Blog Archives
Flash Movie Review: The Place Beyond the Pines
While the age of 65 is the brass ring the average person strives to reach for retirement, it was not for a majority of my family members. My father worked seven days a week and continued to work beyond retirement age. I had a couple of uncles where one worked every day at a tavern and the other traveled around the country as a manufacturer’s rep. Both worked past the age of 65. The goal was to do whatever was necessary to provide for one’s family. As for myself, I have not given much thought to the idea of retirement. In this powerful drama I was fascinated with the juxtaposition of methods used by two fathers to provide for their families. Ryan Gosling (Blue Valentine, Drive) played stunt motorcycle driver Luke, a single man who found out he was the father of a baby boy. Romina, the woman he had the fling with a year ago and now the mother of his child, was played by Eva Mendes (Hitch, We Own the Night). Bradley Cooper (Silver Linings Playbook, Limitless) played Avery Cross, a police officer who worked in a department riddled with corruption. When Luke chose to rob banks as a way to provide for his son, it would set in motion a series of events that would affect his family and officer Cross’ family for generations. Already being a fan of Ryan’s acting, his part of the story was incredible to watch. From the opening sequence, where we follow Luke as he prepares for his motorcycle stunt, everyone did a great job of acting. Ben Medelsohn (The Dark Knight Rises, Killing Them Softly) as auto repair shop owner Robin was terrific. Because the first part of the film was thrilling for me, Bradley’s story was a slight letdown; but not by much. His acting was excellent as was Ray Liotta (Identity, Smokin’ Aces) as policeman Deluca. With outstanding direction and camera work, the span of years the story covered did not seem long at all. Sometimes choices made cause a ripple effect that last a lifetime. A couple of scenes with violence and blood.
3 1/3 stars
Flash Movie Review: Fish Tank
There is a correlation between hopelessness and fantasy. The more I felt my reality was bleak, the more I turned inward. When I was picked on back in school, I turned to martial arts movies to fuel my imagination. In my mind I became a skilled practitioner of the ancient martial arts, able to defend myself with my lightning fast karate chops. Upon reaching the legal age to enter a bar, I would go to nightclubs that had dancing. I could spend hours watching everyone dance while I became more self-conscious of the extra weight I was carrying with me. It was then that I would imagine I was a slender, chiseled go-go dancer who would whip the crowd into a fever pitch; while the disco beats pounded up against the walls. These were the things I did to compensate for feeling hopeless and alone. That sense of bleakness struck me while watching this Cannes Film Festival winning movie. Newcomer Katie Jarvis played Mia, an angry fifteen year old teenager living with her mother Joanne, played by Kierston Wareing (It’s a Free World, Bonded by Blood) and little sister Tyler, played by newcomer Rebecca Griffiths, in the poor area of a British town. With a mother who showed little interest in her and having been kicked out of school; the days blended together for Mia. The only respite she experienced was when she was dancing to music. It was not until her mother brought home the curious stranger named Connor, played by Michael Fassbender (Prometheus, A Dangerous Method), that Mia got her first glimmer of hope. The story was made believable with its excellent directing and dialog. Besides Michael’s well done acting, I was amazed at how good Katie was in her role. It was my understanding the director found Katie by chance at a train station, where Katie was arguing with her boyfriend from across the train tracks. Though I was surprised by certain events, the movie stayed true to its gritty reality. Take if from someone who knows, a single positive remark can store an abundant amount of fuel to propel one’s dream. One brief scene with blood.
