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Flash Movie Review: Calvary
From the news to lyrics of a song one eventually comes across the saying: The good die young. There is some truth in those words. Not that I want to get into a political debate here; but when one hears about a person guilty of a crime who died or will be dying, the sympathy is slightly different for them than an innocent individual. Hearing recently about innocent children being killed by stray bullets or just yesterday about the mother who was allegedly murdered and stuffed into a suitcase by her daughter, one’s heart has to go out for these people whose lives were taken away from them. Under those types of circumstances you feel it in the pit of your stomach. I will be the first to admit that I tend not to be sympathetic towards a person who makes the conscience choice to take the life away from another individual. I vividly recall the trial where a friend of mine was picked to be part of the jury, where a mother hung her 2 year old son out the dining room window until he died. She was found guilty for reasons of insanity. HOWEVER, in this dramatic movie the killer appeared to be totally rational. During confession a man sat and explained why he was going to kill the priest listening to him, Father James who was played by Brendan Gleeson (Harry Potter franchise, Troy). After explaining his reasons, the announced killer told the priest he had 7 days to get his affairs in order. In this film festival winning picture Brendan was utterly outstanding in his role. Written and directed by John Michael McDonagh (The Guard, Ned Kelly), I found the script to be intelligent and mature. The pacing was well suited for this story, building a slow steady tension to the very end. I felt the camera work beautifully displayed the gorgeous landscapes, besides creating memorable images throughout the film. Everyone in the cast from Kelly Reilly (Flight, Heaven is for Real) as Fiona Lavelle to Chris O’Dowd (Cuban Fury, Bridesmaids) as Jack Brennan did their part to push this movie to excellence. The reason why this story worked for many reasons was due to the fact that the audience was immediately told the circumstances. With this knowledge I could not imagine someone not feeling sadness and dread on a deep level; it really was a brilliant idea from John Michael McDonagh. This film made a strong connection to the audience and the only thing it was guilty of was tugging at our hearts. A couple of scenes had blood in them.
3 1/2 stars
Flash Movie Review: The Hundred-Foot Journey
There are few things in the world that can provide both an intimacy and a passion to a person the way food can. With a subdued power, food can catapult us to a blissful state as our taste buds herald the trip. The quickness in the way food affects us is astounding. I can personally attest to the fact that food has a calming affect on me. Not one to eat at high end fancy places; I am attracted to restaurants that provide easy comfort. Sitting down with someone to share a meal is so personal for me. The experience can provide a fond memory, joyfulness, a sense of kinship; any and all of these can be shared between the diners. I think that is one of the reasons why I thoroughly enjoy having people over to my place for dinner. The energy that forms in the house when people are present is usually one of peacefulness. The dining room table is a wonderful place to ignite and foster ideas when individuals are seated around it. FOOD can be the common denominator between people from all over the world; however, it was not the case in this caloric drama. Helen Mirren (The Queen, Hitchcock) played Madame Mallory, the owner to one of the finest restaurants in the south of France. When a family from India decided to open up a restaurant directly across the street from her establishment, Madame Mallory took it upon herself to be the savior of French cuisine by eliminating, in her opinion, the poor competition. Even if I was not a fan of Helen Mirren, I would still say she was just perfect in this role. She oozed with the haughty, better than thou attitude one would expect in such a fine restaurant; she was worth the price of admission to see this beautiful film. While the exterior scenes were gorgeous to watch, the interior scenes filled with food made me hungry. I read somewhere the director Lasse Hallstrom (Dear John, Chocolat) used real food for all the scenes and it certainly looked good to me. Along with Helen the important characters in the cast were Manish Dayal (The Sorcerer’s Apprentice, White Frog) as Hassan, Om Puri (Gandhi, Colour it Yellow) as Papa Kadam and Charlotte Le Bon (Mood Indigo, La Marche) as Marguerite. Though I enjoyed watching this movie, the story did not offer anything new for me; it was very predictable. There were a few amusing parts, but a couple I found bordered on being offensive due to their stereotyping. If it was not for the cast I do not think this film would have been as enjoyable to watch, even though it was certainly fun seeing all the food preparations.
