It is important to have a comfortable setting. Location is a priority for some while comfort is a necessity for others. Once you are in your perfect place a calmness comes over you like an old comfy sweater; all that is left is for the movie to begin. The opening scene rolls onto the screen and there is a twinge of excitement as you are prepared to be taken on a journey by the film’s story. A short time passed and that hopeful, emotional expectation dimmed as it took its last breath of light and you realized something was not right. You were reacting to the film, there was something familiar about it. There was a moment where you quickly wondered if you had seen the film before and had spaced out about it. As it turned out you did not see the picture before, but the film studio just used the same formula that was successful for the main star in a prior movie. This left you feeling unsatisfied to the point of feeling cheated. It was like craving your favorite chocolate wafer sandwich cookie only to find the grocery store was out and only had a cheap knockoff–it was not the same. TOUGH, fearless, confident and tall; this seemed the niche Liam Neeson (A Million Ways to Die in the West, Non-Stop) was gravitating to as he played private investigator Matt Scudder. When drug trafficker Kenny Kristo, played by Dan Stevens (The Fifth Estate, Downton Abbey-TV), asked the private investigator to find the men who killed his wife, Matt initially refused. It wasn’t until he heard how the wife died that he agreed to take on the case. I found this crime drama to be for the most part standard fare. It came across as a formulaic vehicle for Liam to go through the motions, having done this type of role a few times already. There was the “bad guys” who in this case had a real ick factor; the young streetwise innocent TJ, played by Brian “Astro” Bradley (Earth to Echo, The X Factor-TV) and a script that tried to have Liam deliver lines that would become iconic sayings for the movie goer. At least I was not completely bored thanks to the several scenes that were well directed to deliver tense excitement. The first time Liam took on the role of a middle-aged tough guy it was different and fresh. The second time it lost some of it luster and was not as exciting to watch. By now all I wanted to say to Liam was, “It is enough already.” If this is the first time you are seeing a Liam Neeson film then you might enjoy this movie; if not, then you may feel as if you had seen this all before. There were scenes of violence and blood.
The word “enough” has a different meaning today than it did when I was growing up. Back then the word meant: as much or as many as required; like when I was asked if I had enough to eat. It related more to a personal level. I have always said if I won the lottery there would be little change in my personal possessions. There would be no multiple car purchases or living in a mansion. One of the benefits I could see would be for me to no longer worry how I was paying for something. That would be a nice aspect I wish to experience someday. These days I find the word “enough” is being used more as a comparison to someone else. For example, they have more than I do, I do not have enough. Greed seems to have taken on a more extreme persona in society today. When the news reports on prominent people getting caught for illegal activity, in their desire to acquire even more wealth, I have to wonder what is wrong that they cannot be satisfied with what they have already. An extreme example of this is the premise for this dramatic crime film. Michael Fassbender (12 Years a Slave, A Dangerous Method) played a wealthy counselor who decided to acquire more wealth via drug trafficking. When the deal did not go as planned, the counselor learned there were consequences to the decisions he made. Based on the book by Cormac McCarthy (All the Pretty Horses, No Country for Old Men), the script was Cormac’s attempt at being a screenwriter. This was a poor decision because the script was horrendous. I thought the dialog was bizarre while multiple scenes made no sense. Even with a cast that included Javier Barden (Skyfall, No Country for Old Men) as Reiner, Penelope Cruz (To Rome With Love, Volver) as Laura and Cameron Diaz (Bad Teacher, My Sister’s Keeper) as Malkina; there was no way they could save this film from its bloody boredom. I found it interesting that a film about greed may have been green lighted by individuals who wanted to score again, on par with the fortunes reaped from their previous film No Country for Old Men. It was a greedy ploy that did not pay off. There were scenes with blood and violence.
1 2/3 stars