3 1/2 stars — DVD
Flash Movie Review: From Up on Poppy Hill
Lady and the Tramp taught me about romance. I learned about hovercrafts and flying jet packs from Johnny Quest. It was Woody Woodpecker’s fault that I discovered we had a black & white television. When I was a little boy I knew Woody was red from pictures I had seen of him. I thought he was in color on our television; in fact, I even tried convincing my older brothers, until they proved to me that our TV was only black & white. Strangely I can still remember how disappointed I was to discover the Woody I had been watching was only different shades of gray. Gratefully that was not the case with this exquisite colorful animated movie. What I learned from this film was nothing is more beautiful than hand painted animation. There were times during the movie that the scenes reminded me of a Monet painting. Set in Yokohama during the 1960’s, this English version film starred Sarah Bulger (In America, The Station Agent) as the voice of high school student Umi Matsuzaki. Anton Yelchin (Like Crazy, Star Trek) voiced school paper editor Shun Kazama. When school authorities wanted to tear down the school’s old clubhouse, Umi and Shun joined forces to try and save the building from destruction. During their efforts they found themselves becoming attracted to each other; besides their mutual cause, there was something else they had in common. I found the story to be sweet, gentle and heartwarming. Little things were done to create these emotions. From Umi’s daily raising of the signal flags for ocean vessels’ safe passage to the respect given to elderly family members, scenes were thoughtfully placed by director Goro Miyazaki (Tales From Earthsea); the son of world famous filmmaker Hayao Miyazaki (Princess Mononoke, Spirited Away). I would think on some level there had to be some pressure on Goro as he created this film. His father had to be proud with the results.
3 1/4 stars
Flash Movie Review: Life as We Know It
There are some people who are not cut out for the responsibility; for it is a lifetime commitment. I have seen all types of parenting skills; some I have admired, some horrified me. It is curious that we need a license to drive a vehicle, but we do not need one to have a child. I remember a case study we discussed in one of my college psychology classes. A married couple had two sons, where the oldest one committed suicide with a rifle. The following Christmas the parents wrapped the gun up in holiday paper and gave it to their surviving son as a gift. What kind of message do you think the parents were trying to convey to their child? This romantic comedy took a light hearted look at parenting. Katherine Heigl (Knocked Up, The Ugly Truth) and Josh Duhamel (Transformers franchise, When in Rome) played Holly Berenson and Eric Messer; two available single people. They had been fixed up with each other on a blind date that went bad very quickly. Because they each were friends of the married couple who had brought them together, Holly and Eric were still forced to see each periodically. When a tragic accident suddenly took the lives of their friends, Holly and Eric discovered they were the co-guardians of the couple’s infant daughter. The two adults who could barely stand each other now had to share parenting responsibilities in raising little Sophie. How would this work in the best interests of the baby? The idea of the story was a little far-fetched; I mean c’mon, who lists someone as guardian without talking to them first about it? Katherine, Josh and Josh Lucas (American Psycho, A Beautiful Mind) as Dr. Sam, were good in their roles. Instead of tackling some tough issues, the writers took an easy way towards the ending. I also thought the pacing of the movie dragged at times, going through similar scenarios with Sophie. It takes a certain kind of person to raise a child and now I see it takes a particular group of people to bring the story to the big screen.
2 stars — DVD
Flash Movie Review: The Host
Beauty beyond skin deep was an underlying message I picked up from this romantic science fiction film. My friends have heard me say so many times, the body is rented. I have always been fascinated to see old photographs of long term partners. To see how their physical appearance could have dramatically changed but not the connection between their hearts is something I truly admire. Stuff like hair color, weight and height are simply frivolous decorations compared to a person’s soul in my opinion. The story in this movie could really have taken the concept of a person’s identity and expanded it. An alien race arrived on earth to inhabit the bodies of humans, replacing their individuality with their own. The process was painless and efficient most of the time; unless the person was strong minded. One such person was Melanie, played by Saoirse Ronan (Atonement, The Lovely Bones). She had made a promise to see her little brother Jamie, played by Chandler Canterbury (Knowing, Repo Man), again. Would Melanie’s love for him and boyfriend Jared, played by Max Irons (Being Julia, Red Riding Hood), be stronger than an alien invasion? This was not the first time mankind has been invaded in the movies. However, the script was so cheesy and flat; I was bored for the majority of the film. With the writers having Diane Kruger (Unknown, National Treasure) as the Seeker, William Hurt (Dark City, A History of Violence) as Uncle Jeb and Frances Fisher (Titanic,Unforgiven) as Maggie in the cast; it was a shame they did not do some rewriting to give these actors more meatiness to their characters. I have not read Stephenie Meyer’s book this movie was based on, but I suspect it may play like a soap opera as did this film. Saoirse’s acting has been something I have respected. She gave it a good try here, but by the end of the movie I believe she really was not running away from aliens; she was running to get out of this dud. A couple of brief scenes with blood.
