IN YEARS LONG PAST, PARENTS WERE either cool or nerds. There was the family who had a mother that liked to dress up like her daughter. It was funny, where no one noticed the daughter’s attire; most people would not forget what the mother was wearing if they happened to see her in the neighborhood. On the other hand, there was another family that had a mother who seemed to be stuck in an era long past; she dressed and looked like an old movie to me. Mothers by the way were not the only ones who would stand out to the kids in the neighborhood. Living a couple of blocks away from me was a father who rode a motorcycle. To a young kid this dad seemed ultracool dressed up in leather jacket and pants with a matching black helmet. Another father in our school district would always tell these “dumb” jokes that made most children groan. It did not matter what our parents did for a living; every child tended to judge other parents solely on their looks and actions. The only time a parent would be considered mean was when they would not let their child come out to play. That was the extent of our feelings about parents. CURRENTLY THE NEWS HAS HAD SEVERAL stories about adults who have or have attempted to commit crimes against children. I cannot tell you how many times I have seen or read news alerts about an adult who tried to lure a child into their vehicle. Recently there was a verdict in a trial where the parents had kept their children locked in cages in the basement of their home. It is stories like these, that reaffirm my belief that people should be required to have a license to have a child. One needs a license to drive a car; so, why not have a test for adults to see if they are fit to have a child? I am not going to go into my rant again about parents who bring their young children to violent/sexual R rated films, just because they want to see the movie, or they do not want to pay for a babysitter. In fact, I am uncomfortable sometimes when I go to review a children’s animated film by myself. The reason being it looks odd to the families sitting around. There I sit, an older man without kids, at a children’s film. I have gotten some curious looks from the parents. They should see the adult in this movie if they want something real to worry about. AFTER SUE ANN, PLAYED BY OCTAVIA SPENCER (The Shape of Water, Hidden Figures), agreed to buy alcohol for a group of underaged friends; she felt it would not be safe for them to be driving and drinking. She offered the young adults her basement as a place to party and she was going to be the best host. With Diana Silvers (Booksmart, Glass) as Maggie, Juliette Lewis (Natural Born Killers, Cape Fear) as Erica, McKaley Miller (The Standoff, Hart of Dixie-TV) as Haley and Corey Fogelmanis (Girl Meets World-TV, PrankMe-TV) as Andy; this horror thriller needed to thank Octavia for starring in the key role. She was so good in the role that she creeped me out a bit. With that being said, the other aspects of this movie did not live up to the trailers. There were holes in the story where I questioned the validity of the situation; at other times, I thought the script was being lazy and generic. This could have been a real knuckle holder, but instead it only provided me with a glimmer at times of something that could have been frightening. Sue Ann and this movie had something in common; they were both troubled.
2 ½ stars
DESIRE, THAT STRONG FEELING OF WANTING or wishing for something can turn lethal if it goes unchecked. Every one of us experiences this feeling and it is okay; but just like all things, one needs to use moderation when delving into the experience. Left unrestrained, desire can go down a dark tunnel that will suck the life out of even the strongest of individuals. The following example may be too harsh for some of you, so you may want to skip to the next paragraph. I have been reading in the news about a horrific crime that recently took place. A woman desired to have a baby. Her desire kept getting stronger until she came up with a plan, enlisting the aid of her daughter and her daughter’s boyfriend. The woman befriended a pregnant woman on a website, claiming she had free baby clothes to give away. Arrangements were made to meet up and when the pregnant woman arrived she was attacked. The trio killed the woman and cut the unborn baby out of her. I do not need to go any further with this story; I am sure my point came across clearly. The idea this woman came to a point where she felt it was okay to steal a baby, and especially in such a barbaric way, is mind blowing to me. I HAVE BEEN DANCING WITH DESIRE my entire life. It took years for me to assert my will over my desire to eat any and everything within my reach. Eating from a bag of pretzels to a box of cookies was a daily occurrence between many meals. Pizza was my go to food during my college years; at one point I was eating pizza 3 times a day: lunch, dinner and evening snack. What I had to do to overcome this pattern was to switch the focus of my desire. I was tired of never finding clothes