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Flash Movie Review: Officer Black Belt

BESIDES WANTING TO BE A TOUR guide, dancer, and a window washer when I was a little boy, I also wanted to be a ninja. I remember the first time I saw Brue Lee as Kato in the Green Hornet, with his quick moves and high kicks; I was mesmerized. By the time his movie, Fist of Fury, came out, I was convinced if I learned his moves a/k/a martial arts, I would no longer have to be afraid of anyone. A period of time took place where I was constantly seeing martial arts moves in television shows and films. I became obsessed with those metal star weapons that both villains and heroes would throw during fight scenes. The points were razor sharp and would lodge into anything from flesh to walls. One of my comic books had an advertisement in back for a martial arts handbook; I sent away for it. When the book arrived, I would hole up in my bedroom and study the various poses and moves over and over. My problem was I never knew if I was getting good because I did not have someone to practice with. I could kick a pillow across the room, but there were times I would lose my balance and fall on top of my bed. I needed to find an actual class.      ONE SUMMER VACATION FROM SCHOOL, OUR community center offered a martial arts class. I was so excited and pleaded to be signed up for it. On the day of the first class there were fourteen of us signed up. I guess I was not the only one with the idea of becoming a ninja. We spent the entire class learning how to tumble and fall; I hated it. Though the mats we practiced on were cushy and thick, I still did not like the feeling of falling. I was always hesitant with my movements. Eventually, I got good enough to the point where I was not being corrected all the time by the instructor. It was after our third lesson that we saw demonstrations of trips and stances. One boy in our class thought he was better than the rest of us. He would walk up and surprise the less agile or weak students with a foot trip or headlock. I thought he was just a mean bully. No one wanted to tattle on him for fear he would do something worse to them. He was the opposite of why I wanted to take martial arts class. I did not want to use it to show off or tease anyone. I was thinking more on the lines like the main character in this action, comedy crime film.      ALWAYS ONE TO HELP SOMEONE IN need, a young martial artist decides to enlist to become a martial arts officer, to help fight crime. He soon discovers it will take more than his fists to help a victim. With Kim Woo-bin (Master, Our Blues-TV) as Lee Jung-do, Ren Hanami (Goodbye Earth-TV, Queen of Tears-TV) as Yu-Jin in the English version, Kim Seong-gyoon (The Neighbors, Target) as Kim Seon-min, and Lee Hae-young (The Matchmakers-TV, Kill Boksoon) as Lee Sang-woo; I liked the idea of the story but felt the script was poorly written. The fact the story took the viewers to a deep dark side of crime on the streets, I thought the element of humor was not a good fit. Kim Woo-bin had the stance, looks and capabilities for the role, but the script predominantly kept his character on one level. The fight scenes were exciting and well-choregraphed, and several scenes had blood and violence. Overall, the story followed a generic template, not offering anything new for the viewer. Because this was a Korean made film, I wonder if the goal was to try and emulate a Hollywood blockbuster. Sadly, it never hit its mark. Korean was spoken with English subtitles; I saw the English version.                                                 