2 1/2 stars
Flash Movie Review: Wish I Was Here
At some point nearly everyone has to cross the intersection of uncertainty. It may happen when you are about to become a responsible adult; for others, it could be when you come upon that mental juncture between what you do in life as opposed to what you want to do. There are so many variables on when we travel up to that crossroads during our lifetime. I have heard many people complain about their job and how it does not fulfill them; it simply is a means to earning an income. However, when they reach this intersection during their life they pause a moment to question if this is all their life will ever be. I am a firm believer in doing something you love which will nourish you. A previous job is what I credit for pushing me to explore and teach yoga. Back then my days lost color, faded into a monotone of gray colors. All I did was work, eat and sleep then repeat it all over the following day. I felt I was on a one speed treadmill with no off switch. It was during that time I realized I needed physical and mental stimulation; otherwise, I felt I was going to wither off the vine of life and be discarded in time. TIME seemed to be slipping away for struggling actor Aidan Bloom, played by Zach Braff (Oz the Great and Powerful, Scrubs-TV). Finding himself at a crossroads when his father Gabe, played by Mandy Patinkin (The Princess Bride, Chicago Hope-TV), took ill and could no longer help out financially, Aidan had to take a hard look at his life and how he would provide for his family. Directed and co-written by Zach, this comedic drama had some good elements. I thought the cast all worked well together, especially Kate Hudson (Almost Famous, Bride Wars) as Aidan’s wife Sarah, Joey King (Looper, The Crazies) as his daughter Grace and Josh Gad (Jobs, The Internship) as his brother Noah. There was an understated humor through several scenes, nothing out loud or outrageous. The multitude of story lines was the issue I had with this film. They cast a wide net, allowing many viewers the opportunity to find something relatable; however, it was way too much for me and congested the underlying story. I never found a strong connection to anything in the movie; I became uninterested and left with a blah feeling towards the whole picture. With all the movies I have seen I cannot imagine I have reached a crossroads in my reviewing. Nah, I still love what I am doing; I just wish some of the people who worked on this film felt the same way.
2 stars
Flash Movie Review: And So it Goes
It takes real effort for a person to act mean. Because everyone has the potential for good and evil I believe, it comes down to making choices. For example the brother who invites all but one sibling to his son’s special event or the person in the elevator who sees you running towards them and does nothing to prevent the doors from closing just as you are about to reach them. These people were acting mean in my opinion. Now there are some individuals who look mean, display a tough exterior, but beneath it they are completely sweet. I have a friend who cuts an imposing figure. Well over 6 feet tall and bulky, the irises of his eyes are as black as his pupils. His pale complexion only intensifies the glare of his deep set eyes when he is looking at you. I have seen many strangers move out of his way when he is walking down the street. Once you are familiar to him, his piercing eyes look more like the button eyes on a stuffed teddy bear and his physical size diminishes into soft edges. I know meanness can be based on a person’s perception; but unless one has evidence, don’t you think most people determine if someone could be mean by the way they look? BEING mean was what realtor Oren Little, played by Michael Douglas (Last Vegas, Falling Down), thrived on when he had to deal with people. All he wanted to do was sell one last big property so he could retire. His plans were blown when the granddaughter he never knew he had Sarah, played by Sterling Jerins (The Conjuring, World War Z), was dumped at his front door. Not interested in the 9 year old girl Oren tried to push her off on his neighbor Leah, played by Diane Keaton (The Godfather franchise, Mad Money), so he could continue on his way. Just how mean could Oren remain towards the two females? This comedic drama was utterly predictable which was why I gave you more information about the movie than usual. I found it sad that Michael and Diane were both stuck with the script; it did not offer one single new thing. Directed by Rob Reiner (The Bucket List, When Harry Met Sally), there just was not much one could do to try and make this film pleasurable. The crowd in the theater who were all older had an equal mix of positive and negative comments as they were exiting at the end of the movie. I know the movie studio was not trying to be mean by boring me for the duration of this picture; however, they were not very nice to make a poorly written film.