that fit me, so my desire to buy “regular” clothing overpowered my desire to eat. These days I can let my desire to eat come out on the weekends; but when Monday comes along, I must lock up that desire and return to my clothing desire. Now granted, my desires are more of a singular nature; they do not involve other individuals. However, there are people in the world who do not live with a checks and balance structure to their lives; their desire muddles the line between right and wrong. It can be seen in this horror, science fiction film. A YOUNG COUPLE’S DESIRE FOR A CHILD of their own drives them to accept a baby in an unconventional way. With Elizabeth Banks (Pitch Perfect franchise, Love & Mercy) as Tori Breyer, David Denman (Puzzle, 13 Hours) as Kyle Breyer, Jackson A. Dunn (Avengers: Endgame, Shameless-TV) as Brandon Breyer, Gregory Alan Williams (Remember the Titans, Freshman Year) as Sheriff Deever and Emmie Hunter (Forever My Girl) as Caitlyn; this story started out the same way as a famous comic book character. In fact, I am surprised the comic book company has not started legal action against the movie studio who allowed this movie to happen; though, one might be able to make the case that the studio committed a crime by taking the viewers’ money for this picture. The script was so generic and poorly written that I knew what would happen before the scenes unfolded. Why Elizabeth took this role is beyond me. I did not care for the directing and found Jackson’s performance dull. There could have been so many ways to tell this story; why the writers chose this way was puzzling to me. And the kicker to all of this; it was obvious the studio desperately desires to make a sequel. Please don’t let that happen.
1 ½ stars
I HAD A PAIR OF SHOES that I walked to death. Being extremely picky when it comes to shoes, I remember exactly where I was when I bought that pair of shoes; in a department store shopping for a gift. As I was walking around I wound up by the shoe department. On an endcap was a display of shoes that caught my eye. I liked the style and the fact they were on sale, so I decided to try on a pair. The minute my foot slipped into the shoe I immediately was taken by the comfort. This was something that doesn’t often happen to me when it comes to shoes. After I tried on the other shoe I walked over to a mirror to see how they looked on my feet. One glance and it was confirmed, the shoes were going to be mine. Normally I bring shoes home and wear them around the house for a couple of weeks to make sure they will not cause any discomfort; however, this pair of shoes I wore that night when I met friends for dinner. From that first day, I wore those shoes every day for every occasion. Even when the heels were worn down and the sole’s tread smoothed out into baldness, I could not give up those shoes. THERE ARE SOME THINGS, ONCE WE acquire them, we cannot let them go. I know this is a HUGE challenge for me. If I find something that brings me some form of joyfulness, I understand myself well enough to know I will never want to give it up. There are mementos around my house that I have had since childhood that still bring me joy to this day. A candy dish I played with as a kid; a plastic salad bowl that sat on our dining room table; even a pine cone that was given to me by a classmate in school when we got lost in a forest during a break in studies; each of these things represent a fond memory that I never want to forget. Maybe it is easy for you to remove yourself from your personal possessions; I have some friends who do a purge of their things every year to keep their homes sparse and clutter-free. I can do that on a smaller scale, but every time I try I get bogged down in the memories that float back into my consciousness from each item I see. On first meeting the home owner in this dramatic, horror mystery; I thought he had the same issue of not being able to detach himself from his possessions. MAKING THE TRANSITION FROM CITY DWELLERS to country homeowners appeared easy for married couple Annie and Scott Russell, played by Meagan Good (Think Like a Man, The Unborn) and Michael Ealy (About Last Night, Seven Pounds). It was not as easy for the man who sold the house to them. With Dennis Quaid (A Dog’s Purpose, Far From Heaven) as Charlie Peck, Joseph Sikora (Charlie Wilson’s War, Ghost World) as Mike and Alvina August (Bad Times at the El Royale, The Good Doctor-TV) as Rachel; the story seemed quite familiar to me, as if it had been done many times before. If the writers had taken a different direction, maybe this picture would have had more to offer; since the cast was quite capable. Instead, the script was awful, insulting the intelligence of the viewer. It seemed as if every other scene with Dennis focused on his sardonic, sinister smile while the couple continued to make lame decisions. I was so bored by this movie I kept hoping the house would just catch on fire to end the story. When I left the theater, I was mad I had given up my valuable time to sit and watch this ridiculous film.
