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Flash Movie Review: The Greatest Night in Pop

THE FIRST SONG I HEARD, WHERE two separate musical artists dueted together, was “I’m Gonna Make You Love Me” by Diana Ross and the Supremes and The Temptations. It was on a vinyl record that was in our house. Already being a lover of music at an early age, I was curious about how the two musical groups came together to record it. Except for formed groups like the Rolling Stones or Sonny and Cher, I had never heard of such a thing. I was familiar with Billboard’s list of top records, so I already had the mindset that each artist was trying to beat the others to get to number one with their song. At least my childish mind thought it was this way. Having two completely different acts agreeing to share a song seemed peculiar to me. I had many questions about it such as “were they being forced to do it?” or “were they or members of the group dating each other?”. Back then it did not occur to me that having two popular groups join for a song would yield a monetary windfall for them and the music studios. I was even more surprised when I looked up to see the two groups performing together on some kind of television variety show; they all looked thrilled to be performing together. I wondered if it was just an act, and they really did not like each other because they were each competitive.      AS I GREW UP OTHER DUETS began to appear on the radio and in music videos. Dionne Warwick and The Spinners sang “Then Came You” followed by Elton John and Kiki Dee singing “Don’t Go Breaking My Heart.” I loved hearing the mix of two distinctive voices and enjoyed the songs they chose to sing. Then something completely different took place in the year 1984, I believe. A group made of various British and Irish musicians came together to create a record that would have the proceeds going to charity to fight famine in Ethiopia. To have a recording made to help a cause was a novel idea to me back then. In the states, actor and activist Harry Belafonte saw a BBC report about the famine. He thought about putting on a charity concert; however, the people he spoke to thought a record like the one they had heard out of England would have bigger implications. It was a monumental undertaking that had so many moving factions that it truly was a miracle that it all came together one night.      THERE WAS ONLY ONE NIGHT THAT would work to have musical artists come into a recording studio to make a record for charity. The clock was ticking, and the personalities were boundless. Would the artists agree to the demands and be willing to commit to this unique project? Directed by Bao Nguyen (Be Water, Live From New York!), this musical documentary was a wonderful mix of archival footage and recent interviews of the technicians who worked on the production and musical artists such as Lionel Richie, Bruce Springsteen, Sheila E and Kenny Loggins. To see “behind the scenes” footage was wonderful and added a new dimension to the amount of work that was put in to this recording. Kudos to the director for keeping the story on pace, allowing enough time for each scene to blossom before moving on to the next one. I got a real kick out of hearing the crews’ little tidbits of things taking place back then and what they had to do to pull off such a monumental event. If one is not a lover of music, this film may not have as such an impact as it had on me. I loved every note about it.

4 stars

Flash Movie Review: Thriller 40

WALKING INTO A CLUB ALONE FOR the first time can be a daunting experience. I remember being nervous because I was not the best when it came to making small talk. On the other hand, I did not realize the music would be so loud that I could barely hear the person standing next to me. The first time I went to a club, I spent the whole time standing just off the dance floor, watching people dancing on what looked like a stainless-steel dance floor. I was fascinated at the way people were dancing, some were on the beat, others were not, some thought they were doing the same moves that John Travolta did in Saturday Night Fever but were not. It was interesting watching how people went up to strangers to ask them for a dance. I felt safe in my little nook overlooking the dance floor and preferred to just be an observer. In my brain, it was important for me to feel like I was fitting in with the crowd; I simply was interested in what people wore, how they moved and when I could hear how they talked to each other. Honestly, being a people watcher by nature I loved the experience. And I also had the video monitors that were spread throughout the club that were always a nice diversion.  My usual time frame was to stay between 2-4 hours. As I made my way home, I would try to remember certain songs I had heard through the night that I liked, to see if I could purchase them.      IT WAS ONLY AFTER A FEW times going that something extraordinary took place one night. Everything was the same; I was standing in my nook watching everything around me while tapping my foot to the beat of the music playing. The monitors that were all playing music videos suddenly went dark and the music stopped. People turned, looking at each other with perplexed looks on their faces. Suddenly words appeared on the screens; it was a quote from Michael Jackson. Then an image of an old car appeared driving down a country road. Michael was behind the wheel. No one moved in the club; everyone’s attention was directed at what was taking place on the monitor screens. The only sound in the place was the ice clinking in people’s glasses. After the car ran out of gas the scene changed to Michael and his date walking down the lane. It was not much longer before Michael started singing and dancing around her. I had never seen a video go this long and, more impressively, told a story. It was just like a movie! If by chance anyone reading this has never seen the video, I will not mention any more details about it. Let me just say everyone in the club went wild with the video. After it was over the DJ played the song again and everyone, I mean everyone including me, packed onto the dance floor as we all tried imitating some of the dance moves while laughing and smiling at each other. That is the way I was able to break the ice with several people that night and wound-up becoming friends with them. All thanks to that extended Michael Jackson video.      IT IS FORTY YEARS LATER AND as you can see; I still remember the first time I ever saw that video. Prior to its debut, there was nothing like it in the music industry. This documentary directed by Nelson George (Finding the Funk, A Ballerina’s Tale) was a behind the scenes peek at the creation of the Thriller video. If you are not a fan of Michael’s music, then you probably would not get much out of this movie. Because of my fond memories, I thoroughly enjoyed watching this picture filled with personal interviews of people involved back then, along with current artists like Mary J. Blige, Brooke Shields, Misty Copeland who were affected by seeing Michael’s performances. I would have appreciated more people talking about their feelings and experiences, plus allowing the performance clips to go on longer. No matter how Michael’s career veered to his early death, at that moment in time when the Thriller album came out, it was an historical event that to this day can still move people.

3 stars