1 3/4 stars
Flash Movie Review: Get on Up
Music provides the means to describe one’s life with a different set of adjectives. Songs are the milestone markers during the journey. I cannot remember a time where I did not have music in my life. Anytime I hear Beethoven’s 5th Symphony I am transported back to the time I was 4 years old and taken to my 1st outdoor concert, where we sat on long brown painted benches in the cool autumn air. How many of us hear a particular song that squeezes a small tear out of our heart, reminding us of a love long gone? There are so many songs in the jukebox of my mind that bring a specific date in time to the forefront of my thoughts. I cannot imagine there being a person who does not experience an emotion or feeling when they hear music. Besides the personal aspects of music there is another side that becomes political. Throughout history songs have been used to define significant moments; such as a protest, a battle, a rally or even defining a generation. One of the things I love most about musicians is the fact they can be classically trained or simply be born with the gift of music. GODFATHER of Soul was the label given to the man in this biographical film and aptly so, for his raw talent was something that came with him when he was born into this world. Chadwick Boseman (Draft Day, 42) portrayed the iconic performer James Brown. This dramatic musical movie covered James from a childhood of extreme poverty through the time where he was called the “Hardest Working Man in Show Business.” The cast included Viola Davis (Ender’s Game, Prisoners) as his mother Susie Brown, Octavia Spencer (Fruitvale Station, The Help) as Aunt Honey, Nelsan Ellis (Secretariat, True Blood-TV) as Bobby Byrd and Dan Aykroyd (Trading Places, Behind the Candelabra-TV) as his manager Ben Bart. All of them were strong with their characters; they needed to be since Chadwick was outstanding as the sweating, fleet-footed James Brown. Familiar with a good portion of James’ life, this film tried to cover the different aspects of it but skimmed over the darkest chapters. The main issue with this film was the way the story jumped around chronologically. I felt I never got the chance to absorb the full effect of what I was watching on the screen. With things jumping back and forth, the film started to feel like a series of quick vignettes. Since I am fond of music, the musical numbers were outstanding in this picture or maybe I should say groovy. Whether or not one is a fan of James’ music; the fact remains this man was monumental in paving the way for future generations to get their groove on.
2 3/4 stars
Flash Movie Review: I Origins
I imagine it being a vast, rolling drum that continually tosses the contents within its hold. Random pieces stick together as if they were covered in velcro before they exit to settle down in what will become a new being. This is what I think takes place with our genes; it just seems so random to me. I have always been fascinated with the way characteristics, mannerisms and appearances get passed down within a family. There is a family of 5 where one child will look like a clone to one of the parents, but another child bears no resemblance to either; how does that happen? I find it freaky when characteristics skip a generation; I have been told I have some of the same mannerisms as my deceased grandfather. Though it is curious how this all happens, how about when individuals are not related to each other? The word is doppelganger and when I looked up its definition it said it was a ghost or double walker. Essentially it is a person who is an apparition or double of a living person. I experienced such a being when I was at a restaurant and thought a member from my class was sitting near me. As I walked up to her and began talking I noticed the strangest look come across her face, a mixture of confused fear. It was not her though she was even dressed similarly to the woman in my class. REINCARNATION was a theme explored in this Sundance Film Festival winning movie, written and directed by Mike Cahill (Another Earth, Boxers and Ballerinas). Michael Pitt (Seven Psychopaths, Last Days) played molecular biologist Ian who had concentrated his studies to the human eye. Like fingerprints a person’s eyes were unique and different for each other. It had always been the case until Ian and his lab assistant Karen, played by Brit Marling (The East, Sound of My Voice), discovered a set of eyes that matched another pair. The story in this dramatic film was original and intriguing; the concepts regarding the meaning of this finding were thought provoking. Everyone acted wonderfully in this picture, including Astrid Berges-Frisbey (Angels of Sex, Pirates of the Caribbean: On Stranger Tides) as Sofi. I cannot begin to tell you how bummed I was that the first half of this movie was slow and felt like it was going nowhere. It was not until the 2nd half where things came together to deliver an interesting and memorable film. This movie was listed as science fiction but I did not consider it to be. One brief scene had blood shown in it.