1 ½ stars
MOST ADULTS, WHETHER THEY THEMSELVES ARE parents or not, do not want to see any harm befall a child. Newborn babies and animals are the most innocent beings on the planet. It is their environment that can color their pure behavior into different shades. There are a couple of mothers I know who have done incredible work finding the best options for their special needs children. One picked up and moved her entire family to a different city that had a learning facility with a stellar reputation for the things they had done with special needs children. This mother first worked tirelessly to get her child acclimated to the new environment, then focused on ushering her child into a new routine created by the learning facility. Because of the mother’s dedication, her child found their niche to excel in a particular field in the arts. The last I had heard, this child had become responsible enough to live in a dorm while taking classes; a huge milestone in this family’s journey. WITH ANOTHER FAMILY I KNOW, THE mother did not want her child to experience the things she had in her life. So, from an early age this mother instilled a fear in her child that festered and grew. When the child reached high school age, they were not prepared for all the changes that usually take place in a high school. Things like clubs and teams to join were threatening to the child as was driver’s education. From that setting the fears infiltrated into life outside of school. Taking public transportation was not an option because the child was afraid of the other passengers; the child imagined one of the passengers could follow them off the bus and do bodily harm or someone could sit next to them and try to do something inappropriate. As you can see the child’s world for the most part was a scary place. Though the mother thought she was doing the best thing, her fears got passed down to her child. The intentions may have been in the right place, but the delivery was off-kilter. At the other end of the spectrum, I recently was part of a conversation where one person was talking about a 6-year-old girl who had no boundaries, whose actions were shocking for their age. The parents did not discipline the child because they did not want to inhibit her. The school administration was having a hard time handling this child. I have been exposed to a wide range of parenting skills, so I was not surprised. However, what took place with the mother in this horror thriller was something completely new to me. THINKING IT WAS A DOMESTIC ISSUE, case worker Anna Tate-Garcia, played by Linda Cardellini (Green Book, Avengers: Age of Ultron), took action when she thought two brothers were in trouble. Their trouble would become her own children’s trouble. With newcomer Roman Christou as Chris, Jaynee-Lynne Kinchen (Self/Less, Enchanted Christmas-TV movie) as Samantha, Raymond Cruz (Clear and Present Danger, Training Day) as Rafael Olvera and Sean Patrick Thomas (Save the Last Dance, Cruel Intentions) as Detective Cooper; this mystery film had the potential to give the viewers a scary time. There were some well done scenes; though I have to say, pretty much any scenario involving children would put people on edge and make them pay attention. Unfortunately, the script was a series of standard shock scenes that did not have any substance between them. I enjoyed the buildup of suspense though there was a familiarity to the scary parts. Maybe with a little more thought and research this horror picture could have delivered a better script. As it stands now I do not think your mother would approve of you going to see it.
