I KNEW HIM TO BE A mean and argumentative individual. He really was worse than that, but I was afraid I would get censored for what I really wanted to say about him. It was not unusual to see him in a fight with another student, whether it was verbal or physical. I never liked him and did my best to stay away from him. After we graduated and moved up to the regional school, I thought for sure I would not have any contact with him; it turns out I was wrong. We both had the same music class. When I walked into the classroom and saw him sitting in one of the seats, I wanted to turn around and go to the counselor’s office, to see if I could change out of the class. Because I did not want to start moving classes around, I decided to stick it out and just make a point to never sit near him. Hopefully, he would not see me or if he did, would not realize we had gone to the same lower school. This was not the way I wanted to start out in this new school; but at least the teacher seemed nice. THROUGHOUT THE SEMESTER, MY PLAN TO go unnoticed by him worked. He hadn’t changed since the teacher had to break up a couple of fights that he was involved in with other students. Also, whenever we had an open discussion in class, he was his typical abusive self with his yelling and name calling. A funny thing, however, started to take place I noticed after many weeks. His methods of discussion took on a less combative mode and I honestly could not recall when was the last fight he participated in. At least for me, I felt relief since his ways were a distraction; I wanted to hear more from the instructor because she seemed so knowledgeable. A student sitting next to me who had struck up an acquaintance with me, surprised me when he commented on our classmate. He had noticed the change like I had; but it turns out he had a theory. I was curious to hear, so he shared his thoughts with me. It turns out the teacher had spent several sessions one on one with our classmate after his first outburst in class. I knew her to be a gentle and kind, based on the way she conducted class. The way she dealt with us as a class was something new to me. She tended to ignore the boastful or negative comments as she encouraged us to be more open and honest. I know I do not have enough space here to share the details; but if you are curious, this dramatic film can show you a way on how people can change. WITH THE RETURN OF HER STOLEN purse Madame Rosa, played by Sophia Loren (A Special Day, Marriage Italian Style), was put in the uncomfortable position to board the person who stole it in the first place. It was an outrageous request. With Renato Carpentieri (Open Doors, Tenderness) , Francesco Cassano (The Tracker, Anche Senza di te) as Carabiniere, newcomer Ibrahima Gueye as Momo and Abril Zamora (Three Days with the Family, Vis a Vis) as Lola; this Italian film was proof that when you are a star, you can remain a star. Sophia was outstanding in this role; so much so, that if it had been someone else, I do not think the movie would have been as engaging for me. The story had a familiar ring to it, but the chemistry between Ibrahima and Sophia was solid. Since the movie I saw was dubbed in English, I felt it made it harder for me to connect at first; but that soon passed. This was a classic performance from a classic actress, and I was glad I was able to watch it.
3 ¼ stars
I SAW THE REQUEST POSTED ON ONE of my social media sites. The person was asking for suggestions and recommendations on food delivery services. They wanted to place an order for food to be delivered to an elderly couple, who did not have the ability to leave their home during the state’s shelter in order. Besides the generosity of this person’s request, the other thing that impressed me was the immediate response they were getting from so many people. As I read through the comments, I discovered this request started because the person’s first choice of a delivery service cancelled the order because they could not fulfill it due to several items being out of stock. What struck me about this was the fact the response was coming from a major grocery store chain. I soon discovered, based on the posted conversations going back and forth, that the items out of stock were some basic household items, along with some fresh fruits and vegetables. This struck me as odd since those items, at least in my experiences, have never been out of stock; especially, the household items which are produced by several different manufacturers. I wondered how long it was going to take this person to find all the items they needed to send to the elderly couple; I hoped it was not going to turn into the type of scenario where they were trying to beat the clock before the elderly couple went hungry. LITTLE DID I KNOW READINGTHOSE comments were only going to be a prelude to what I would encounter when I went to buy groceries. The first thing I noticed when I was walking inside the grocery store was the amount of people who had scared looks on their faces. They were walking up and down the aisles staring forlornly at the empty spaces that popped up periodically along the shelves. The magnitude of the situation did not hit me until I discovered there were no bananas or sweet potatoes to be found anywhere; I could not process this fact. Later on I found out the reason for the absence of these two items was because parents were buying them up to mash into food to feed to