2 1/2 stars
Flash Movie Review: Magic in the Moonlight
Early exposure to the art of magic gives us permission to draw outside the lines. When we see something that defies logic it opens us up to accepting additional possibilities to a situation. Some people may say this directly affects our minds, while others will say it definitely stirs our hearts; either way magic certainly can influence us. I can remember my first exposure to magic (not taking into account peek-a-boo) happened when I was nearly 3 years old. There was a relative who would always grab my nose then show it to me sticking out from their closed fingers. I would inhale as much air as my little lungs could hold, to try and get back my nose. It wasn’t long before I realized by relative’s thumb and not my nose was poking out between his clenched fingers. There was another relative however who really performed magic or at least I thought so. Anytime he was visiting he would come up to me and ask me what was sticking out of my ear. I would rub my ear but never found anything. He would reach down, touch my ear then show me the quarter he pulled out before handing it to me. I would always check my ears afterward to see if I could find any money in them, but never did. BELIEVE it or not magic played a central character in this dramatic comedy. Written and directed by Woody Allen (Sweet and Lowdown, Midnight in Paris), this romantic film was about a magician and a soothsayer. Colin Firth (The Railway Man, A Single Man) played Stanley, a man who pretended to be a Chinese magician. When not in costume Stanley was considered the expert in disproving psychics and fortune-tellers. Hearing news about a young, incredible soothsayer named Sophie, played by Emma Stone (Easy A, The Amazing Spider-Man franchise), Stanley set out to show the world she was a fake. Both the music and sets were beautiful in this movie that depicted a bygone era. I thought the acting was quite good, especially from Jackie Weaver (Silver Linings Playbook, Animal Kingdom) as Grace. There were 2 major issues I had with this picture. The first had to do with Colin and Emma; their characters did not come across as a believable couple. Yes they both acted well but I found the idea of them being in any type of relationship just odd. My other concern was the story itself. Though the concept was good, the execution came across a bit tired to me. It felt more like a rehash of Woody’s previous films. There were times I found this film dull. For a movie about magic, I really wished it would have magically taken me out of my theater seat and into its story.
2 1/3 stars
Flash Movie Review: My Life Without Me
The sudden unexpected passage a person travels to death from life delivers a debilitating punch to those who remain behind. In that moment of stunned disbelief, memories pour down from your mind trying to fill the space emerging where the walls of your heart are crumbling into brittle chunks. There was no way you could have prepared yourself since the signs of dying never emerged from the individual. It is different when someone has been suffering from an affliction. You see the person morphing right in front of you into a stranger that bears little resemblance to who has been residing in your thoughts for all these years. In society we are led to believe the older generation is supposed to go first, followed by the next; it is the natural order of things we are told. I have experienced both kinds of death and though neither are easy, after seeing the one who had suffered a long time, I felt a sense of relief when they were done. If I were given the choice of knowing or not knowing when I was going to die, I honestly do not know if I could choose. SADLY that was not the case for young mother Ann, played by Sarah Polley (Dawn of the Dead, Splice). After being told she only had a short time left to live, that jolt of information was what she needed to finally live her life. This film festival winning drama had an eclectic group of actors to help keep the story from turning into a melodrama. Musical artist Deborah Harry (Elegy, A Good Night to Die) played Ann’s mother, Scott Speedman (Underworld franchise, The Vow) played Don, Amanda Plummer (Pulp Fiction, Girlfriend) played Laurie and Mark Ruffalo (Begin Again, The Avengers) played Lee. Out of this cast I have to say Sarah and Mark were the best with their roles. It was interesting to me how the entire film had a general look of resignation due to the locale, the jobs and people’ attitudes; yet, there were strong connections made between the characters. Obviously Sarah was the focal point to the story, but her strong sense of practical resolve and determination helped to keep the story engaging. There were a few scenes that felt out of place to me, a couple of which were to the point of being non-believable. I know for myself this picture had an affect on me regarding my avoidance in thinking about the course of my life; it would be pretty hard not to think about it. Not that this was a bad thing, I felt this movie showed a true and honest way in dealing with one’s own mortality.