1 ¾ stars
OVER THE YEARS I HAVE LEARNED that each person handles death in their own way. I also know as one grows older the shock of death loses some of its harshness, in varying degrees. Without classifying them as friend, family or stranger; I knew a woman who couldn’t wait for her husband to die. At the first sign of sickness she immediately had him placed in a nursing facility; she did not want to have anything to do with him. He eventually did die in that facility. Going to a different extreme, I knew a daughter who could not accept the death of her mother. Every day she went to the cemetery to visit her mother, with a thermos of coffee and a sweet roll. She would take a folding chair with her and spend time talking to her mother while sipping her coffee, after pouring a cup for her mother that she perched on top of the gravestone. Next to that cup the daughter placed a piece of the sweet roll on a napkin. When she would leave, she would pour the coffee on the grave and leave the sweet roll. The next day when she returned she would find comfort in the absence of the sweet roll; imagining her mother must have taken it. In reality it probably was either a cemetery employee, bird or rodent. FOR MANY PEOPLE THEIR PETS ARE just as important as their family and friends. There was a man I knew who loved his pets so much that he would have them cremated. In his house he had a shelf devoted to the ashes of his pets; each pet’s ashes were placed in an urn that he would then line up across the shelf. Either resting in front of each one or hanging around the urn itself was that animal’s collar. If you think that is a bit extreme, what about those pet owners who have a taxidermist stuff their pets or freeze dry them for preservation? I have only seen such things on the news, where the dead pet could be curled up on a mantle or sitting up next to a potted plant. If I remember correctly didn’t the news report a few months ago about a celebrity who had her deceased dog cloned? The new puppy looked exactly like their previous pet. I am not one to judge; the way a person wants to handle their loss is up to them as long as it does not have a negative effect on those remaining. See what I mean in this horror thriller. MOVING FROM BUSTLING BOSTON TO PEACEFUL Maine was meant to slow down the hectic life of Dr. Louis Creed, played by Jason Clarke (First Man, Everest), and his family. That all changed when their neighbor Jud, played by John Lithgow (Leap Year, Daddy’s Home Two), showed Louis a part of their land that was supposed to be off limits. With Amy Seimetz (You’re Next, Upstream Color) as Rachel, Jete Laurence (The Snowman, Sneaky Pete-TV) as Ellie and relative newcomer Obssa Ahmed as Victor Pascow; this mystery movie had an interesting style to it. I found some of the filming exceptional that added to the tension of the story. For me, as soon as I see an unkept cat I immediately think something is wrong with it and the cat in this film was giving me the heebie-jeebies. The downfall to this movie was sadly the script. I got tired watching the same scenario done in different ways. Though the acting was okay I never felt connected to the characters. It came to a point where I was looking forward to this movie being over as the dialog got cheesier and predictable. Because this was a remake, I felt the movie studio should have left this story buried and not try to resurrect it.
1 ¾ stars
I WAS NOT RELATED TO EITHER THE bride or groom, nor any of their family members. Based on what I saw during the reception I was glad. A friend of the bride brought me as a guest; that was the only connection I had to anyone. The wedding was held in the ballroom of an old, majestic downtown hotel that looked like a movie set from a long-lost era. All the exits were nestled into archways with lit sconces on each side. Both the ceremony and reception were held in the room, except when all the guests were ushered out into an antechamber for drinks and appetizers. While we were in that space the hotel staff set up the ballroom for the reception with dining room tables and a dance floor. It was during the reception that I witnessed the fathers of the bride and groom trying to “one up” each other. When one Dad gave a toast the other one had to jump up and give a toast that was better than the one from the other Dad. By better I mean gushing with superlatives of love and affection that really were meant more for the guests than the bride and groom. IT DID NOT STOP WITH THE speeches. On the dance floor the two fathers always stayed within eyesight of each other; if one was twirling his dance partner around then the other would start to do it. When one Dad dipped his wife down for a romantic kiss, the other Dad quickly sought out his wife and brought her to the dance floor to do the same thing. I sat in my seat observing all of this, wondering why no one hadn’t stepped in to tell the 2 fathers to grow up. Believe me I was not the only one who noticed their competitive behavior towards each other. The expressions on their wives’ faces said it all; it was a look of disgust. Yet, neither one did anything about it as far as I could tell. Though they did not look alike facially, one could easily mistake one Dad with the other because they were acting so much alike. They had the same annoying characteristics; the same hand gestures and they both were acting like children. It was as if each was the other’s doppelganger. At least they were harmless where I did not have to worry for my safety, unlike the ones in this horror thriller. VACATIONING BY THE BEACH WAS SUPPOSED to be a relaxing time until Jason, played by Evan Alex (Kidding-TV, Mani-TV) went missing for a short time. His mother Adelaide, played by Lupita Nyong’o (12 Years a Slave, Queen of Katwe), already had a bad feeling about the place even before this incident. With Winston Duke (Black Panther, Person of Interest-TV) as Gabe, Elisabeth Moss (The One I Love, The Handmaid’s Tale-TV) as Kitty and Shahadi Wright (Hairspray Live-TV) as Zora; these actors did a heck of a job with the script. Lupita was so outstanding that I would not be surprised if she gets multiple nominations this awards season. The script was both fresh and new, having a mix of humor and horror which I have always found hard to do. I must commend writer and director Jordan Peele (Get Out, Keanu) both on his writing and directing of this film. The scenes were done thoughtfully and skillfully in the same way that Alfred Hitchcock did his pictures. There were a few things done in the story that I felt went over my head, though I was aware Jordan was making social commentary. Maybe another visit to the theater to watch this movie would help me; but in the meantime, there were enough things going on in the story that kept me thinking.