1 ¾ stars 

Flash Movie Review: Joy Ride

WE MET AT A SCHOOL EVENT for alumni. I had not seen her for over a decade, but she looked the same as I remembered her. She was a transfer student who arrived in the middle of the school year; so, you can imagine how difficult it was for her for multiple reasons. All the reasons paled in comparison to the one big reason that was the most visible. She was of a different race who came from a different country. To me, that was not the biggest difference; it was her size. As far as I could tell she looked like she was going to be the tallest and widest girl in the whole student body. My immediate thought was that she would get picked on for it. We became friendly during the lunch hour; like me, she would walk home for lunch. The first thing I said when I walked up to her at the alumni event was asking if she was going to eat here or walk home for a meal. She laughed and asked me if I brought any of my mother’s homemade sugar cookies with me. We both got a good chuckle out of that as we asked each other how life was treating us.      ONE OF THE THINGS WE HAD in common was the fact we both felt like outsiders in school. In our own way, we each tried to fit in but never quite made it. I told her how I learned how to be comfortable in my own skin and had a strong supportive group of friends around me. She told me about her journey to self-acceptance that followed a similar path to mine. The exception was she was married, having found someone who loved her unconditionally. I congratulated her and was genuinely happy for her. I remembered some of the challenges she had to endure in our young school years. We discovered we both had some anxiety about attending this alumni event. When one feels different compared to the other students, it holds them back from exploring who they are and takes away so much energy that would have been better used for positive endeavors. Walking into this event, we both had wondered how we would be perceived; as a happy, comfortable adult or as the quiet oddball back from school. It occurred to us that this was nothing to worry about because we finally felt secure in who we were as human beings. The process I went through made me aware of what the main stars were experiencing in this racy, comedy film.      A BUSINESS TRIP TO HER BIRTH mother’s homeland would provide an opportunity for self-discovery for an up-and-coming lawyer. The trip would influence everyone who traveled with her. With Debbie Fan (Aftermath, Reasonable Doubt-TV) as Jenny Chen, Annie Mumolo (This is 40, Barb and Star Go to Vista Del Mar) as Mary Sullivan, Ashley Park (Emily in Paris-TV, Mr. Malcolm’s List) as Audrey, Sherry Cola (Good Trouble-TV, Claws-TV) as Lolo and Stephanie Hsu (Asking for It, The Marvelous Mrs. Maisel) as Kat; the script for this film had some outrageous moments. The humor was raunchy and funny as the cast worked well together. What surprised me was underneath the comedy and general craziness there was a heartfelt story line. Granted some scenes were far-fetched but the dialog never lost its smart and savvy swag. In the past this type of story would have been led by a male cast; it was refreshing to see the story dominated by strong female characters. The strong language and pronounced sexual tension scenes might be a turn-off for some viewers, but it would be worth it to sit and see what was going to happen to this group of friends.

3 stars 

Flash Movie Review: Burning

I FELT LIKE I WAS WEARING a disguise because he did not recognize me. One night I was about to start my yoga class when an unfamiliar couple walked in. As was my custom, I went up to introduce myself and ask if they had ever done yoga before. Through the conversation, I never let on that I recognized the man; I was friends with him in elementary school. Granted, I had lost a lot of weight, had a beard and was wearing a baseball hat; so, chances were he would not have remembered me after all these years. However, after class I went up to ask both how they felt. At some point during the conversation, I came out and asked if he recognized me. He looked at me for a moment and said no. I chuckled and asked how his sister was, to see if that would jog his memory. His face showed such utter confusion that I chuckled and told him my name. Not only did he stare at me in disbelief, but he asked me what happened to me, that I was so skinny now. It was my turn to chuckle before I answered him.      I TOLD HIM EVERYTHING I LEARNED about fitness; I learned after I left high school. That statement got us started on talking about our years together in school. I mentioned that I could only recall us having a gym class together in high school and he said he remembered the class; but he cut it often. I shared with him how I had to cut gym class sometimes out of concerns for my safety. That is not a typical statement, I know; he asked what happened. From what I told him, we each shared our horror stories about high school. The thing that amazed me the most was how my perceptions of him did not match who I thought he was in school. Because of his laid-back appearance and lack of enthusiasm during the school day, I thought he had little motivation. He explained how he found most of the classes boring, naming a few teachers he thought were the worst. When he would cut class, he would go downtown to explore the different museums or go to a particular exhibit or concert. I was so surprised to hear this since I interpreted his actions as a slacker. On the contrary, he was at the city’s main library studying the same school subjects we were, but he really wanted to learn about the assigned topic. What a surprise! It just goes to show, you can never assume you know how a person will turn out from your childhood. It can be seen in this film festival winning, mystery thriller.      IT WAS A BIT OF A SHOCK that the employee during her performance was flirting with him. It was a bigger shock when she said she knew him. With Yao Ah-in (The Throne, Voice of Silence) as Lee Jong-ju, Steven Yeun (I Origins, Minari) as Ben, Jeon Jong-seo (Nothing Serious, Mona Lisa and the Blood Moon) as Shin Hae-mi, newcomer Kim Sao-Kyung as Yeon-ju and newcomer Choi Seung-ho as Lee Yong-seok; this drama was a slow burn, pun intended. For the beginning portion of the movie, I kept wondering when things would pick up. Things slowly took place in what seemed to be no particular direction. On a better note, I was fascinated seeing on display the Korean culture and landscape. One could argue there were different stories taking place, that were filled with symbolism and metaphors. Maybe there was, but I am not the type to delve into a movie story’s psyche and try to figure out what the writer and director were trying to say. Korean was spoken with English subtitles.

