The first time I saw them on a small screen I thought they looked unusual, almost bizarre. Every Saturday afternoon there was a television show that showed old movies. I did not understand the point of a movie musical the first time I saw one. Why actors were breaking out into songs in the middle of their scenes baffled me. It was not until I paid attention to the lyrics that I realized the songs were explaining parts of the story. These films along with the others that got broadcast came from a different time. The screwball comedies, dramatic romances and other genres had movie stars that were, to use a cliche, larger than life. I was familiar with those who had a prolific career, churning out a new movie every year. These actors gave off an almost regal persona; it appeared the film studios kept each of them up on a pedestal to be admired and revered. As far as I can recall there was never any controversy associated with those actors, unlike the current actors of today. It seems as if more times than not actors are just as famous for their offscreen activities as they are for their acting roles. This however brings up an interesting thought: are current actors more out of control then the ones from years past? It would seem easy to say yes but upon more thought, I do not think there is much difference between the different eras except for the way we get our news presently. This comedy sheds some light on what the movie studios used to do for their actors. EDDIE Mannix, played by Josh Brolin (Everest, Sicario), had one mission and that was to keep things running smoothly for the film studio. With the actors they had under contract it was a 24 hour a day job. This dramatic comedy written and directed by Ethan and Joel Coen (Fargo, True Grit), was set in the 1950s when movie studios was churning out movies like an assembly line. The cast which included George Clooney (The Ides of March, Gravity) as Baird Whitlock, Tilda Swinton (We Need to Talk About Kevin, Only Lovers Left Alive) as Thora Thacker/Thessaly Thacker and Channing Tatum (Magic Mike franchise, Foxcatcher) as Burt Gurney were all representative of past celebrities. For example Channing’s character was similar to a past star like Gene Kelly or Fred Astaire. With the variety of actors in this film, each had essentially their own story going on. Though things kept moving along I felt most scenes were only offering a brief glimpse of a story before it was time for the next actor’s turn. The movie came across as little skits pieced together. I found the story amusing but nothing that warranted any major investment. Don’t get me wrong, this picture was fun to watch; however, if one is not familiar with movies that came out from the old Hollywood era, they may not enjoy this film as much.
2 3/4 stars for fans of old movies 2 stars for fans unfamiliar with the Golden Age of Hollywood
Hope is such a funny thing. In some circumstances it is the life preserver that keeps you afloat during the rough choppy waters of doubt and fear. When one has to wait for test results, hope is there to carry them through the days. There are times though where hope drives us crazy as if it greased the wheels of one’s reasoning, making them skid across the roads of reality and sanity. Checking one’s email account for an email or voice messages for that one call, hoping the person you just met keeps their promise to contact you for a date, as you refuse to make any plans yet for the weekend. This would be the wicked side of hope. The dictionary defines hope as a feeling of expectation and desire for a certain thing to happen. It says nothing about it helping or hindering us. In this latest dramatic film from the writing and directing team of Ethan and Joel Coen (The Big Lebowski, No Country for Old Men) hope was the only thing musician Llewyn Davis, played by Oscar Isaac (Robin Hood, Drive), had as he tried to make it in the New York folk scene back in the 1960’s. This Golden Globe nominated black and white movie was meticulously filmed down to each detail. The set pieces and scenes had the Coen Brothers’ special way of evoking emotions out of both the characters and viewers. I do not believe everyone will be familiar with the Fred Harvey rest stop oasis, but it was priceless to see one of them in a scene. If I am not mistaken they were in only one state in America where they spanned across the highway. Besides the outstanding acting from Oscar, I thought the acting was equally well done by Carey Mulligan (An Education, The Great Gatsby) as Jean and John Goodman (Argo, Roseanne-TV) as Roland Turner. In fact, I think John is one of the best character actors working in movies today. As for the story I enjoyed most of it, though I felt at times it was meandering about, leaving uncertain conclusions. The ending left me a little cold. I am not sure this film festival winning movie will please everyone. Music lovers will certainly enjoy this musical movie; at least I hope so.
3 1/3 stars