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Flash Movie Review: The Greatest Night in Pop

THE FIRST SONG I HEARD, WHERE two separate musical artists dueted together, was “I’m Gonna Make You Love Me” by Diana Ross and the Supremes and The Temptations. It was on a vinyl record that was in our house. Already being a lover of music at an early age, I was curious about how the two musical groups came together to record it. Except for formed groups like the Rolling Stones or Sonny and Cher, I had never heard of such a thing. I was familiar with Billboard’s list of top records, so I already had the mindset that each artist was trying to beat the others to get to number one with their song. At least my childish mind thought it was this way. Having two completely different acts agreeing to share a song seemed peculiar to me. I had many questions about it such as “were they being forced to do it?” or “were they or members of the group dating each other?”. Back then it did not occur to me that having two popular groups join for a song would yield a monetary windfall for them and the music studios. I was even more surprised when I looked up to see the two groups performing together on some kind of television variety show; they all looked thrilled to be performing together. I wondered if it was just an act, and they really did not like each other because they were each competitive.      AS I GREW UP OTHER DUETS began to appear on the radio and in music videos. Dionne Warwick and The Spinners sang “Then Came You” followed by Elton John and Kiki Dee singing “Don’t Go Breaking My Heart.” I loved hearing the mix of two distinctive voices and enjoyed the songs they chose to sing. Then something completely different took place in the year 1984, I believe. A group made of various British and Irish musicians came together to create a record that would have the proceeds going to charity to fight famine in Ethiopia. To have a recording made to help a cause was a novel idea to me back then. In the states, actor and activist Harry Belafonte saw a BBC report about the famine. He thought about putting on a charity concert; however, the people he spoke to thought a record like the one they had heard out of England would have bigger implications. It was a monumental undertaking that had so many moving factions that it truly was a miracle that it all came together one night.      THERE WAS ONLY ONE NIGHT THAT would work to have musical artists come into a recording studio to make a record for charity. The clock was ticking, and the personalities were boundless. Would the artists agree to the demands and be willing to commit to this unique project? Directed by Bao Nguyen (Be Water, Live From New York!), this musical documentary was a wonderful mix of archival footage and recent interviews of the technicians who worked on the production and musical artists such as Lionel Richie, Bruce Springsteen, Sheila E and Kenny Loggins. To see “behind the scenes” footage was wonderful and added a new dimension to the amount of work that was put in to this recording. Kudos to the director for keeping the story on pace, allowing enough time for each scene to blossom before moving on to the next one. I got a real kick out of hearing the crews’ little tidbits of things taking place back then and what they had to do to pull off such a monumental event. If one is not a lover of music, this film may not have as such an impact as it had on me. I loved every note about it.

4 stars

Flash Movie Review: The Ultimate Life

Opening my mailbox and seeing a greeting card sitting there still gives me a gentle, warm feeling. I know many people send email greetings, but I find cards sent the “old-fashioned” way are more personal. When I find a store that sells greeting cards, I can get lost for an extended period of time as I look through the variety on display. The cheaper priced cards are usually simple and direct, no frills. As the cost rises the cards become more elaborate with glitter, 3D foldouts or some other such things. I have a problem with some of these pricey cards. The greeting card companies think they have to give the consumer more for their money; so, they pour on the cheesy, over the top gushing sentiments. These types of cards make my skin crawl; I do not find them sincere. This dramatic film fell into this category of greeting cards. It was so syrupy that I felt I had been dipped in molasses then covered with powdered sugar. Logan Bartholomew (American Wedding, The Genesis Code) played Jason Stevens, billionaire grandson and heir to his grandfather’s charitable foundation. With family members suing him for control besides handling the daily functions of the organization, Jason never seemed to have time for his girlfriend. It was not until Jason received his grandfather’s journal that he began to understand the gifts his grandfather Red Stevens had bestowed upon him. The story wanted to be a moral tale for one of life’s lessons; however, it was so blatantly heavy-handed, banging it over my head, that I found it nauseating. Told in flashback with over dramatic music we see a teenage Red, played by Austin James (Supernatural Activity), spurred on to make a success of himself due to a news article he read about Andrew Carnegie. The stiff acting continued throughout the movie. Drew Waters (The Hit List, Breaking the Press) took over the task of serving us this cloying story as the adult Red Stevens. Directed by Michael Landon Jr. (The Velveteen Rabbit, The Last Sin Eater), the pacing was at least steady. The best part of this film was seeing James Garner and Lee Meriwether. Not that they added anything to this cliched mess, just seeing them provided me a memory of them playing respectively Jim Rockford and the Catwoman. How ironic that a story involving billionaires was so poorly made.

 

1 2/3 stars