EVERYONE MOURNS A LOSS IN THEIR own way, is something I learned after I became an adult. I was twelve years old when I experienced for the first time the loss of a person. When I heard the news about their death, I went over to the piano and started playing songs I thought the deceased person would like, while tears streamed down my face. It is a part of life, but the older I got the more exposed I became to experiencing the sense of loss; the loss of a loved one, a pet, a love relationship. Seeing other people’s reactions to a breakup or death, made me realize how personal these situations were for the individuals. I could not take their pain away; however, I could offer comfort in anyway that they saw fit. I just could not tell the mourning person how to feel, because I strongly believe no human has the right to tell another how to feel. There was a funeral I attended where the son was telling his mother how she should feel over the death of her brother. I was within earshot and was taken aback by the son’s “counseling.” It quickly became apparent to me the son strongly disliked his mother’s brother, his uncle. And the fact he was talking out loud like that in front of the mourners was appalling. Granted, I was not privy to the son’s relationship with the uncle; but if it was in such a poor state, the son could have chosen to not attend in my opinion. I HOPE WHAT I AM ABOUT to say is not controversial; but from my experiences, I do not know if I would try to dissuade an individual from wanting to join their deceased person. Just last week, I was told a lovely story about a daughter who had lost their mother. The daughter told me her parents were married when they were both nineteen years old. Except for a hospital stay, they had been together every day of their lives. They loved each other deeply and loved being together. She told me when her father died ten months ago, her mother lost interest in living essentially. She was heartbroken to the point where she lost interest in many things. Having recently been diagnosed with Parkinson’s disease, she talked about her hopes for joining her deceased husband. As the holiday’s were looming at the end of the year, she stopped eating and drinking. The daughter knew she was hardly eating but did not know the extent. After the start of winter, the mother caught a virus and quickly died. Though the daughter was sad, she found comfort believing her mother was finally back with her father. Love is a powerful force and one can see it in this comedic drama. WITHOUT THE LOVE OF HIS LIFE by his side Otto Anderson, played by Tom Hanks (Cast Away, Saving Private Ryan), became a grumpy old man, who wanted everyone to follow the rules. When a new family moved across the street from him, Otto’s world would be tested in more than one way. With relative newcomer Mack Bayda as Malcolm, Cameron Britton (Stitchers-TV, The Umbrella Academy-TV) as Jimmy, Mariana Trevino (Overboard, Perfect Strangers) as Marisol and Manuel Garcia-Rulfo (The Magnificent Seven, Murder on the Orient Express) as Tommy; it was intriguing to see Tom play a curmudgeon. I thought the story was well executed and told. There was a level of predictability which, in my case, may have been due to the fact I saw the original movie this film was based on. Regardless, there were both fun and sad moments in this picture helped by the wonderful pairing of actors. The character Marisol was terrific and a perfect counterpoint to Tom’s character. This was an enjoyable film that had heartwarming elements in it.
AT FIRST GLANCE, I THOUGHT THERE was a miniature guillotine sitting on their kitchen counter. I was over at a friend’s house after school, and we had gone into the kitchen to get a snack. Sitting next to their toaster oven was this small, blue colored contraption that had a partially exposed razor blade attached inside of its open cover. I asked my friend about it and he said his mother used it to cut pills. This was the first time I had ever heard about someone cutting their pills. It never even occurred to me that a pill could be cut in two. When I was a little kid, if I needed to take a pill, I had to have it dissolved in water before I could swallow it. I wanted to see how this device worked but my friend said he did not want to play around with it. I suggested if he did not want to cut one of his mother’s pills, maybe a celery stalk could work. He nixed the idea, and I did not want to push it any further. However, I started wondering why a person would cut their medicine dosage. Was my friend’s family poor and could not afford their prescriptions? Did the drug make his mother sick, so she cut them to lower the side effects? So, all I did was ask him why she cuts pills; he said when she starts feeling better, she likes to take less and save a few pills in case of a relapse later. THAT WAS MY FIRST EXPOSURE TO someone manipulating their medical advice, but it would not be the last. I knew someone who needed an organ transplant; essentially, he was told if he did not get one, he would not live beyond one more year. I cannot tell you the things he did, but he wound up getting the procedure in the nick of time. Another person I knew needed a new drug to help him with his life-threatening illness. The expense to administer the drug was in the thousands; so, they only agreed to receive half a dose. I cannot imagine what it must feel like to have to cut corners when it comes to one’s health. How does someone decide whether to have a roof over their head or use most of their savings to help prolong their quality of life. I am sure we can all have a lengthy conversation about the world’s health care and drug systems and I certainly hope no one ever has to go through what the family had to in this dramatic, action thriller. WHEN A POSSIBLE LIFESAVING DRUG WAS pulled back by the drug company, there was little hope for Ray Cooper’s, played by Jason Momoa (Aquaman, Dune), wife to beat her illness. Ray was determined to find the cause for the sudden removal of this miracle drug. With Isabela Merced (Instant Family, Dora and the Lost City of Gold) as Rachel Cooper, Manuel Garcia-Rulfo (The Magnificent Seven, Murder on the Orient Express) as Amos Santos, Adria Arjona (Life of the Party, Pacific Rim: Uprising) as Amanda Cooper and Amy Brenneman (The Jane Austen Book Club, Foster Boy) as Diana Morgan, the bones of this story were solid. However, the execution of it was clumsy. I liked the idea and thought the action scenes were exciting, but there was nothing new presented in this film. Jason was okay but I felt the script did not provide more opportunity to display a larger range of emotions. The surprise twist in the story was unsatisfactory; I found it unbelievable. As I mentioned earlier, the intention to bring this story to the big screen was noble, but it arrived dead on arrival.
1 ¾ stars