As I came through the front door I immediately noticed the dead cigarette butt dangling on the edge of the cedar chest. No one smoked in the house. At one time the cigarette was lit because there now was a deep ashen scar exposing the unfinished wood beneath the polished surface. My eyes were drawn from the cigarette butt to the hall closet with its mirrored door gaping open. Inside the clothes were disheveled and piled up on the floor; there were several wire and wooden hangers dangling naked from the clothes rod. These two things did not connect together in my brain right away; however, as I walked into the bedroom it all made sense. A burglar had broken into the house and stole some clothing, jewelry and a small television. I was in shock as all of this sunk in and I realized how fortunate I was that the cigarette did not start a fire, destroying not only the apartment but the others in the building. As I moved from room to room an awful feeling came over me; I felt so violated and vulnerable. There was such a sense of dread, feeling unsafe in my own home; it weighed heavily as I imagined this stranger walking through the house not realizing the sentimental significance to items, let alone the things I needed like clothing. At least I had no idea who it was; can you imagine if I was home when the burglar broke in and took what they wanted for themselves? MARIA Altmann, played by Helen Mirren (The Queen, The Debt), had only her memories when she fled Nazi occupied Austria. Making a life for herself in the United States, it was not until her sister’s death that Maria thought about the things that were taken away from her and her family so many years ago. One of the objects dear to her was a portrait of her aunt, painted by Gustav Klimt. Though it was hanging in an Austrian museum, she felt it belonged with her. Based on a true story, I enjoyed the way this drama portrayed the present and past together. The key in making it all work fell upon Helen and Tatiana Maslany (The Vow, Eastern Promises) who played the young Maria. I thought Max Irons (The Host, Red Riding Hood) who played Fritz, young Maria’s husband, was a strong asset too. Ryan Reynolds (The Voices, Green Lantern) as lawyer Randol Schoenberg was better than I have previously seen him but not on the same level as Helen. The script may have been predictable but I did not mind because I was fascinated with the “story behind the story” aspect to this drama. Granted my theft cannot compare to Maria’s but I felt a solid connection to this movie.