their babies. Continuing on my way through the store, I saw polar opposite examples of people’s compassion during a crisis. In one aisle I saw a shopper with a cart brimming over with items. Each item was in multiple amounts, for example 5 bottles of salad dressing. Unless they were buying for multiple families, I felt they were being greedy during these scary times. Soon after I saw a shopper in the checkout line who had 4 loaves of bread in their cart. They were talking to the person behind them and whatever was said, I saw this shopper take one of the loaves out of their cart and hand it to the person behind them. Wow, it looked like an act of kindness. Similar examples to the ones I just mentioned can be found in this film festival-winning movie from South Korea. PASSENGERS ON A BULLET TRAIN BOUND FOR a resort town are confronted with the fact they may not make it due to the zombies that got on board. With Yoo Gong (Finding Mr. Destiny, A Man and a Woman) as Seok-woo, Yu-mi Jung (A Bittersweet Life, Psychokinesis) as Seong-kyeong, Dong-seok Ma (The Outlaws; The Gangster, The Cop, The Devil) as Sang-hwa, Su-an Kim (The Battleship Island, Memories of the Sword) as Soo-an and Eui-sung Kim (Wiretap, Six Flying Dragons-TV) as Yon-suk; this action horror thriller was a complete surprise to me because of its heart. With any zombie movie, one gets the idea of what is going to happen; however, with this story, I found the script added depth to its characters. The different side stories of individual people allowed me to become more engaged with their plight. Add in the skillful action and this picture turned out to be a mirror to the times we are living in presently. There were scenes that showed blood and violence; but I did not find them to be the usual gory type one finds in horror films. Whether it is unseen viruses or zombies, both bring out people’s true natures. Korean was spoken with English subtitles.
3 ¼ stars — DVD
I WISH I COULD REMEMBER HOW OLD I was when I was able to stay home alone without a babysitter. The funny thing is, I absolutely remember the day when it happened. It was a clear but windy Saturday night. My food treats for the evening were a freshly popped bowl of popcorn, a box of chocolate chip cookies and a cup of chocolate pudding that was covered in plastic wrap in the refrigerator. I was so excited to have the run of the house all to myself. No fighting over who would get to watch their TV show on the large television in the living room and no waiting to use the bathroom; I was all set for the evening. The first television show I planned on watching was a comedy. All settled on the couch with my bowl of popcorn and a bolster to recline on, I began watching my TV show. It was only 10 or 15 minutes into the program when I heard a sound coming from the back door. I was afraid to walk into the kitchen to see what it was; so, instead I creeped along the living room wall until I was able to sneak a peak out the window that was closest to the back porch. I did not see anyone there; but I was scared enough to run into the kitchen and wedge one of the kitchen chairs under the doorknob of the back door. I also took out a butcher knife from the kitchen drawer and kept it by my side the rest of the night. THOUGH THAT WAS MY INITIAL INTRODUCTION into becoming a responsible “older” boy, I began to relish my new status within the family. There was a sense of freedom, if you will. I do not mean to infer I was a prisoner or something like that; it was having the option of choice that gave me this feeling of freedom. A small child is told what to do or not do. For example, I remember when I was not allowed to touch the knifes that everyone else was using at the dining room table; my food was cut up for me because I was too young to do if for myself. At some point as I got older, I was able to use a knife to cut my own food. Stuff like this may sound trivial but being able to take actions and make decisions for oneself is a powerful force. This is something I do not take lightly because I know there are places in the world where people do not have the ability to make their own choices. Imagine what life would be like for you if you did not have the freedom of choice. If you wish to see examples, this exquisite, dramatic film festival winner will show you. AFTER HER SISTER’S DEATH HELOISE’s, PLAYED BY Adele Haenel (The Unknown Girl, Love at First Fight), mother pulled her out of the convent to take her sister’s place hopefully in an arranged marriage. With Noemie Merlant (Paper Flags, Heaven Will Wait) as Marianne, Luana Bajrami (School’s Out, Happy Birthday) as Sophie, Valeria Golind (Hot Shots franchise, Escape From L.A.) as La Comtesse and Armande Boulanger (Conviction, Silence du leopard) as L’eleve atelier; this romantic movie was filmed in such a beautiful way that I felt I had been transported back to the 18thcentury on the Island of Brittany. The acting was mesmerizing as Noemie and Adele used their acting skills to tell the story. I especially enjoyed the way the script slowly heated up, giving enough time for each scene to fully set in. The dialog was spoken in French and Italian with English subtitles; I had no difficulty following the story while reading the subtitles. This was a fascinating movie watching experience that depicted a time when women particularly had less freedom to choose. At least, I hope they had less back then, than they do now.