3 ¼ stars
FOR YEARS I THOUGHT I WAS JUST a suspicious person, but it turns out I was being instinctive. I used to get teased because out of all my friends I was usually the last person to trust someone. I have no explanation why I was always cautious around new people; maybe, just the things I experienced in life. Though I never thought about this before, I wonder if there is a connection to my biggest pet peeve: telling me you will do something then not doing it. Now ever since I can remember I always would say, “Trust is something a person earns; it is not given out freely.” There is something about a person being “super” sweet that makes me leery. I tend not to trust someone who is always happy; who never shows any other emotion besides happiness. In college I had a friend who grew up in a family where no one talked about their feelings. No matter what was going on in their lives their standard answer was, “I am fine,” or “All is good.” My friend would tell me about some of the issues taking place in the family but on the surface, no one would have ever guessed there was turmoil. THROUGH THE YEARS MY CAUTION AROUND sweet people served me well. There was a woman I used to work with who was on equal footing with me at the company. She appeared to be everyone’s friend; passing out homemade cookies and lending an ear to anyone who wanted to talk. I was not convinced, so I remained careful but cordial around her. She must have thought I was a challenge because the more I kept my distance, the more she would pour on the sweetness. One day she came up to me and asked if I wanted two tickets she had to a concert, because something came up and she would not be able to use them. I thanked her but declined. I do not know if this caused something but as time went on I noticed some of the work information she would give me was incorrect. If I had not been paying attention and checking her work, I would have been turning into my boss the wrong data. It came to a point where I had to confront her, by showing the incorrect information she had given me. She denied making the mistakes, trying to in a kind way blame someone else in her department. I did not believe her and felt good that I had never given her my trust. The same thing took place as I watched this dramatic mystery. RETURNING A LOST HANDBAG TO ITS OWNER found Frances McCullen, played by Chloe Grace Moritz (Let Me In, Neighbors 2: Sorority Rising), in a position of making friends with the sweet owner of the bag. A sweet older woman named Greta Hideg, played by Isabelle Huppert (Elle, Happy End). Their budding friendship would come with some conditions. This movie also starred Maika Monroe (The 5th Wave, The Guest) as Erica Penn, Colm Feore (Chicago, The Prodigy) as Chris McCullen and Stephen Rea (The Crying Game, The Heavy) as Brian Cody. I thought casting Isabelle in this type of role was inspirational, since I consider her an excellent actress. Do not get me wrong; she and Chloe were wonderful, but the script was silly. There were things taking place that I felt were ridiculous. Without any character development the whole story seemed odd. It is too bad because there were a few scenes and surprises that were well done. The only other thing I can say about this picture is it reinforces my belief to be careful around someone who is heavy-handed in doling out the sweetness.
