If you love somebody, let them go, for if they return, they were always yours. But what happens if they do not come back? Let me tell you what happens; the vacated space in your heart will become listless for a time. Your memories go through a transformation that softens the hard edges, like water continuously running through a forming canyon. There may be times where a particular memory morphs with fantasy to create a totally new experience. You believe what you are recalling even though it never really happened. Remember that time where the two of you were supposed to celebrate your anniversary but they could not get away from work? Though at the time you were upset, you now look back at it with fondness because they made it up to you with a spectacular day. Never mind they were never really at work but out with friends and just did not want to tell you. Now you can say what you want, but unless you work really hard on confronting, dealing and expunging your anger over your breakup; your anger will always find a way to come out. And it may happen in the most inappropriate of ways. I know about these things because anger used to be a close friend of mine. One time my bathtub got stopped up and for some reason I bought this plastic pump contraption. I tried putting it together to make it work, but it only frustrated me and I exploded with anger, taking a hammer to it until it was in a million pieces. Just like the character in this dramatic film. LOCKSMITH A. J. Manglehorn, played by Al Pacino (Danny Collins, The Godfather franchise), lived a quiet life with his cat. Well, quiet only when he was not breaking his furniture. What made this film festival nominee attractive to me was seeing Al Pacino teamed up with Holly Hunter (The Piano, Raising Arizona) playing bank teller Dawn. The two of them were wonderful and I wished they had more screen time together. This was the issue I had with this film; the story needed to spend more time on them, instead of spending time with A. J.’s son Jacob, played by Chris Messina (Vicky Cristina Barcelona, Argo). His scenes seemed to be filler for the story; though I knew they were trying to make a point about Manglehorn. It all came down to the script in my opinion. The directing was fine but without a strong script I was never fully invested in the story. To me it seemed like it was never really going anywhere until the very end. Who knows maybe down the road I will look back at this film and like it more than I really did.
2 1/4 stars