1 3/4 stars
Flash Movie Review: The Sapphires
Since the euphoric high several weeks ago from the Oscar telecast, the caliber of movies that have been released has continued to sink week after week. My times spent at the movie theaters have dragged out due to boredom. There are moments I have sat staring at the movie mess splashing on the screen and thought if I at least had my checkbook, I could balance it. I am annoyed that movie studios do not spread out their quality films through the entire year instead of stacking them up on holidays. After several long weeks I finally saw a movie that surprised and excited me. Inspired by a true story, four aboriginal girls hoped to form a singing group that would lead them to a better life. Set in an Australian town in the late 1960’s; sisters Gail, Julie and Cynthia, played by Deborah Mailman (Rabbit-Proof Fence, The Book of Revelation), Jessica Mauboy (Bran Nue Dae) and relative newcomer Miranda Tapsell, entered a singing contest despite the all Caucasian audience. MC/talent scout Dave Lovelace, played by Chris O’Dowd (Bridesmaids, This is 40), recognized the girls’ talent and began a business relationship that would take the girls overseas to entertain the U.S. troops in Viet Nam. The sisters with their cousin Kay, played by relative newcomer Shari Sebbens, would have to grow up fast as the world around them could quickly end with a single explosion. This film festival winner touched on heavy topics such as prejudice, war and death; but maintained a light coverage, keeping the focus on the girls. I thought Chris did a wonderful job with his character, carrying the majority of amusing lines. An important aspect of this movie was the awesome soulful soundtrack headed by Jessica Mauboy’s killer vocals. Numerous times I found myself tapping my feet to the musical beats. What a great story that superseded any acting quibbles I may have had or the stretching of the truth. I was able to leave the theater with a smile on my face and Motown tunes in my head. A couple of brief scenes with blood.
3 1/2 stars
Flash Movie Review: Spring Breakers
I wondered what their parents would do if they really knew what their daughters were doing during spring break. Not only the parents in this outrageous film, but I thought about the actors’ parents in real life. I took the antics of the four female co-stars as a sad commentary on what happens to these young children who are thrust into the limelight at such an early age. A majority of them grow up with a warped sense of reality in my opinion. Without a sense of structure or parameters of what is acceptable behavior, these young adults act out in extreme ways, as they did in this film. Best friends Faith, Candy, Brit and Cotty; played by Selema Gomez (Monte Carlo, Ramona and Beezus), Vanessa Hudgens (Sucker Punch, Thirteen), Ashley Benson (13 Going on 30, Bart Got a Room) and Rachael Korine (Mister Lonely, Septien), wanted to experience a life different from their lives back home. Making their way to Florida for spring break, the girls immersed themselves into a hedonistic non-stop frenzy of hard partying. Having kept his eye on the wild friends; an opportunity presented itself where drug dealer Allen, played by James Franco (127 Hours, Oz the Great and Powerful), was able to bail the girls out of a tough predicament. The allure of Allen’s money and power challenged the bond between the four girls, putting into question their desire to go back to the lives they led back home. This was a movie filled with extremes; from excessive drugs to random nudity to swearing to slow motion vomiting, it had everything. For a majority of the film I was bored, finding the repetitive antics tiresome. The filming style had a unique edge that I found interesting, however. Finally James Franco gave a committed, solid performance with his drug dealing character; I wished there had been more story about him. Even with an avant-garde manner to the story and filming, this movie needed to take a break from its excessiveness or at least be forced with a curfew.
