THE WORD “BETTER” can be used like a knife. On one hand it is a tool that assists in creating wonderful food dishes in the kitchen; but on the flip side it can be uttered at a person, denting their self-confidence. The person who uses this word may think they are being complimentary; sometimes they are clueless however, not aware of the impact they are having on someone. We can all agree the statement, “Hope you get better soon,” is a positive comment. Telling a friend the dress they are trying on looks better on them than the 1st one they tried is also a positive and maybe helpful statement. When one uses the word “better” in this type of context I am totally on board. NOW YOU MAY not agree 100% with me but I am not a fan of the word “better” when it is used for motivation; it does not always motivate. A teacher telling a student they could have done a better job on their assignment does not have the same effect as asking a student to explain their decisions in doing the homework they way they did. I have learned more when I have been asked why I chose such and such or how I came to that conclusion. Having someone just telling me I could do better does not sit well with me; from my experiences it tends to have a negative connotation. I remember a school project I worked on for a couple of weeks. When it came time to get reviewed one of the things the teacher expressed to me was how she was looking forward to my next project because she knew it would be better. What does that exactly mean? Was she telling me my current assignment was just okay? I will tell you what her words and the comments I received from several sources through my life did to me; they made me more determined to prove them wrong. Hmm, was that their original intention? DESPITE HIS FATHER Sal’s, played by Victor Garber (Titanic, Argo), objections about his writings Jerome David Salinger, played by Nicholas Hoult (Warm Bodies, Mad Max: Fury Road), refused to give up. He felt he had something to say. This biographical drama also starred Sarah Paulson (Carol, American Horror Story-TV) as Dorothy Olding, Kevin Spacey (L.A. Confidential, House of Cards-TV) as Whit Burnett, and Zoey Deutch (Everybody Wants Some!!, Why Him?) as Oona O’Neill. I thought the cast was excellent along with their perfect for the period outfits and the settings around them. If what I was watching was true then the story was fascinating to me about the reclusive author. His book “The Catcher in the Rye” was required reading at my school; I assume most schools across the country had it as part of their English/Literature classes. What did not work for me in this film was the script. There already was a curious mystique to J.D. Salinger; I felt like I was not learning anything new that I had not seen in the news or on the internet. There was a weakness in the drama that kept most things on an even keel in my opinion. From what I was watching I wanted to learn more about the motivations behind the actions; instead, the scenes seemed like they were glossing over the details. If there was an opportunity to ask the writers, I would ask them why they chose the parts they wrote about in this script.
IF there is something harder I do not know what it could be. To see a loved one not only suffering from a health issue but also totally aware of it is awful to witness. I have always said when a loved one dies suddenly it is harder for those who remain behind; when a loved one dies after a long illness it is harder for them. After seeing someone in pain and anguish for a long duration, for those who were witnessing it, there is a sense of relief at the time of the sufferer’s passing. This has been my experiences as well as the friends and family around me. I remember walking into the hospital room of a loved one and being stunned on how much their face had changed from their disease. The face looked like one of those death masks that one would see on display at a museum, except it was hollowed out at the cheeks and eye sockets; it was just awful. Standing there in the room I thought to myself there is no reason they need to stay alive and suffer so much. I understand there are some people who want to hang on to every extra minute they can get by keeping their dying loved ones alive longer. Please I do not want to upset anyone but I have seen people treat their pets better than their relatives and friends when it comes to ending the suffering. WITH that being said I know I would do everything I could to help a loved one get whatever treatment they needed to extend their life as long as they were not suffering. If it meant learning how to administer pain medicines or get the ill person to therapy sessions, whatever it took I would attempt it. But here is the thing that gets me, what about people who do not have any health insurance or worse they are not able to handle the out of pocket expense? Can you imagine what it must feel like to know there is a treatment out there to help your loved one but the cost was too great? How brutal would that be and here is an example of it in this dramatic action thriller. THE thought of losing his girlfriend Juliette, played by Felicity Jones, was too much to bear for Casey Stein, played by Nicholas Hoult (X-Men franchise, Mad Max: Fury Road). He was willing to do an illegal job to get the money he needed for his girlfriend’s operation. Unfortunately the job did not go as planned. This film had such a competent cast that also included Anthony Hopkins (The Elephant Man, Hitchcock) as Hagen Kahl and Ben Kingsley (Learning to Drive, Schindler’s List) as Geran. Why in the world did these actors sign up for such a mediocre film is beyond me? The story which we have heard before was okay, but the script was so poorly thought out that I sat in my seat and kept thinking how silly the scenes were becoming. At least the chase scenes were exciting, some across Germany’s autobahn, but even after a time I was getting tired seeing so many of them. This picture could have been better if they had written the parts in a more authentic way. In its present form I just wanted to get to a car crash to end everyone’s misery.
