GROWING UP I DID NOT REALIZE my neighborhood was idyllic, at least for me. But then, I would think any child who grows up in the neighborhood where they were born would think the same thing, as long as they haven’t experienced any type of trauma. I lived in a large apartment building that wrapped around a street corner, so there were 2 entrances for it. There was not one apartment on our side where I did not know the people living in them. In fact, when I had just started walking, I would go out in the hallway and get myself down 2 flights of stairs by sitting on my backside, to visit the neighbor on the 1st floor. The neighborhood was filled with kids my own age who became friends of mine. We would play outside all the time; every parent on the block knew each kid. One of our favorite games was hide and seek among the apartment buildings’ gangways and back porches. Looking back, I wonder how many steps/flights I would have done during a game. With my building we had 2 separate staircases connected by a cement backyard. The various stores in my neighborhood were all familiar with me and my family. I could walk into the drug store with a note from a parent and the pharmacist would hand over any refilled prescription medicine to me without any qualms. When I got older, I could be outside at nighttime with friends, and no one had a concern or fear. AT SOME POINT, I DO NOT remember when, the draw of the suburbs became strong and started pulling my neighbors from their homes to settle past the city limits. The same was true with stores. I remember a men’s clothing store that closed and was replaced by a shop that had black lights to illuminate some of their rock posters and T-shirts. Some people would call the place a “head shop.” I guessed it was because it was messing with one’s head? Where the neighborhood had a strong homogenous look to it, things started to change. I hope this does not come out as a judgement; it was an observation. The store signs in my neighborhood were backlit; in other words, three dimensional for the most part, either actual signage or individual letters. I noticed the new store signs coming in were more like banners or made with strong paper. In my mind they did not look permanent to me. Some of the stores began putting up signs in different languages which I discovered bothered some of the older residents in the neighborhood. Change may not always be easy for certain people; you can see it for yourself in this biographical drama. DURING THE TUMULTUOUS TIMES OF THE 1960s in Ireland, a family experiences something they had never imagined taking place in their small, friendly neighborhood. With Jude Hill (Magpie Murders-TV) as Buddy, newcomer Lewis McAskie as Will, Caitriona Balfe (Ford v Ferrari, Outlander-TV) as Ma, Jamie Dornan (A Private War, Fifty Shades of Grey franchise) as Pa and Judi Dench (All is True, Victoria & Abdul) as Granny; this multiple Oscar nominated film was directed and written by Kenneth Branagh. Based on true events from his childhood, he created a beautifully filmed and directed piece of work here. I loved watching this movie and thought the entire cast worked as one solid, magnificent unit. There was something about the way Kenneth filmed the characters in close or looking up at them that made the visuals stronger. Granted, the actors gratefully could emote without saying a word. The script was solid though there were twinges I felt of manipulation to pull at one’s heart strings. For me, I was able to relate to some of the neighborhood scenes, though I am not sure this would be universal across all viewers. However, it should not deter one from experiencing such a well-done picture.
3 ½ stars
IT WAS NOT THE RIDES THAT interested me at carnivals and local amusement parts; it was the games of chance. When I was younger, I would save up my allowance for these games. I was convinced I could win prizes and boy did I love looking at all the prizes. There was a game where I would have to throw rubber rings at a table full of empty bottles and try to get the ring to land on the bottle’s neck. Each toss I would see my ring bounce from one bottle to the next while I secretly wished for it to land on a bottle instead of dropping down between them. The prizes, big fluffy stuffed animals, were on a shelf that went around the top of the entire booth. There was another game that was or like a game called Skeeball, where one had to roll a ball down a lane that curved up at the end to propel the ball hopefully into one of the holes on the backboard. Each hole was labelled with a number; the higher the number the bigger the prize. With every roll of the ball I would make adjustments, hoping I would get the ball into the center hole to receive the biggest prize. OUT OF ALL THE GAMES AT A carnival, one of my favorites was the slot car racing one. It was because I had my very own race car model. There was a model store in the neighborhood where me and a cousin would race our cars on the elaborate race track that was set up in the middle of the store. Unfortunately, I could not use my race car at the carnival games (imagine that); however, it did not matter because I loved racing cars. I cannot tell you how much money I spent at those games and rarely did I ever win a race. Seeing the winner of the race receive a cool prize from off the shelf would only make me more determined to play the race again. My cousin was the same way because we felt with all of our experience there was no reason why we could not crush the competition. Thinking back on it I would hate to think how much money I spent on those games; little did I know they were designed to thwart the participant from winning. However, once I saw what I could win I did not think about how much I was spending to get that prize. The same was true for the head of the Ford Motor company in this biographical, dramatic action film. AFTER HEARING THE DISPARAGING COMMENTS THE chairman of Ferrari made about his company Henry Ford II, played by Tracy Letts (Lady Bird, The Post), was determined to build a car that would beat Ferrari’s car at France’s Le Mans race. It did not matter how much it would cost him. With Matt Damon (The Martian, The Departed) as Carroll Shelby, Christian Bale (Vice, The Big Shot) as Ken Miles, Jon Bernthal (The Accountant, The Wolf of Wall Street) as Lee Iacocca and Caitriona Balfe (Escape Plan, Outlander-TV) as Mollie Miles; this was an exciting film to watch. I am not fond of watching car races, but I would see this picture again. The acting was outstanding, matching the well-done script that captured the 1960s perfectly. I found the racing scenes thrilling and felt at times I was sitting in the race cars. For being such a long movie, I rarely noticed the time going by because the script and action kept me engaged with the story. Whether the story was accurate in this movie, it did not matter because I found it to be a logical progression of events and feelings. Compared to the money I used to spend at those carnival games, buying a ticket to see this film made me feel like a winner.