1 3/4 stars
Flash Movie Review: It’s Kind of a Funny Story
There was a time when one would see children playing outside. From a group of pretend space explorers to an afternoon tea party on the front lawn, a child’s imagination had no limits. I can remember playing in the alley behind the building I grew up in, with its high 3rd floor. Behind it there was a tall oak tree that I would climb up, to the height of the 2nd floor apartments. There I would sit and be the lookout for evil ghosts coming after my friends playing below in the alley. Today I rarely see children playing outside and I think it is because of all the pressures that are placed on them. With my family and friends who have children, there are so many activities they have signed their kids up for that there is no down time. I understand the thinking behind all these activities; creating opportunities for the child to excel, becoming well rounded, helping them on their path to becoming successful. Imagine the pressures that some children feel these days and may not have the tools to cope. In this poignant film from the writing duo of Ryan Fleck and Anna Buden (Half Nelson, Sugar) the story was about hight school student Craig, played by Keir Gilchrist (A Lobster Tale, Dead Silence). Unable to cope with the pressures placed on him, Craig admitted himself into a psychiatric ward of a hospital. Due to renovations in the juvenile ward, he had to be placed with the adult patients. With fellow patient Bobby, played by Zach Galifianakis (The Campaign, The Hangover franchise) as his guide; Craig discovered a world that appeared to be more normal than the one he left. I thought the topic of mental illness was gently handled in this dramatic comedy. The cast which also included Viola Davis (Beautiful Creatures, Won’t Back Down) as Dr. Eden Minerva and Emma Roberts (Nancy Drew, Hotel for Dogs) as Noelle did a beautiful job with their characters. There was a respect given to their maladies as they tried coping as best as they could. This was a stress free viewing experience, giving me the opportunity to sit back and relax.
2 2/3 stars — DVD
Flash Movie Review: No
The amount of money spent on marketing political candidates these days is obscene to me. There are countries that do not come close to having such amounts in their treasury. It seems to me that the only people who can run for office are wealthy individuals. This concerns me because in my experience some wealthy people have a hard time relating to the average person. For example, the man who bought Princess Diana’s dress that she wore when she was dancing at the White House with John Travolta. At a winning bid of $360,000.00, a gentleman bought it to surprise and cheer up his wife. How many of us can do such a thing? Where I find this excessive, I have the same feeling about the money needed to fund a campaign. It seems the issues are not enough to determine whether a person will vote for a candidate; it also depends on who does a better job of marketing the politician. One of the reasons I grew to enjoy this historical drama was seeing what a grassroots advertising campaign can accomplish. Nominated for best foreign language film with the Academy Awards, this film took place in Chile, 1988. Military dictator Augusta Pinochet had been in power for fifteen years and needed to show the world that his government was legitimate. A referendum was scheduled, but would anybody opposing Pinochet survive the election? Gael Garcia Bernal (Bad Education, Y Tu Mama Tamben) played young advertising executive Rene Saavedra, who had the task of creating a campaign that would not get censored. He created the “No” campaign. Starring Alfredo Castro (It was the Son, Tony Manero) as Lucho Guzman and Antonia Zegers (Post Mortem, The Life of Fish) as Veronica Carvajal; the story used humor, actual footage and a faux 1980’s style of filming to draw the viewer into a fascinating time in Chile’s history. I had a hard time getting into the story at first; it felt slow to me. Once the campaign started to come together I was enthralled with the genius of it. With excellent acting, the movie became inspirational for me. The question was could creativity, strong beliefs and dedication triumph over money. Spanish with English subtitles.
3 stars
Flash Movie Review: Upside Down
Residing in a peaceful alcove of your mind is your first love. The memories of the favorite things you shared keep that love alive. There have been stories about people who have traveled all over the world looking for that one special person, only to have discovered it had been waiting for them all this time back home. In this romantic fantasy Adam and Eden, played by Jim Sturgess (One Day, Across the Universe) and Kirsten Dunst (Melancholia, Spider-Man franchise) were young and in love, despite living in opposite worlds of twinned planets. Years after thinking he had lost her from a fatal fall, Adam discovered Eden was still alive. Could Adam overcome the laws of physics and the laws of the land to find his love from long ago? This movie was a mind bending visual production. Two opposite worlds sharing similar space created several satisfying space shifting scenes (say that fast ten times). Adding to the drama was the use of visual cues to separate the two planets socially, politically and economically. The story was a cross of the movies Metropolis with Romeo and Juliet. To make the story work, one had to forget about science and logic; this movie was made to speak to the heart. Kirsten and Jim were only passable in their roles. Part of the reason was their acting and the other part was the poorly written script. I found it odd to have dynamic visuals but dull dialog. The character I found most interesting was corporate worker Bob Boruchowitz, played by Timothy Spall (Enchanted, Harry Potter franchise). Fans of science fiction may be disappointed with this movie; there were no futuristic devices or costumes. This was a romantic story nestled inside of a fantasy. I really wished the movie had been better; but I guess like some fantasies, they are better off left alone than becoming reality.
2 1/2 stars
moviejoltz 