GATHERED IN THE HOUSE WAS A mix of adults and children for the celebration. Everyone was getting along and enjoying the food. The children were being kids with their usual interruptions of “She said” and “He did” complaints. There were a couple of incidents where a child was crying, but the adults quickly intervened to calm the child down. At some point a four-year-old came up to me and asked if I could read a story to him; in his hand, he already had a large hardbound book. I told him I would be happy to read to him. He led me over to the couch and told me where to sit. After the boy handed me the book he climbed up and sat next to me. I started reading out loud to him, pointing at the illustrations when they were being described in the story. He seemed to be enjoying the story and even asked me a couple of times to explain something further. At one point, I do not recall specifically what topic I was reading at the time, the little boy pressed his finger to a word on the page then turned and slapped me in the face. He giggled which angered me more. I closed the book, putting it down on the couch. Next, I turned to him as I started to stand up and lifted him at arms’ length away from me. We went right to his parents where I explained why I was not going to finish reading the book to him. WHERE DOES A CHILD LEARN THAT it is okay to strike someone? It is a question I have always wondered about. Some of the reasons I have come up with include the child may have seen family members fighting or the child had been a victim of abuse and/or bulling or maybe the child’s parents had poor parenting skills; I honestly do not know. There is another option I have thought about based on my experiences when I was a small boy. There are just some kids who are bad. Now you may say there is no such thing as a bad child, but I would have to disagree. Maybe it has to do with a child’s environment; however, I feel children at some point understand the difference between right and wrong. If nothing else among their peers, they would be judged on their actions and realize what is and is not appropriate behavior. In school wouldn’t the child get an explanation on why they were given a detention or sent to the principal’s office? I think some children thrive on bad behavior. If you don’t believe me then see what the young boy does in this dramatic horror thriller. HUSBAND AND WIFE JOHN AND SARAH, played by Peter Mooney (We Were Wolves, Rookie Blue-TV) and Taylor Schilling (The Lucky One, Orange is the New Black-TV), quickly realized there was something special about their son Miles, played by Jackson Robert Scott (It, Locke & Key-TV). That specialness however had a good and bad side. I was somewhat surprised by this movie and I think it is because I enjoyed the acting from Taylor and Jackson. The script was a close copy of previous child horror film scripts; there were few new elements in this story. In addition, most of the scenes meant to scare the audience were telegraphed well in advance. I did appreciate at least that the writers and director kept the blood level to a minimum. There was an opportunity here to make something different and scary, but I have to chalk it up to “bad” decisions being made that turned this film into a bland movie watching experience.
THERE IS NOTHING LIKE EATING A wonderful meal and having leftovers from it. I am one of those people who loves to eat cold leftovers. Not every dish from a meal, but usually the main and side dishes I eat cold. Oh, and there is of course my favorite: cold pizza. Whether from a restaurant or homemade, having pizza right out of the refrigerator is my version of a delicacy. In the realm of home cooking I know there are times where one has a little bit left over from the food preparation. If it is some form of a soup or stew base, the cook can freeze it for later use. If it is a batter (remember I am all about desserts) there are multiple ways of using the small amount left in fun, new ways. One of my favorite memories of baking when I was a kid was watching the leftover dough get rolled out onto a floured surface then cut into 4-inch strips. The strips would get sprinkled with cinnamon and sugar before they were rolled into crescent shapes and baked. They looked like fingers sometimes, but they were oh so tasty. NOW THERE ARE TIMES WHERE HAVING leftovers is not a good thing. This has happened to me where I bought an item that had to be assembled and I wound up having extra remaining pieces. There was nothing in the instructions about there being extra items; but of course, in my brain I wondered if the item would break right away. It would be like taking apart let us say a car engine and when you put it back together you had a couple of extra pieces. This would happen to a friend of mine who was into rebuilding engines. He did not seem to think it was a problem, but I was always nervous riding in any of his cars. Another example would be home remodeling where you figured out the amount of tile you needed for a floor or wall project and wound up with extra boxes that were non-returnable. I assumed that is what happened when I moved into my place; there was a stack of bricks left in the basement. Since I could not just throw them out in the garbage for pickup, I left the pile there for a few years until a friend of mine was able to dispose of them for me. So, you see there are some leftovers that can produce good feelings while others are just an annoyance. This horror, mystery thriller would fall into the latter category. WORKING AT THE HOSPITAL MORGUE MEGAN REED, played by Shay Mitchell (Mother’s Day, Pretty Little Liars-TV), felt she had seen everything since she had been a police officer. But when the door to the cold chamber drawer kept opening, Megan was about to see things she could not imagine. With Grey Damon (Oldboy, Percy Jackson: Sea of Monsters) as Andrew Kurtz, relative newcomer Kirby Johnson as Hannah Grace, Nick Thune (Venom, Knocked Up) as Randy and Stana Katic (Castle-TV, The Spirit) as Lisa Roberts; the story to this film felt like parts left over from other stories that were pieced together. There was nothing new here that I have not seen before in some form. The script was lifeless, filled with clichés. Usually with films of this genre, I would hear audience members utter something at a scary scene; there was dead silence throughout the theater, which was telling. I was not familiar with any of the actors; but if I were them, I would omit listing this film from their resumes. Simply put I could not wait for this movie to be over. The only frightening thing to me was the film studio that gave the okay to make this picture.