3 ½ stars
ON A RECOMMENDATION, I LOOKED UP a couple of the resorts suggested to me. She was right, they were nothing short of spectacular. One of the resorts had several rooms that had a live tree as the bed’s headboard. From the bedroom one could walk through the adjoining sitting room, with its plush low-backed chairs, then pass through two sliding glass doors out onto a veranda, where one could dine on a specially prepared meal. What was there not to like, I ask you. I scrolled down through photos of the resort’s grounds until I reached the page that listed the prices. To say I was shocked would be an understatement. The pricing started in the low four figures and that was per day. I had to wonder if the person who recommended the resort thought I was rich. Obviously, they were in a different class than me and had enough funds to bankroll several trips to the resorts that they suggested to me. All I could do was just laugh about it. I continued by looking at a couple more of the suggested resorts; they all had similar price ranges. At least I got to see some gorgeous places where the rich hang out, evidently. I HAVE NEVER BEEN THE TYPE to get jealous or envious of another person’s wealth. As long as they acquired their wealth by honest means, it does not matter to me if a person is considered lower, middle or upper class. In my mind everyone is still human. Wealth is not something I list as an attribute when I am “judging” a person. Kind, generous, loving and sweet are some of the things that are important to me. I know not everyone thinks like me because I have encountered individuals who form a dislike towards a person just because they have more money. There was one person I remember who felt because someone was richer than him, they should always offer to pick up the check at a restaurant when they dined out together. I am sorry, but I found that logic ridiculous. What if the two of them went shopping for clothing? Would the person of less wealth expect the other to pay for his purchases? One of my newspaper subscriptions once a week lists houses for sale that exceed one million dollars. Seeing the opulence of these properties is fun for me, since I never will have such a place. That is as far as my interest goes which is something, I cannot say for one of the families in this comedic, crime drama. STRUGGLING TO MAKE ENDS MEET, THE Kim family finds good fortune when their son Kim Ki-woo, played by Woo-sik Choi (Set Me Free, Train to Busan) becomes the tutor to a wealthy family’s daughter. His position would present opportunities for the Kim family to benefit. With Kang-ho Song (The Host, Snowpiercer) as Kim Ki-taek, Sun-kyun Lee (A Hard Day, The King’s Case Note) as Park Dong-ik, Yeo-jeong Jo (The Servant, Obsessed) as Park Yeon-kyo and So-dam Park (The Priests, The Silenced) as Kim ki-jung; this film festival winner out of South Korea was a wicked satire, filled with memorable moments. I thought the directing and filming of the story was top-notch. Everyone in the cast did a wonderful job of acting; I never once thought the characters were anything but themselves. Because it is a culture I have not had much exposure to, I was fascinated with the outdoor scenes. I never once felt the reading of the subtitles interfered with my fascination or viewing of this film; this truly was a wonderful and enjoyable viewing experience and that is something one cannot put a price on. Korean dialog was spoken with English subtitles.