2 ¾ stars 

Flash Movie Review: Drive My Car

THERE IS A FINE LINE, I discovered, between sympathizing and topping. I am the first to admit that I used to not know the difference but have been working on it. It turns out, I am not the only one who was challenged in this area. There is an acquaintance of mine who consistently tries to “one up” me when it comes to issues of health. When we are talking and I mention an issue I am experiencing, such as a slight dizziness when I first get up from a reclined position, he will then proceed to tell me how he suffers from the same infliction; but invariably his condition is always worse than mine. If I said I had trouble sleeping, he would tell me how he doesn’t get a good night’s sleep because of all the times he wakes up in the middle of the night to go to the bathroom. Or he would describe to me how horrible his mattress is, that he cannot get comfortable on it. No matter what I say, he is always quick to tell me how much worse it is for him. I must tell you this gets annoying pretty quickly; it is not a contest to see who can out complain the other.      I THINK OF THIS MAN WHEN someone is sharing their personal information/issue/concerns with me. If nothing else, I try to listen to the person to see if they are asking me for advice; sometimes, a person just wants a sympathetic ear or sounding board to help them figure out their feelings. When appropriate if I have had a similar experience, I may share that information with them. If they choose to ask me how I handled it, I will tell them. Sometimes I will tell them I had a similar experience and offer my advice on how I handled the situation, avoiding any comment with the word “should” in it. I do not know if you experience this; but when two people are sharing their issues and there is an even “give and take” of emotions and feelings, it is a beautiful feeling. There is a sense of healing taking place when I have experienced such a thing. Sometimes hearing what another person has gone through or done about their predicament has provided me with new insight and perspective. Not that I am saying it is a situation where you hear someone’s story, and you think things could have been worse for you; but I guess that can play a part in one’s perspective. Either way, it cannot hurt, and the proof is in this Oscar nominated drama from Japan.      HAVING ALREADY ACCEPTED THE POSITION OF director, there was no choice allowed when it came to providing Yusuke Kafuku, played by Hidetoshi Nishijima (License to Live, Tokyo Rendezvous), with a driver for his cherished red Saab automobile. The long drive could become a challenge. With Toko Miura (The Girl in the Sun, Weathering with You) as Misaki Watari, Reika Kirishima (Norwegian Wood, Godzilla: Final Wars) as Oto Kafuku, newcomer Park Yu-rim as Lee Yoon-a and newcomer Jin Dae-yeon as Kon Yoon-su; this film festival winning movie was an experience for me. I was not looking forward to its 3-hour running time, plus I experienced a bit of confusion when the opening credits took place well after the story had begun. With that being said, I was surprised how the confusion cleared up as I slowly was brought into this adult story that was based on the written short story. It was fascinating to watch adults be thoughtful and curious as the cast dealt with their various emotions. The play Uncle Vanya written by Anton Chekhov strongly influences this picture. Not having read it, I felt I was at a disadvantage. However, as the scenes progressed, I appreciated the way the director allowed the actors to explore their emotional baggage. As I said this film was made for adults and it did a wonderful job of exposing the depth of human feelings. Spoken Japanese and Korean sign language were used with English subtitles.          

3 ½ stars