Blog Archives

Flash Movie Review: Bob Marley: One Love

THERE HAVE BEEN MANY EVENTS I have attended that had speakers/leaders I wanted to hear. I have been fortunate to have met state senators, mayors, authors, world champion athletes, musical artists, activists, and a variety of others. I have found each of them gives off a certain intensity unlike the levels of intensity I encounter in my daily life. When I shook the hand of the mayor, they felt like a tightly wound spring that was ready to explode; it was incredibly intense. On a previous trip, I was at an event where political speakers were giving talks. Not all of them were common household names, but one was a senior adviser to a president. Listening to them, I was struck by their compassion and commitment; it just came out of them like a steady breeze. What equally impressed me were some of the less familiar politicians because I could tell they had that same drive of compassion and care for what they were trying to do in government. I believe I became more sensitive to experiencing leaders/figureheads who were, for lack of a better adjective, false prophets. You might know the kind that only tells you what you want to hear, instead of telling you what is the better or right or effective way to do something.      SADLY, IN THE FITNESS WORLD, I encountered many individuals who let their ego lead the way. At a fitness convention, the guest speaker at a workshop talked about themselves. They told us how they changed the culture at their fitness club and had the largest classes and how they flew cross-country giving talks and so on and so on. Their talk was all about me, me, me; I was bored out of my mind. The same thing happened, of all places, at a charity event where I was volunteering. The celebrity speaker was there to draw people into the event by purchasing tickets, besides buying tickets for the silent auction. The charity was for a worthy cause, and one would have thought the speaker would have acknowledged this during their speech. But no, they spoke about their new project in the works and how they got into the business; none of which helped sell the charity to get new donors. I found their behavior disgusting. Do not get me wrong; I am not trying to stop people from making a living. However, if a person is willing to be a speaker at an event, they should show the audience why there are people in the world who follow them. Offer advice, offer truth, offer your vision; just do not offer your ego. Not being familiar with the subject in this dramatic, music biography, I was hoping to find out who they were as a person and how did they achieve such a status in the world.      GROWING UP IN A COUNTRY FILLED with conflict, a musician finds his way through the world using his revolutionary music. With Kingsley Ben-Adir (One Night in Miami, Noelle) as Bob Marley, Lashana Lynch (No Time to Die, Captain Marvel) as Rita Marley, James Norton (Little Women, Mr. Jones) as Chris Blackwell, Tosin Cole (House Party, Doctor Who-TV) as Tyrone Downie and relative newcomer Umi Myers; I thought the acting was solid from Kingsley and Lashana, especially her. The musical soundtrack, as you would expect, was the main driver of this picture. Having little knowledge of his catalog of songs, I enjoyed the musical numbers. I thought the script did not do the subject justice because I really did not learn much about Bob Marley. At times, I felt I was watching a series of musical vignettes instead of getting an understanding of why and how Bob achieved his status in the musical world. The other thought I had running through my mind was the possibility I was watching a sanitized version of Bob and his family. Since his family was involved with this film, it certainly seemed feasible. By the end of the movie, I was glad I saw it, but not sure if indeed he was a man who led with his heart instead of his ego.

2 stars

Flash Movie Review: Mean Girls

I THOUGHT HIGH SCHOOL WOULD BE an easy transition for me because it was across from my elementary school. My walk to school would not be different, I could go home for lunch if I did not want to eat in the school cafeteria; it seemed like everything was in place for me. After the first week went by, when all the students were figuring out where they fit in, I had a sense of dread. I did not feel I fit in anywhere. There were lists of clubs and activities posted throughout the school, but when I looked at the lists there was nothing that either interested me or I felt I was capable of participating in. The only thing that stood out for me was to be part of the sales team for the high school yearbook that came out once a year. It turned out there was very little contact with anyone else on the team because we were simply assigned receipt books we had to carry with us throughout the school day, that we would fill out when a student wanted to place an order. I had to let students know I was one of the yearbook reps, which you would have thought would be a good introduction to establishing connections with other students. However, that turned out not to be the case. Among some of the responses I got were being laughed at and spitted on, told to get out of their face, punched in the stomach and verbal abuse. I did, however, sell some yearbooks that first and only year I sold them.      IT SOON BECAME APPARENT TO ME there was a pecking order or hierarchy established within the student body. Those students that participated in the mainstream sports of football, basketball, baseball, and cheerleading were the alphas of the school. Those with big personalities, who quickly grabbed the spotlight and held on to it tightly were the next group up. After them came the brainiacs, as they were called. They were the ones who understood most class lessons, who had more “A” grades than anyone else and the best part, they could get away with not dressing up in the latest fashion trends. After these three groups, it was a toss-up on who had any pull or sway among their classmates. My claim to fame, if you even want to call it fame, was never to get into trouble. In other words, I was a “good” kid. That did not give me hardly any street cred among the students; I still had a miserable time throughout high school despite being native to the area. For a student that transfers into the area, I do not know how they could survive. See for yourself in this comedic musical.      AFTER HAVING BEEN HOME SCHOOLED, IT was like stepping into a different world when Cady Heron, played by Angourie Rice (The Beguiled, The Nice Guys), found herself being chosen to become friends with one of the elite groups in the school. Things were going smoothly until she took a liking to the group leader’s ex-boyfriend. With relative newcomer Renee Rapp as Regina George, Auli’I Cravalho (All Together Now, The Power-TV) as Janis “Imi’ike, newcomer Jaquel Savey as Damian Hubbard and Avantika (Senior Year; Mira, Royal Detective) as Karen Shetty; I was surprised by the number of musical performances performed in this film. Nowhere in any of the advertising did it show any music scenes. As for this being an update on the original film, there were some tweaks made to accommodate our current times; but overall, I was bored with the script and story. There were isolated scenes that stood out for me such as Avantika’s comedic timing and Renee Rapp’s screen presence; but It was not enough to maintain my attention. The musical score all sounded the same as did the dance performances in various musical scenes. I was not a fan of my high school years, and I was not one of this updated remade film. 

