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Flash Movie Review: Oscar Telecast
THIS WAS NEW TERRITORY FOR ME. Having not been in this situation before, I must tell you it was disconcerting for me. All day this past Sunday, I did not think about the telecast, except that it was starting at 6pm CST. For some reason, I assumed it would begin at 7pm, so I had to speed up to get all my tasks that needed to be done for the day. The one thing I did not want to happen was to rush to finish something just a minute before the Oscar Ceremony started. I have my rituals; my clothes for the workday are laid out, I am dressed in my lounging clothes, and I go to the bathroom a few minutes before the start time. If I had any concerns or worries, the first 10 minutes of the show obliterated them. I could not think of a better way to open the show with a message of love to Los Angeles than having the powerhouse singers Cynthia Erivo and Ariana Grande performing. Right after the first note was sung, I was transported into the lights and glamour of Hollywood and movies. My concerns about not seeing, for the first time, all the nominated films went from boiling over in my head to a quiet slow simmer. I was settled into a state of comfort and peace, able and willing to sit however long it would be until the end of the show. IT WOULD BE NEARLY IMPOSSIBLE FOR anyone to follow that opening, but whoever came up with the idea of host Conan O’Brien doing a comedy bit based on the film The Substance, I tip my hat to them. It was a wonderful way to move the audience along to the next segment of the show. I thought he did an excellent job of hosting, though there were a few things that were a bust for me. His singing about wasting time and being late could have been deleted, in my opinion. His humor has a sly edge to it where it gives one a moment’s pause at time, but I appreciated that he did not take the easy way of cracking jokes about the latest winner. What I thought was a nice touch was the way they introduced some of the nominees by having individuals connected to their movie introduce them or just have the presenter talk about each one; it made it more personal and interesting to me. Also, Conan kept things moving along between segments. THE MAJOR DISAPPOINTMENT I HAD WAS the tribute to Quincy Jones. Of all the music and songs, he was involved with, I do not understand why they chose a song from the film The Wiz. He produced the song for the film version of the Broadway production. The wrong choice to sing this song was Queen Latifah. I absolutely enjoy her singing voice, but she has a jazzier lower registered voice that was not suited for this song. Along with her outfit, she could have easily done the song “Don’t Bring Me No Bad News” from The Wiz and would have presented it better. The tribute I found touching came from Morgan Freeman talking about his friend Gene Hackman. And with that in memoriam segment I am glad they simply did a musical accompaniment. Outside of that the telecast had few surprises. There was Meg Ryan and Billy Crystal teaming up which was cute, but for me the bigger surprise was having Mick Jagger as a presenter. He truly seemed touched by the crowd welcoming him. By the end of the telecast, I was aware there was a little regret for not being able to have seen all the nominated films, but I felt this might be the wave of the future. Of course, I hope the writer and director of Anora is right when he pleaded for filmmakers to make more films for the theater and asked the public to support movie theaters. I hope this will be the case and I know I will be doing my part to see more films at the theater this year. Because when push comes to shove, I enjoy watching the Oscar telecast having seen all the nominated films beforehand. Wish me luck for next year’s telecast.
Flash Movie Review: The Greatest Night in Pop
THE FIRST SONG I HEARD, WHERE two separate musical artists dueted together, was “I’m Gonna Make You Love Me” by Diana Ross and the Supremes and The Temptations. It was on a vinyl record that was in our house. Already being a lover of music at an early age, I was curious about how the two musical groups came together to record it. Except for formed groups like the Rolling Stones or Sonny and Cher, I had never heard of such a thing. I was familiar with Billboard’s list of top records, so I already had the mindset that each artist was trying to beat the others to get to number one with their song. At least my childish mind thought it was this way. Having two completely different acts agreeing to share a song seemed peculiar to me. I had many questions about it such as “were they being forced to do it?” or “were they or members of the group dating each other?”. Back then it did not occur to me that having two popular groups join for a song would yield a monetary windfall for them and the music studios. I was even more surprised when I looked up to see the two groups performing together on some kind of television variety show; they all looked thrilled to be performing together. I wondered if it was just an act, and they really did not like each other because they were each competitive. AS I GREW UP OTHER DUETS began to appear on the radio and in music videos. Dionne Warwick and The Spinners sang “Then Came You” followed by Elton John and Kiki Dee singing “Don’t Go Breaking My Heart.” I loved hearing the mix of two distinctive voices and enjoyed the songs they chose to sing. Then something completely different took place in the year 1984, I believe. A group made of various British and Irish musicians came together to create a record that would have the proceeds going to charity to fight famine in Ethiopia. To have a recording made to help a cause was a novel idea to me back then. In the states, actor and activist Harry Belafonte saw a BBC report about the famine. He thought about putting on a charity concert; however, the people he spoke to thought a record like the one they had heard out of England would have bigger implications. It was a monumental undertaking that had so many moving factions that it truly was a miracle that it all came together one night. THERE WAS ONLY ONE NIGHT THAT would work to have musical artists come into a recording studio to make a record for charity. The clock was ticking, and the personalities were boundless. Would the artists agree to the demands and be willing to commit to this unique project? Directed by Bao Nguyen (Be Water, Live From New York!), this musical documentary was a wonderful mix of archival footage and recent interviews of the technicians who worked on the production and musical artists such as Lionel Richie, Bruce Springsteen, Sheila E and Kenny Loggins. To see “behind the scenes” footage was wonderful and added a new dimension to the amount of work that was put in to this recording. Kudos to the director for keeping the story on pace, allowing enough time for each scene to blossom before moving on to the next one. I got a real kick out of hearing the crews’ little tidbits of things taking place back then and what they had to do to pull off such a monumental event. If one is not a lover of music, this film may not have as such an impact as it had on me. I loved every note about it.
4 stars
moviejoltz 