THERE ARE SOME FAMILY GATHERINGS THAT require a program to keep the cast of characters clear in one’s mind. I will avoid talking about my own since it would be easy for the family members to identify themselves in my stories. There have been many occasions where I have been included in another family’s event. From somber to joyful I have discovered each family has their own “baggage” whether they acknowledge it or not. Also, it has reaffirmed in me the belief that there is no such thing as a “normal” family. I was included in a friend’s family dinner where two sisters did not speak to each other because they had an argument months (yes, that is right months) ago. Do you have any idea how challenging it is to carry on a conversation where you have to address each person separately on the same topic? They never made eye contact nor referred to the other in any way; it was uncomfortable for me and yet the parents sat at the dining room table as if nothing in the world was wrong. The wildest part of it was when food was being passed around the table. Neither sister would hand the other any food going around; instead, would put it on the table to make the other sibling stand up and reach for it. Crazy, isn’t it? AT THE OTHER END OF THE SPECTRUM, I have been at family functions where nothing was held back; family members were sharing the most intimate details about their personal lives. In other words, WTMI (way too much information). There would be no need for me to hear what type of physical characteristics a relative is looking for in a mate. Or how about sitting around the living room as 3 relatives get into a heated argument, calling each other names and swearing at the top of their lungs. I remember looking around to get a cue on how to react, but the other relatives were just sitting there sipping their cups of coffee and nibbling on their snacks as if nothing was taking place. At one point I thought I was entering a boxing match as the yelling relatives were getting up into each other’s faces. Now I come from a point of view where everyone has the right to express their feelings; but not during a heated argument. It should be a calm setting with no fear of retaliation. If you are curious to see an example of a family with issues, then feel free to observe what takes place with the family in this dramatic crime mystery. RETURNING TO HER SMALL HOME TOWN for her sister’s wedding was to be a happy occasion for Laura, played by Penelope Cruz (The Counsellor, Broken Embraces). But when a tragic event took place, the cracks beneath the family’s surface spread further apart. This film festival winning movie also starred Javier Bardem (The Sea Inside, No Country for Old Men) as Paco, Ricardo Darin (The Secret in Their Eyes, Wild Tales) as Alejandro, Edward Fernandez (Biutiful, The Man with Thousand Faces) as Fernando and Barbara Lennie (Magical Girl, El Nino) as Bea. The acting in this film was excellent; whether it was joyful or heart wrenching, I was feeling the characters’ emotional states. With the acting so strong, this picture needed a tightly written script to keep the actors aloft. At times I felt some scenes went flat; luckily, there were not many of them. The other criticism I have has to do with the ending. It seemed to tidy as if it wanted to wrap up the story quickly. Otherwise, this picture still kept my interest as I wondered what other things this family had hidden below the surface. Spanish was spoken with English subtitles.
2 ½ stars
EVERY TIME I SAW THEM I would always wonder why they wanted to be with each other. From what I saw, they were not nice to each other. Actually, I think it had more to do about respect; they did not have respect for each other. Whenever we were together in a social setting, they would inevitably get into an argument with each other. And they were nasty about it. It is one thing to argue in a rational and respectful way over an issue; but, they would call each other names and do something that is one of my pet peeves: bringing up something from the past that was never discussed at that time. You may have encountered this yourself when somebody would say, “Remember when you did such and such,” and you have no idea what they are talking about because they never brought it to your attention back then. I cannot tell you how much this annoys me. If I do something that unintentionally offends, upsets or bothers someone; I want them to tell me right then and let us talk about it. To bring it up months later, where I get blindsided, is something I find to be manipulative. IT IS POSSIBLE THESE TWO INDIVIDUALS love each other; they just don’t like each other. Or, another possibility is they are both co-dependent with one another. I was in a relationship with someone who was manipulative and passive aggressive; two traits that are not fun to deal with, I am here to tell you. Until you catch on to them, you might find yourself doing things you normally would not have considered prior to them. Gratefully, I eventually caught on and ended the relationship; it simply was not a healthy union. However, I have seen other people in similar situations who remain in non-healthy relationships. I am not one to judge, but I do wonder what pleasure they get from their partner that keeps them locked in such a union. There