Begin with several words, string them together and let a story take you away. Let me show you what I mean. I will start with the words room, curtains, breath, light, skin and airplane. Here is the first beginning to the story: The curtains’ shadows looked like they were reaching out to me as I entered into the room. The light behind them blazed in a crimson red; I could feel the heat on my skin. This was my first time here and the air smelled rancid. It was stifling to the point where I felt I was entering into the mouth of an ogre with bad breath. Suddenly the room shook with a roar as if an airplane had just skimmed the roof above me. Maybe what I just wrote was the beginning of a horror story. Same words, but in a different order; let me see what I will get: The curtains gently rippled as a warm breeze passed them into my room. I was stretched out on the sofa, careful not to disturb the creases where the love of my life had sat minutes ago before they had to leave. Their breath still felt like it was lingering around the skin at the back of my neck. Our light conversation had gone into deeper waters with positive results. I agreed to make airplane reservations to fly out and meet their family for the first time. Now this story sounds romantic, doesn’t it? That is the beauty about stories; they can take us to an infinite amount of places. I love the way a story can take me away from my reality and place me into a whole different world. Some people read to learn, others read to escape; it does not make a difference because I feel just the act of reading provides the essential nutrients for the mind to grow. AMOS OZ, played by newcomer Amir Tessler, was always ready to hear a new story until he felt he was living in some of them. With Natalie Portman (Jane Got a Gun, Black Swan) as Fania Oz, Makram Khoury (Munich, The Physician) as Halawant and Ohad Knoller (The Bubble, Munich) as Israel Zarchi; this film festival nominated dramatic biography was based on the bestseller by Amos Oz. Written and directed by Natalie, the story had a darkness to it as it took place during Israel’s formative years. I could see there was something to the story but I don’t think the screenplay conveyed it. There were some good scenes and I could see Natalie had a good eye for directing, but I did not find this picture entertaining. Despite the acting being good, the story telling interesting and the dynamics between the characters having depth; I was not always into the story. Granted I would not consider the subject upbeat but I think if the script was in different hands the results might have been different. Not that I am knocking Natalie’s 1st directorial effort, but maybe she should have focused only on that instead of the screenplay too. There certainly was a story here; I just did not feel satisfied watching it. Hebrew was spoken with English subtitles.