3 stars — DVD
Flash Movie Review: Boyhood
How many of us can say we knew who or what we would become when we were young? During our formative years, the blossom of youth began to mold and form us into the future adults we would become. Family members, friends, peers and even the media played a part in our development. Recently I was sitting with relatives looking at old photographs and was fascinated with their reactions to seeing themselves. The majority scowled, looking like they had just bit into a sour piece of fruit. They would quickly turn the photo over to get it out of their eyesight. As I watched them I was recalling my impressions of them when they were young, compared to who they were now. It was curious to see how our life experiences altered each of us. Where some events seemed major back then, today they appeared inconsequential; however, they did steer each of us in a different direction. If photographs could initiate these thoughts imagine what would happen if your life was being documented year to year. WRITER and director Richard Linklater (Me and Orson Welles, Dazed and Confused) had an audacious idea for a movie, to film the life of one boy for 12 years. This film festival wining drama was the end result as it followed the life of Mason, played by Ellar Coltrane (Fast Food Nation, Lone Star State of Mind), from a young 6 year old until he reached 18 years of age. Ethan Hawke (Sinister, Snow Falling on Cedars) and Patricia Arquette (Ed Wood, True Romance) played his father and mother, while relative newcomer Lorelei Linklater played his sister Samantha. The story was simple and straightforward as the movie viewer became a witness to the family’s reactions to life throughout the years. I found myself taking a different mindset while I watched this film. There were no surprises or twists to the story; one simply sat and observed this average family dealing with whatever came their way, like most of us do on a daily basis. The acting was amazing considering the cast would come together once a year and have to pick up where they left off the previous year. A tidbit for you from an interview I read with the director: he would not let the younger cast see playbacks on any of their scenes, only allowing the older cast members because Richard did not want the young actors to be influenced from seeing themselves in their roles. I found it especially unbelievable that the scenes seemed seamless as the story aged. There will be some of you who will feel the story dragged at times and I understand. I enjoy seeing anyone’s old family photographs, so watching this film felt like I was an invited guest of this family.
3 2/3 stars
Flash Movie Review: A Long Way Down
No one has the right to tell you how you should feel is one of my strongest mantras. Among all the individuals within the circles of connections in my life, everyone knows there is no reason to cover-up, modify or hide one’s feelings. If someone is in a foul mood, so be it. I am not one to offer platitudes like “things will get better” or “it will be a brighter day soon.” When I am sad or depressed I certainly do not want someone around trying to cheer me up. I just want someone to be accepting and understand this is how I am feeling right at the moment. The phrase “misery loves company” comes to mind and there is some truth in it. I have noticed a stronger connection forms between 2 people when they are commiserating about similar circumstances. It is true for me when my friends and I are at a concert or on a trip, shared excitement only accentuates the experience. The same holds true during a somber or sad experience. It all comes down to the ability to relate to another being, to know there is someone else who is feeling the same way as you. COINCIDENTALLY, the four individuals in this comedic drama accidentally discovered they were each feeling the same way with the same idea. It was New Year’s Eve and expecting to be alone Martin, Maureen, Jess and JJ; played by Pierce Brosnan (Love is All You Need, The Ghost), Toni Collette (The Way Way Back, Little Miss Sunshine), Imogen Poots (Jane Eyre, That Awkward Moment) and Aaron Paul (Need for Speed, Breaking Bad-TV); all found themselves on the top of a high-rise building at the same time with plans to jump off the roof. Instead of ending their lives that night, they form an unusual pact to help support each other through their troubled times. Based on the novel by Nick Hornby (High Fidelity, About a Boy), believe it or not this film offered a few amusing moments. The subject may be morbid for some; but I found the script did a decent job of handling the subject matter, mixing doses of lightheartedness with darkness. Though the acting was this movie’s strongest feature, it could not help save this dramedy. I found the story jumped around too much, never allowing time to offer further explanation to the scenes. With things coming across piecemeal, the story never fully developed and fell flat. Not that I expect you to agree with me on every one of my movie reviews, but I feel comfortable there will be many who will feel the same way I do after they see this film.
1 3/4 stars