was a couple I knew years ago who on the surface were toxic. They would yell, argue and manipulate each other on a constant basis; however, there were times where they were affectionate with each other. It was so weird to me. How could you have this explosive battle with someone and in the next minute be flirtatious and cutesy? I still remember hearing one of them threaten that they were going to leave the marriage all the time. Maybe this is one of the downsides to love; it can cause havoc in one’s life. It certainly influenced the couple in this dramatic, musical romance. THERE WAS SUCH A STRONG PASSIONATE connection between Zulu and Wiktor, played by Joanna Kulig (The Innocents, The Crime-TV) and Tomasz Kot (Gods, Bikini Blue) and that was exactly the problem with their relationship. This film festival winning, and Oscar nominated movie from Poland was beautifully filmed. Shot in black and white, I felt doing it this way was more effective in presenting a precise no-frills story. Even the script did not have any excessive dialog, which ultimately kept the story going forward. Taking place during the 1950s in communist Poland, the settings and costumes were perfect for the settings. With Borys Szyc (The Mole, Symmetry) as Kaczmarek, Agata Kulesza (Ida, These Daughters of Mine) as Irena and Cedric Kahn (Up for Love, Miss and the Doctor) as Michel; I felt everyone was connected to the story, putting on a wonderful show of acting. Now there were times where I felt the story dragged; particularly when the scene presented a similar situation I felt I had seen previously. However, it was not enough to make me feel like I was having a love/hate relationship with this film. Polish and French were spoken with English subtitles.
THOUGH HER EYES WERE COVERED WITH OVERSIZED sunglasses, the sun was reflected in each lens to make it look like she had stars in her eyes. I stared at the photograph for some time, wondering if the photographer realized that when they captured the image. Hanging next to this photograph was one that depicted something completely different. It was done in black and white and at first glance I thought it was a photo of a closed toilet seat. The camera had shot it from the front at eye level to the seat. I assumed the photographer was attracted to the dark splotches on the seat’s rims; personally, I thought it looked nasty. As I read the information card next to the photograph it turned out the subject of the photo was actually a small bunch of ripe bananas, done in closeup. I was surprised and had to look back at the photo hanging on the wall. Now that I knew what it was I could make out the three bananas stacked on each other; what a hoot! In photography I have always gotten a kick out of taking photos of ordinary things in such a way as to play with the viewer’s perceptions of it, turning the subject into something extraordinary. AS I WALKED AROUND THE GALLERY I saw some gorgeous photographs. When the subject was human, I spent more time in front of it wondering why the person was photographed; what was their back story? One photo had an elderly woman sitting on a park bench. She was knitting a scarf while wearing it. The finished end was draped around her neck then rolled down her chest to her hands that held two large knitting needles. The needles looked like they were pointing to one spot. I wondered why the woman was sitting outside with her knitting; was she waiting for someone, did she like sitting outdoors because of the lighting and temperature? Did the photographer even know her, I wondered? Usually I have seen people knitting in waiting rooms; this photo piqued my curiosity. There were other photographs that showed individuals in a variety of emotional states. Coming out of one of the photos was an anguished looking woman who looked like her skin was melting; she looked deflated and sad. I came up with a few scenarios that all ended in some type of tragedy. But isn’t that what art is supposed to do; make one think and react to its content? That is exactly what was taking place in this film festival winning drama; the subject’s story came to life right before my eyes. CLEO, PLAYED BY NEWCOMER YALTA APARICIO, was the maid for a middle-class family that had some issues behind its façade. Set in Mexico City during the 1970s, this movie also starred Marina de Tavira (The Skies-TV; Love, Pain and Vice Versa) as Sra. Sofia, newcomer Diego Cortina Autrey as Tono, newcomer Carlos Peralta as Paco and newcomer Jorge Antonio Guerrero as Fermin. Directed and written by Alfonso Cuaron (Gravity, Children of Men), this film was visually stunning. Shot in black and white, Alfonso took his time with each scene. There was always something else going on besides the main subject in the scenes, filling up each frame with feelings and emotions. The story essentially was basic; there was very little action to speak of until the last half of the film. In fact, I found the script somewhat slow at times and felt Alfonso was spending too much time on some shots. For newcomers I was surprised to see how well the cast did with the script. I only wished there was more to the story. This was one of the most beautifully filmed pictures I have ever seen; however, I found out the back story of some subjects may not always be so exciting.
