the violent acts. Being unexpectedly pushed from behind would cause him to fall into anyone standing in front of him, resulting in the chance they could topple and injure themselves. A liquid filled container thrown at him would also have an impact on anyone around him. He could never understand the hatred towards him. It was not like he started a fight or something; he pretty much fell into the average category, avoiding any type of conflicts or confrontations. His attitude was “live and let live” when it came to the behavior of others; however, there were days where it was a challenge to maintain that attitude. SEVERAL weeks of constant attacks pushed me to a place I had never been before. With my friends being affected from the fallout and me becoming consumed with a deep set hatred towards my aggressors, I lashed out at one of them when he was alone. It was the only time I instigated a fight. What worked in my favor was the fact no one would ever imagine me picking a fight. Adding in the element of surprise, I was set to let all of my anger out onto this one individual while I kept telling myself not to get hit in the face and start crying. My hope was if I could show this one person that I could fight back that he and the rest of his kind would stop picking on me. A similar train of thought was considered in this 3rd installment of the rebooted action adventure franchise. WHEN his enclave came under attack Caesar’s, played by Andy Serkis (The Lord of the Rings franchise, The Prestige), hopes of peaceful co-existence seemed an impossible reality. He would be forced to confront the ugliness of man head on. Compared to the two previous films I found this science fiction story incorporated elements of American slavery and the Bible; especially in regards to Moses and the 10 commandments, at least the movie version. With Woody Harrelson (The Edge of Seventeen, Now You See Me franchise) as the Colonel, Steve Zahn (Dallas Buyers Club, A Perfect Getaway) as Bad Ape, Karin Konoval (The Movie Out Here, 2012) as Maurice and Amiah Miller (Lights Out, How We Live-TV movie) as Nova; I realized some people might not appreciate the acting skills of some of the actors who were CGI enhanced; but I have to tell you, I thought Andy and Karin were amazing in their roles. Andy, besides all of the physical acting, was still able to convey emotions with depth to his character. I will be curious to see if he gets any recognition for the amount of work he put into this dramatic picture. The special effects were well done, never over the top and appearing quite real. What really tied all of the good pieces together in this movie was the script; I felt it was well thought out, going beyond the typical sci-fi story. It had heart which quickly grabbed me into the story. As I continued to think about this film afterwards I can see where it could start a discussion about a variety of topics including our current times.
3 ½ stars
WHENEVER there was a fight that involved females, they would attract the biggest crowds. There is a term I have heard associated to these types of fights called “catfight.” As a young kid I never understood why other children would yell out this word and immediately others would scurry over to watch 2 girls battle it out. I remember a couple of these fights breaking out in the school hallways and was stunned at the viciousness on display. There was scratching, kicking, hair pulling and smacking, besides tearing of clothing. One particular fight involved a shorter girl who had transferred into our school. She actually stunned and frightened many students when she got involved into a fight with another girl. The reason being she was landing full-fledged hard punches like a boxer. Her opponent dropped to the floor in no time. STRENGTH is not something that is exclusive to the male species. I am sure I have mentioned in previous reviews my female relatives who were in the military; one was a sergeant who could nearly squeeze the blood out of your hand when she shook it. It just makes me wonder how and why stereotypes get formed. You know the ones like females are the weaker sex or are more emotional or always go to the restroom in pairs; why are such things a topic of conversation? There have been numerous times feats of strength have been reported on the news or shown on television specials. I remember from years ago a small child being trapped underneath a car and its mother pushing the vehicle off her child. Just recently in the newspaper there was an article about a father who saved his child from flood waters without the use of anything except his super human strength against the rushing water. Whether one is male or female, a parent or not; I feel when times call for it anyone will do whatever they can to survive. See for yourself in this film festival winning drama. SECLUDED in their boarding school in Virginia the lives of the student body were disrupted when injured soldier Corporal McBurney, played by Colin Farrell (The Lobster, Fantastic Beasts and Where to Find Them), was discovered on their property. Besides being injured he was also a northerner. Written and directed by Sofia Coppola (Lost in Translation, Marie Antoinette), this civil war story was utterly beautiful to watch. The scenes were full of atmosphere where I was feeling the emotions of the cast which included Nicole Kidman (Lion, Secret in Their Eyes) as Miss Martha, Kirsten Dunst (Hidden Figures, Upside Down) as Edwina and Elle Fanning (The Neon Demon, 20th Century Women) as Alicia. The acting was outstanding especially from Nicole; there is no denying when she is on screen she commands one’s attention. I know this story was done before; but what I enjoyed about this version was the fact it was coming from the women’s point of view. The story was a fascinating one for me because of the women being southerners and Colin’s character was from the north. Everything appeared to hit the mark until I got deeper into the film. Based on the scenes I actually felt there needed to be more intensity coming out of the characters. With that type of cast they could have easily delved further down and made a bigger impact. I still enjoyed watching this picture, loving how some of the scenes were set up visually. One thing for sure after seeing this movie, one cannot assume someone is weaker than another.