2 stars 

Flash Movie Review: Priscilla

I LOOKED AROUND AND EVERYONE WAS laughing at everything he was saying. I had to admit, he was funny and knew how to work a crowd; however, I knew what he really was like when he did not have an audience. You see, he was married to a friend of mine. I was not too keen on the idea of her marrying him, mostly because they had only been dating for a short while. There was something about him that rubbed me the wrong way, though that is not exactly what I said when my friend asked me what I thought of him. All I said was I did not feel a connection with him, as if he always had his guard up around me. I would never do anything to upset my friend and if she felt that strong about wanting to marry this man, it was not up to me to voice my negative opinion. They had a small wedding since both had been married previously. After the ceremony we had appetizers and desserts at a hall they rented out for the occasion. In the beginning of their marriage, she would mention from time to time a thing or two about how angry he would get over things he had no control of. As the months passed, she would mention he would wake her at 5 am on a Saturday because he decided that was the time they needed to clean their house. When she said she was not ready, he would yell at her, and I knew for certainty something was off with him and she needed to get out of the relationship. Though I came to this conclusion first, she came around to it within a matter of months.      HER EXPERIENCE HAPPENED A YEAR AFTER I had a similar revelation in my relationship. We had been dating for one year, having met at a party. I was taken by surprise when we started talking because I felt I was so out of their league. They were charming, beautiful, star salesperson in the medical field and had this worldly cosmopolitan air about them; I simply felt I was not their type. Because of this mindset, I felt I did myself an injustice and ignored what I needed in a relationship. We would eat out at fancier restaurants because that is what they wanted to do. If I mentioned I wanted to go to a casual dinner place I was fond of, they would tell me they would not be caught dead at such a place. And I would give in; what the heck was I doing? As time passed, I started to become resentful and felt I was not an equal in the relationship. Funny, before I decided to end it, they beat me to the punch. They had met a surgeon, and I was glad for them. With my friend’s marriage and my relationship, it showed me that one never knows what life is like beneath the surface of a person or behind closed doors.      FROM HANGING OUT AT THE COFFEE shop on a U.S. army base in Germany, a young teenage girl found herself as a guest at a party where a well-known, young musical celebrity was holding court. Then suddenly, he started to talk to her. With Cailee Spaeny (On the Basis of Sex, Pacific Rim: Uprising) as Prisciilla, Jacob Elordi (Saltburn, The Kissing Booth) as Elvis, Ari Cohen (It franchise, Spiral) as Captain Beaulieu, Dagmara Dominczyk (The Lost Daughter, Succession-TV) as Ann Beaulieu and Tim Post (Mambo Italiano, My Salinger Year) as Vernon Presley; this film festival winning dramatic biography was directed by Sofia Coppola, who shot the film through the eyes of Priscilla. It was an interesting take on Elvis’ story, besides not making his songs the feature star. This film started out slowly and I was not getting into the acting from the cast. It was later into the story when I began to appreciate Cailee’s and Jacob’s skills. As for the story, even if what was depicted was exactly what happened in real life, I felt I was still missing something. I could not understand what each of them saw in the other except maybe their looks. I am glad I saw this movie, but I had an empty feeling by the time it was over.