3 ½ stars
COMPASSION AND COMPENTENCY GO HAND in hand in making a person a well rounded employee. Where it used to be the norm for me, now when I experience someone displaying these attributes it is more of a surprise. I know, isn’t this a sad state of affairs? There was a time where I could walk up to a salesperson and ask where something was located and they would walk me to the item. Now they barely leave their place and tell me the item “is over there.” Over there?! Where is there? This is what makes up part of the workforce. If you think that is bad, I used to work at a company that had an actual human being answering the switchboard. The only problem was she tended to be high on drugs most of the time. She would wear these large, owlish glasses with tinted lenses so it was hard to see her eyes clearly; but she would drop acid at her desk, smoke a joint on her break or pop pills during her lunch. If she did not like the way a person was talking to her on the phone she would disconnect them. And would you believe she lasted a couple of years at the job?!?!? AS FAR AS I CAN tell no one should ever talk down to another person. I find it to be so rude. Here you are asking someone to explain something to you and they are talking to you like you are a little child. Or I love when you discover something for yourself and there is someone there who lets you know they already knew about it or feign shock that you did not know such a basic thing; some people just do not think about what they are saying. I had a friend tell me about a doctor who after getting the results of a biopsy told the patient she would need to have her breast removed. Cut and dry, there was no discussion or asking if there were any options; he simply told her to make arrangements for surgery and left the exam room. I found the doctor’s behavior absolutely heartless and would have immediately sought out a 2nd opinion and a new doctor. How hard would it have been to show a little compassion for the patient? I guess this is one of the reasons why I enjoyed watching this drama—a doctor who showed compassion. AS PUNISHMENT FOR WANTING TO leave Barbara, played by Nina Hoss (A Most Wanted Man, Phoenix), was reassigned to a rural hospital in the country of East Germany. Under constant watch she was not convinced her boss Andre, played by Ronald Zehrfeld (The People vs. Fritz Bauer, In the Face of Crime-TV), was just another spy to report on her. This film festival winning foreign movie also starred Rainer Bock (The White Ribbon, Wonder Woman) as Klaus Schutz and Christina Hecke (Collide, Pink) as the intern Schulze. Set in the 1980s I found this story an interesting character study; Nina’s acting was quiet yet powerful. Despite the harsh atmosphere of the settings or maybe a better description would be dreary, I found the story kept my interest by the way the characters interacted; especially with this authoritarian overview while doctors are trying to heal their patients. It was an interesting mix. As for the action all of it was of the low key type; the word I would use would be smoldering. This was pretty much a simple, straight forward, compassionate movie.
3 stars — DVD
THERE ARE SO MANY ADJECTIVES to accompany the feelings of love. Each qualifying word describes a different level or intensity to one’s love. There is deep love, crazy love, stupid love, unexpected love and mad love to name a few. I still remember this couple’s story on how they met. There was a famous nightclub in the city. Not being a drinker he never ventured into the club; in fact, despite all the hoopla about the place it held very little interest for him. It had been a long time since he was in a relationship and he was starting to feel lonely as his group of friends were starting to partner up and become couples. So one evening he was driving home from work and decided if there was a parking space in front of the nightclub he would park and go inside. Well as you may have guessed a spot opened up when a car pulled out of its parking spot just as he was driving up to the club. He parked his car, walked inside and searched for the restrooms. Making his way through the crowd of people he accidently bumped into someone who was also looking for a restroom. When each of them came back out they struck up a conversation. He offered to buy a drink so they made their way to a table. From that 1st drink and conversation they became bonded, each felt sparks and they have been together now over 30 years. I GUESS YOU COULD SAY they had instant love. Though I have not experienced that immediate rush of emotions, where I want to spend the rest of my life with that individual right away, I have seen it happen with other people. Love has such a strong influence on one’s actions and thoughts. Don’t you love when the person you fall in love with takes up a