1 2/3 stars
There are various reasons to chase someone and I think I have experienced most of them. I can remember as a small child the thrill of having a relative chase me around the house. Funny for their size and age it was surprising they did not catch me more times than they did back then. I understood this better when I started being asked by my younger relatives to try and catch them. Then there was the time I was riding my bicycle in the neighborhood and a neighbor’s dog ran after me when I passed in front of its house. I was huffing and puffing as I sped away, not sure if the dog was being friendly or protecting its territory. Another form of chasing is when you spot someone you know in a crowd and you try to catch up to them. Out of the different reasons for being chased the one that produces the most adrenaline is the one where you feel you are about to receive bodily damage if you are caught. In that split second when you realize the person or the group assembled in front of you wants to hurt you, your entire body springs into a hyper accelerated gear as you try to run away. All of your senses fine tune themselves to accept clues from your surroundings at a faster clip. The eyes continuously scan for clear paths; the ears listen beyond their usual range to keep track of your attackers and you feel your temperature rising to keep every muscle and fiber from tearing apart under the added exertion. An example of this can be found in this action adventure film. WITH humanity broken and barely surviving on a spent planet two rebels dream about a better place. Such a dream could get them killed. Writer and director George Miller (The Witches of Eastwick, Happy Feet franchise) did not create a remake of his original Mad Max movies here; he produced a fierce, fiery adrenaline fueled science fiction fantasy that was utterly intense. Though I could barely understand some of the dialog, this film was meant to be a visual experience. Tom Hardy (Warrior, Child 44) and Charlize Theron (The Italian Job, Monster) as Max Rockatansky and Imperator Furiosa were awesome. I loved the female empowerment angle to the story. Honestly, you can say whatever you want about the story; it really doesn’t matter because this was a visual masterpiece. There was so much action during what was essentially one long continuous chase scene that I was just amazed with the retro feel to everything. I could not tell what was CGI or what were actual stunts; even the motor vehicles were like individual characters. This picture was one stripped down, raw, death defying road trip without a seat belt. There were scenes with blood and violence.
3 1/2 stars
It can be a word or a phrase I hear and I immediately get flooded with memories from a long time ago. Hearing “Just a spoonful of sugar…” and I see myself sitting in an ornate downtown theater with my mother, aunt and cousins watching Mary Poppins on the big screen. Afterwards, we walked across the street to a department store where my cousins and I were each able to pick out one toy to buy. When I hear “I’ll get you my pretty” I can picture my aunt’s house where everyone was gathered; with all the kids in the basement sitting on the floor, in front of the television watching a special presentation of The Wizard of Oz. As soon as I heard Fee, Fi, Fo, Fum in this adventure movie; I was swept up into a mixture of childhood memories with storybook characters coming to life. Nicholas Hoult (Warm Bodies, About A Boy) played Jack, the boy who went to town to sell a horse and received magic beans for payment. Except in this updated version there were a few twists to the story. When Princess Isabelle, played by Eleanor Tomlinson (The Illusionist, Alice in Wonderland) was caught and lifted away in the growing beanstalk to the land of the giants; her father King Brahmwell, played by Ian McShane (Deadwood-TV, Snow White and the Huntsman), dispatched a rescue party to save her. Leading the party were Isabelle’s fiancee Roderick and guardsman Elmont, played by Stanley Tucci (The Hunger Games, Margin Call) and Ewan McGregor (The Impossible, Big Fish). Director Bryan Singer (X-Men franchise, The Usual Suspects) did a perfect balance between story and wonderful special effects. I enjoyed the almost cartoonish quality to the characters of Ewan and Stanley as they had to endure a more physical type of role. Surprisingly, the two leads Nicholas and Eleanor were just okay compared to the other actors. This was a fun movie, that was easy to watch with consistent pacing. It may not have had many surprises, but how could it really when one has grown up with the fantasy story.
2 3/4 stars
Love is coming home where a warm hug is waiting to brush the trying day off of you. Waking up to a gentle protective breath on your neck that kept dark dreams away through the night is love. Comfort in knowing that if you make a mistake it will not diminish one’s love for you. Even the unexpected card filled with caring thoughts is a form of love. Taylor Dayne’s song “Love will Lead you Back” would be apropos to describe this romantic comedy. From the director of 50/50, Jonathan Levine created a funny horror movie that was a relative to the story of Romeo and Juliette. Nicholas Hoult was the unusual zombie named R. On a night of feasting on humans; R became enthralled with Julie, played by Teresa Palmer (The Sorcerer’s Apprentice, Bedtime Stories), after making a meal of her boyfriend. Determined to protect her, R formed an unexpected relationship with Julie that would change the world. But R did not know Julie’s father Grigio, played by John Malkovich (Burn After Reading, Con Air), was the leader of the human zombie killers. I was totally taken by surprise with the smart and witty dialog. Nicholas and Teresa were perfectly matched, adding authenticity to their characters. Playing R’s friend M, Rob Cordday (Cedar Rapids, W.) was wonderful in his role, coming up with some great lines. My only regret was the small amount of screen time Analeigh Tipton (Damsels in Distress, The Green Hornet) had playing Julie’s friend Nora. A very entertaining film that was rated PG-13 had brief scenes of blood and gore. I was completely surprised by this fun movie. Who knew this zombie film came with a big heart.