Flash Movie Review: Baby Driver
A life without music is a life less rich. At least that is how I feel about music. The famous line from William Congreve’s play “The Mourning Bride” goes, “Music has charms to soothe a savage breast.” It is usually misquoted as a savage beast; either way I agree with its meaning 100%. However I feel music offers us so much more. As the world appears to be more divided currently, music is the one common element that goes past all boundaries. In my opinion music is a universal language that can establish common ground between individuals. One place where I often see this taking place is at a wedding. You have two distinct families with nothing in common except one of their family members is in love with someone from the other side. There could be differences in race, religion or culture but put on some music and people will come together on the dance floor, beginning the first step in making contact with the other side. ANOTHER benefit music offers us is comfort. How many of us have a “breakup song?” You know that one song that you played over and over because it was speaking to you at the time of your separation from the person you loved. Sure it may cause a tear to spill over your eyelid, but it started the path for your heart to heal. I remember whenever I was sad I would sit at the piano and play my favorite music pieces over and over. By the time I walked away I felt some of the heaviness on my heart had been lifted. Music has to be playing whenever I am in the car or when I have to clean the house. I can better tolerate housekeeping when there is a steady beat playing in the background. If I did not have music playing during my commute I would walk into the office frustrated and angry. Maybe it would be different if I had the mad driving skills like the driver in this action crime movie. SURVIVING a car crash as a young boy Baby, played by Ansel Elgort (Divergent franchise, The Fault in our Stars), may have been influenced by it because he became a fearless getaway driver for crime boss Doc, played by Kevin Spacey (Elvis & Nixon, House of Cards-TV). The only problem was he was not allowed to do anything else. With Jon Hamm (Keeping up with the Jones, Mad Men-TV) as Buddy, Lily James (Cinderella, Pride and Prejudice and Zombies) as Debora and Jon Bernthal (The Ghost Writer, The Wolf of Wall Street) as Griff; this film had a banging hard rock soundtrack. The characters and action were all put into synch with the driving beat. I could not recall seeing in a movie such precision between the two. The driving scenes were intensely thrilling; some of the scenes must be seen to be believed. Ansel was amazing in this picture; I felt it was a breakout role for him. Shifting into a lower gear (I could not resist), there was little explanation about the different relationships between characters. I did not understand Baby’s connection to his friend for example. One other thing for me was the change from such high speed action scenes to lesser ones; it made for some odd pacing. The final diagnostics for this music driven movie is it fires on most cylinders.