permanent residence in your mind and heart? By them being there any and all trials and tribulations of the day seem manageable, if not easier to handle. Knowing there is someone who supports you, accepts you with unconditional love creates a powerful connection where one might even feel invincible. I have seen where someone was so in love that it affected their common sense; however, I have never seen anything on the scale of danger that the main character in this romantic thriller was willing to do. FOR PALESTINIAN OMAR, PLAYED BY Adam Bakri (Slam, Ali and Nino), to pay a visit to Nadia, played by Leem Lubany (Rock the Kasbah, From A to B), he would have to scale a border wall. That action alone could get him killed. This Oscar nominated, film festival winning movie also starred Waleed Zvaiter (London Has Fallen, 20th Century Women) as Agent Rami, Samer Bisharat (The State-TV, The Looming Tower-TV) as Amjad and Eyad Hourani (Rattle the Cage, Medinah-TV) as Tarek. The cast was excellent which made the scenes with tension more intense. There was a chase scene where I realized I was holding my breath. The story was unbelievable and the script allowed the viewer to experience a variety of emotions. I prefer not to get into the political aspects of this picture, but it was hard to watch some of the scenes. At time riveting, at time tender; this foreign film displayed the strength of a person’s love that could not get broken. Arabic and Hebrew were spoken with English subtitles.
3 ½ stars — DVD
JUST AS YESTERDAY’S REVIEW talked about love, so does today’s in a slightly different vein. I have seen among my friends and family members who were in love their ability to disregard or disconnect themselves from common sense. A friend of mine was in a toxic relationship; she did not know it at the time, but it was obvious to her friends. She had been telling us these stories about her significant other that bordered on being outlandish—to those who could think rationally. I was told the reason this guy was not working a steady job was because he had gotten a huge inheritance. My question to her was why he borrowed money from her time to time. The response given was his funds weren’t always liquid; in other words, he was waiting for a CD to mature or a dividend payment to arrive. I hear you; I wasn’t buying it either. One day we all happened to be together when he mentioned something about his stocks. I asked him a couple of questions and discovered he was lying; his so called stock dividend payment was coming from a company I knew did not pay dividends. HERE IS THE THING THOUGH, when someone is deeply in love they may not want to hear comments from friends or choose not to believe them anyway. Being in love doesn’t always mean one will remain rational. I have learned not to offer an opinion unless I am directly asked; even then I do my best to offer my comments without any judgments. As I mentioned in my previous review love is a powerful emotion; there is no way I am going to go up against that force. Besides love having the ability to cloud one’s judgment, it can also put a person in danger. If I think about it the dangerous aspects may come about from that disconnect I mentioned earlier; but regardless, there is a reason you have heard the term, “acts of passion,” in criminal cases. Gratefully I have not encountered anyone committing such an extreme thing, though I have known some people to put themselves in harm’s way due to love. Right from the start I was nervous for the main character in this Oscar nominated, dramatic romance. LOVE HAD A HOLD on Omar, played by Adam Bakri (Slam, Ali and Nino). To visit Nadia, played by Leem Lubany (Rock the Kasbah, From A to B), he had to scale an Israeli built border wall. The baker was willing to take the risk but how long could his luck hold out? This film festival winning thriller also starred Waleed Zuaiter (The Men Who Stare at Goats, London Has Fallen) as Agent Rami, Samer Bisharat (The Aquatic Effect, The State-TV) as Amjad and Eyad Hourani (Rattle the Cage, Medinah-TV) as Tarek. Being set in the occupied territories already added an element of tension to the story, besides the characters’ actions. I was pulled into this film quickly due to the conflicts presented in the script; there were the physical conflicts between the Israelis and Palestinians along with the conflicts of love. With landscapes unfamiliar to me, I felt I was transported into the characters’ city which only enhanced the excellent acting I had already noticed by the actors. I liked the way the director kept the story moving without delving into the political aspects too much. For myself I had to watch this DVD without judging the reality of the story. Keeping that in mind this was an intense story about love. Arabic and Hebrew were spoken with English subtitles.
3 ½ stars — DVD