SITTING in the waiting room there was a woman near me who was feverishly knitting. I could not tell what she was making but I was fascinated with the dexterity of her fingers; they looked like spider legs that were spinning silk into a massive web. Normally I would not have paid much attention to her since I know many people who take their knitting with to work on pieces when they have free time. There was something different about her though; her pace I can only say was caffeinated. However I noticed one of her legs was deliberately shaking up and down, like a mini pneumatic power jack. This is something I do when I have excess energy but I also know people do it when they are nervous or anxious. To tell you the truth she did not look relaxed at all; there was an intensity about the way she sat in her chair and there were no clues on her face telling me she was relaxed. I do not know maybe knitting was her therapy; it was a valid point. HOWEVER a person deals with stress is their business; I give them credit for finding an outlet to eliminate it as best as they can from their body and mind. When I had access to a piano it was my “go to” place whenever I was troubled or under stress. Creating music was a soothing experience where I could get lost and forget the reality I was experiencing. I would assume almost every person has some outlet that provides them a peaceful place. For some it may be participating in or watching sports programs, others may take long walks. Teaching yoga these past years has provided me another outlet where I can experience calmness. That is the key when it comes to disconnecting the mind from a stressful situation; one has to focus on the thing they love and stick with it. It is because of that I found myself intently following the story in this film festival winning movie based on a true story. MAUD Lewis, played by Sally Hawkins (A Brilliant Young Mind, Blue Jasmine), loved to paint. No matter what anyone thought or did to her, her painting brought her comfort. No one thought much of her work except one person. This biographical romantic drama had a pure beautiful story. With Ethan Hawke (The Magnificent Seven, Training Day) as Everett Lewis, Kari Matchett (Civic Duty, Cypher) as Sandra, Gabrielle Rose (A Dog’s Purpose, The Sweet Hereafter) as Aunt Ida and Zachary Bennett (Hacker, Jack) as Charles Dowley; the acting between Sally and Ethan has to be seen to be believed. Sally was incredible and deserves to be nominated for a film award. I never heard of Maud Lewis but I absolutely enjoyed the arc to this film’s story. The depth and the transformations displayed by the characters kept me engaged throughout the picture. Set in Nova Scotia, I thought the natural beauty of the landscapes created wonderful opportunities for the filming process. Simple scenes were still able to convey emotions clearly. I did wish the writers had provided a little more background information for Maud and Everett, particularly Everett because I was not sure what was motivating his emotions in the early parts of the story. However this was a mild concern. The human character is amazing and seeing what a person can create out of troubling situations is a beautiful feat.
WATCHING the irate customer badger the salesclerk over the rung up price for a box of cereal reminded me of myself. How awful; I saw myself in this belittling loud consumer. Having a storehouse of anger inside of me made me be a walking pressure cooker. One perceived wrong being done to me would set me off, always going over the top since I had a vast amount of anger readily available anytime. As the salesclerk remained calm, though I could see her eyes constantly scanning for a manager, I wondered how many people thought I was a crazy person. On a positive note, if you want to call it that, at least I could observe the situation and acknowledge I used to act that way; grateful that I dealt with my issues and was able to rise above the source of anger. Don’t people say recognizing the issue is the 1st step in the healing process? HAVING the opportunity to grow old allows one to reflect on the multitude of personas they wore in their life. Not too long ago I was talking with a friend, mentioning something about being a former participant in a local group. My friend was taken by surprise because they never pictured me in such an activity. Curious, they asked how that came to be and why I was no longer interested in it. As I shared that part of history with them, I saw myself back in that period of time. I felt like I was talking about a distant relative like a 2nd or 3rd cousin; you know, having a blood connection but far removed to the point where there is a different level of familiarity. One of the pluses of having this type of conversation and reflection is it provides one with validation to what they have become. This dramatic comedy offered me the opportunity to see separate versions of who I used to be. WITH a broken down car in her client’s driveway holistic practitioner Beatriz, played by Salma Hayek (Here Comes the Boom, Once Upon a Time in Mexico), was invited to stay for a dinner party. For some of the guests she was the entertainment. With a cast that included John Lithgow (Miss Sloane, Love is Strange) as Doug Strutt, Connie Britton (American Ultra, Friday Night Lights-TV) as Cathy, Chloe Sevigny (Boys Don’t Cry, Big Love-TV) as Shannon and Amy Landecker (Doctor Strange, A Serious Man) as Jeana; the acting in this movie was excellent. John was the perfect choice for that character. As the story started out I was interested in the activity, particularly once the guests arrived for I found the mix of them familiar ground to my experiences. There were different ways to look at the story; it was easy to plug in variations of the good vs. evil scenario, which I will leave for the viewer to explore. However as the story unfolded I found myself losing interest. There was something lacking for me to the point I was feeling less connected. Honestly my connection to this picture was the opportunity it provided me to reflect on portions of my former life. At the end of the movie I felt unsatisfied. I would have appreciated more intensity and more discussion of philosophies between the characters. Instead I wound up getting annoyed by John’s character (which I thought was intended) and not caring for the ending. This was a mixed bag for me, but I did enjoy the opportunity to do some reflection.
2 ¾ stars