I WAS FASCINATED WITH IT WHEN I was small, which was the last time I laid eyes on it. Years had passed; where, during this time frame, I became the recipient of a multitude of items from different relatives’ estates. Some were sentimental, others practical and some bordered on being an oddity—at least odd for my lifestyle. I treated each item with the respect it deserved and for the most part could recall a vivid memory I had associated with that item. However, this one particular article was something special because I remembered the relative who owned it. She was a kind and loving soul. There was never a time where she was not happy to see me. Keep in mind, this would apply to any of my relatives because that is how she felt about each and every one of them. She enjoyed being around family. Somewhere in my house I knew I had this piece of jewelry that she wore all the time. Venturing up into my attic I started to tackle each stacked box; I felt I was going back in time with every box I explored. It was not until I was halfway done, after laying hands on so many random non-essential things, I found this small black velvet jewelry case. Inside there it was, a vintage pink colored cameo broach. What made this piece so special to me was the fact the woman depicted in this piece had a resemblance to the woman who wore it. THE CAMEO WAS COOL TO THE TOUCH as I traced the woman’s profile with my finger. Memories flooded me as I stood in the quiet attic, surrounded by a multitude of discarded or half-forgotten items that were bequeathed to me. Among the items I had unearthed were coats, hats, baseball equipment and dinnerware. None of it stood out for me, though I could for the most part remember the relative who wore or used it. None of them provided the excitement I felt when I found this cameo. My relative loved this piece and wore it as much as possible. Whenever I got to visit with her, she would be wearing it. Throughout our conversations, her hand would quietly rise to allow her extended index finger to trace the profile of the woman in the broach. It was done almost in an absentminded way, as if she did not remember she had done the same thing earlier in our visit. Finding this jewelry in my attic was like finding a lost treasure. I felt the same way about seeing this exquisite, dramatic war film. WITHIN A SMALL WINDOW OF TIME, two soldiers must travel behind enemy lines and get a message to the commander of a battalion of troops, to halt his planned attack because the enemy was waiting for them. With Dean-Charles Chapman (Before I Go to Sleep, Game of Thrones-TV) as Lance Corporal Blake, George MacKay (Captain Fantastic, Pride) as Lance Corporal Schofield, Daniel Mays (The Bank Job, Rogue One: A Star Wars Story) as Sergeant Sanders, Colin Firth (The Command, The King’s Speech) as General Erinmore and Pip Carter (Robin Hood, The Eagle) as Lieutenant Gordon; this film festival winning World War I story had the most brilliant filming I have seen in such a long time. After sitting through an abundance of poor or average pictures, this one grabbed me right from the start. The director worked at making the scenes all look like one continuous shoot; it was amazing…and at times exhausting, in a good way. Where we do not learn much about the characters, we certainly can feel what the actors are going through in the story. There was excitement, danger, thrills, sadness and horror all mixed within the script. I still cannot get over the amount of physical demands the actors had to endure throughout the film. I felt like I was watching a triumphant piece of work that had familiar attachments but seen in a whole new way. There were a few scenes that could be disturbing for some viewers and a few scenes with blood.
3 3/4 stars
INSTEAD OF REHASHING MY STORY ABOUT the school teacher who told me I would amount to nothing if I decided to become a writer, let me tell you about a friend’s son. When the boy was little, he loved playing with all kinds of building block type toys. He could sit and play by himself for hours with these toys. As he got older the simple building blocks were replaced with more complicated toys; toys that gave him more options in the way he could connect pieces together. He would build these elaborate structures. Some were recognizable as being a castle or a bridge; but others were more freeform and creative. During the latter part of elementary school and beginning of high school, the father began hoping his son would join the family business. Though the son had never shown an inclination to be involved in the business, the father persisted in steering his son into following in his father’s footsteps. This created a wedge between the father and son. From the first set of building blocks the son had received when he was young, all he wanted to do was to build things. He was inclined to go into the field of architecture or construction. The father could not understand why his son wanted to venture into such work when a successful career was right there waiting for him at the family business. WHAT THE FATHER DID NOT UNDERSTAND was the fact that his son had zero passion for the type of work his father did. And I believe that is the key when it comes to deciding what a person wants to do in life. Without passion a person becomes more like a robot, lifeless and unemotional. They just go through the motions at their job, but really do not care about it. I have worked with several individuals who had mentally checked out from the job. They were at the company simply to collect a paycheck; they had no concern for the health of the company as long as it did not affect their paycheck. Those individuals lacked passion in my opinion. As I watched my friend and his son play this tug of war game about coming into the family business, I knew the son would never abide by his father’s wishes. The reason being, I saw how passionate the son was when it came to building things. Those early building blocks when he was a baby planted the seed that let his passion flourish through the years. A similar situation can be found in this musical, comedic drama. NOT FEELING CONNECTED TO HIS SURROUNDINGS British teenager Javed, played by Viveik Kalra (Beecham House-TV, Next of Kin-TV Mini-Series), found someone who understood how he felt; it was the Boss himself, Bruce Springsteen. Inspired by a true story, this film festival winner also starred Kulvinder Ghir (Bend it Like Beckham, Still Open All Hours-TV) as Malik, Meera Ganatra (Three Dots and a Dash, PREmature-TV Mini-Series) as Noor, Raron Phagura (Doctor Who-TV, Him-TV Mini-Series) as Roops and Dean-Charles Chapman (Game of Thrones-TV, The Commuter) as Matt. Set in the 1980s, the story was familiar to me, having seen it done in other films. The movie started out slow, but I soon was drawn into this picture due to the charms of the cast. There was a sweetness to the script that felt right to me. I also appreciated the underlying story involving the dynamics of Javed’s family within the surrounding area. And of course, there was Springsteen’s music. Though I am familiar with Bruce’s music, I do not own any of his albums. However, I was surprised how well his songs worked within the story. The combination made for an enjoyable viewing experience. To take a familiar story and tweak it enough to make it feel fresh takes true passion. I could totally relate.