1 ½ stars
I MEAN NO DISRESPECT TO ALL the understudies I have seen in theatrical productions, but the shows where the understudy stepped in for the headlining Broadway star left me feeling slightly disappointed. It was especially difficult for me when the show I was seeing was slated to open on Broadway, after its trial run. If it means anything I would feel the same type of disappointment if I bought tickets to a Florida amusement park and its major top ride was not open due to repairs. Am I any different from anyone else who wants to get exactly what they paid for? Now I will say when there is not a major actor in a theatrical production I do not pay attention to see if any of the roles will be played by an understudy. I guess I have always had faith in the producers and director that they have chosen a competent actor who could do the part just as well as the actor who was originally cast. A thought just came to me; I would be totally disappointed if I went to a restaurant for a specific meal I enjoyed only to find out they were not serving it that day. I feel disappointment is simply a part of human nature. THERE HAVE BEEN CERTAIN MOVIES I have seen that disappointed me. Maybe my expectations were set high due to the actors or director involved, but there have been times where I questioned why the film studio chose to make such a film. I remember when I was a kid there was a television show hosted by a man dressed up as a ghoul, warlock or zombie of some kind. It aired every week on the weekend, showing these old dated films. I always wondered if these pictures were ever released in a theater. There was a term for these kinds of movies; they were called “B movies.” Mainly they were low budget films; so, the actors were not the most poplar and the sets/costumes were not the best quality or sophistication. On a rainy Saturday I used to enjoy sitting down and watching these pictures. Some of the stories I remember were about killer tomatoes, 50-foot tall women and crazy aliens aka human beings in cheap looking rubber suits. B movie stories were always easy to follow as the scripts were kept to the minimum, both in words and depth of emotions. If you are not familiar with this type of film, this picture I believe wanted to come off as one of those B movies from a long time ago. ORDERED TO TAKE OUT A VITAL GERMAN radio tower on the eve of D-Day, a small group of soldiers discover something behind enemy lines that could change the course of history. This horror mystery movie starred Jovan Adepo (Fences, Mother!) as Boyce, Wyatt Russell (22 Jump Street, Everybody Wants Some!!) as Ford, Mathilde Ollivier (The Misfortunes of Francois Jane) as Chloe, Pilou Asbaek (Ghost in the Shell, Game of Thrones-TV) as Wafner and John Magaro (The Big Short, Liberal Arts) as Tibbet. For me this picture had a strong retro vibe. The reason I say this is because most of the special effects were done the old-fashioned way, with makeup and costumes instead of CGI. The story was simple which allowed the writers to focus on an abundance of action scenes. I did not mind these scenes but after a while it seemed as if I was watching one long chase scene, going back and forth from the Nazis winning one round to the US forces winning the next and so on. Overall this movie was more of a novelty for me, something that belonged on television during a rainy Saturday afternoon.
1 ¾ stars