2 ½ stars 

Flash Movie Review: The Greatest Night in Pop

THE FIRST SONG I HEARD, WHERE two separate musical artists dueted together, was “I’m Gonna Make You Love Me” by Diana Ross and the Supremes and The Temptations. It was on a vinyl record that was in our house. Already being a lover of music at an early age, I was curious about how the two musical groups came together to record it. Except for formed groups like the Rolling Stones or Sonny and Cher, I had never heard of such a thing. I was familiar with Billboard’s list of top records, so I already had the mindset that each artist was trying to beat the others to get to number one with their song. At least my childish mind thought it was this way. Having two completely different acts agreeing to share a song seemed peculiar to me. I had many questions about it such as “were they being forced to do it?” or “were they or members of the group dating each other?”. Back then it did not occur to me that having two popular groups join for a song would yield a monetary windfall for them and the music studios. I was even more surprised when I looked up to see the two groups performing together on some kind of television variety show; they all looked thrilled to be performing together. I wondered if it was just an act, and they really did not like each other because they were each competitive.      AS I GREW UP OTHER DUETS began to appear on the radio and in music videos. Dionne Warwick and The Spinners sang “Then Came You” followed by Elton John and Kiki Dee singing “Don’t Go Breaking My Heart.” I loved hearing the mix of two distinctive voices and enjoyed the songs they chose to sing. Then something completely different took place in the year 1984, I believe. A group made of various British and Irish musicians came together to create a record that would have the proceeds going to charity to fight famine in Ethiopia. To have a recording made to help a cause was a novel idea to me back then. In the states, actor and activist Harry Belafonte saw a BBC report about the famine. He thought about putting on a charity concert; however, the people he spoke to thought a record like the one they had heard out of England would have bigger implications. It was a monumental undertaking that had so many moving factions that it truly was a miracle that it all came together one night.      THERE WAS ONLY ONE NIGHT THAT would work to have musical artists come into a recording studio to make a record for charity. The clock was ticking, and the personalities were boundless. Would the artists agree to the demands and be willing to commit to this unique project? Directed by Bao Nguyen (Be Water, Live From New York!), this musical documentary was a wonderful mix of archival footage and recent interviews of the technicians who worked on the production and musical artists such as Lionel Richie, Bruce Springsteen, Sheila E and Kenny Loggins. To see “behind the scenes” footage was wonderful and added a new dimension to the amount of work that was put in to this recording. Kudos to the director for keeping the story on pace, allowing enough time for each scene to blossom before moving on to the next one. I got a real kick out of hearing the crews’ little tidbits of things taking place back then and what they had to do to pull off such a monumental event. If one is not a lover of music, this film may not have as such an impact as it had on me. I loved every note about it.

4 stars

Flash Movie Review: American Symphony

CREATIVE PEOPLE GET THEIR CREATIVITY FROM the right side of their brain. I should know because I consider myself to be a creative person. Any decisions I make first utilize the right side of my brain before filtering over to the left side to add logic into the decision. For example, when I walked into the attic of my house and saw a hole in it, which explained the wet spot on my dining room ceiling, I did not immediately think I needed to patch the hole up. I first thought about hiring someone to fill the hole with glass bricks to bring natural light into the attic. Next, I wondered if I could install an attic fan into the hole to draw out the stifling air from summer. Those were my two thoughts before the left side of the brain kicked in and I ran to call the insurance company. Some people have a challenging time using both parts of the brain; hang around a group of actors and you will understand. I am not saying either way is good or bad, I just mean challenges can develop from the situation. For me, when I am baking a dessert, the instructions must be exact. If they are not, I will stop and wonder what the author is trying to say and usually come up with a variety of ways that may not necessarily work for the recipe. My example is, a “pinch.” How much is a pinch? Do you see what I mean?      THERE HAVE BEEN INCIDENTS WHERE I have had to force myself to use both sides of my brain at the same time. I was hospitalized with a case of E Coli some time ago. While I was on the road to recovery, I had to work on my new class sessions. Trying to create physically challenging formats for the members to follow while not feeling well was rough for me. My mind wanted to work on the exercise routines, but my body was not in shape to undertake such a thing. I wound up drawing out the movements to match the beats of several different songs, then would do the leg and arm movements while seated in a chair. I had to watch and monitor my fatigue level and many times just imagine the movements in my head. It was hard to stay on the beat, so I had to count them out as well. With my limited experiences, I am in total awe of what the main characters tried to achieve in this heartfelt, Oscar nominated biographical music documentary.      AS MUSICIAN JON BATISTE SETS OUT to create a symphony that will be debuted at Carnegie Hall, his life partner, writer Suleika Jaouad, begins her journey with cancer treatments. How will each be there to support the other? Directed by Matthew Heineman (A Private War, City of Ghosts), this film had scenes filled with a variety of celebrities such as James Taylor, Stevie Wonder, Questlove, Lenny Kravitz and Jonathan Dinklage. Having had very little exposure to Jon Batiste, I was enthralled with Jon’s creativity. The story is such an intimate one and the director did a beautiful job of never having the camera work come off as an intrusion. The story itself is incredible; to see such opposing forces as cancer and musicmaking vying to be in the forefront added a level of tension as the story unfolded. Creating and presenting a new symphony in the way Jon wanted to do it was already a huge undertaking; then add in Suleika’s medical issues and I cannot see how someone could not be drawn into the story. I also feel one does not have to be a fan of Jon’s style of music to appreciate what transpires in this lovely documentary.

3 ½ stars

Flash Movie Review: Maestro

I PROBABLY WAS HEARING MUSIC BEFORE I could even understand what sounds I was hearing.  Music was always playing in our house and since I was the last one to be born, I had at birth a vast catalog of different sound genres. There were records, yes vinyl records, of classical, jazz, blues, opera, and Broadway shows to name a few. I did not know the difference between, for example, the romantic and baroque periods; I just knew there were these sounds filling up the house that had the ability to make me feel different emotions. Some music made me want to move, where I would stop whatever I was doing, to stand up and bounce up and down to the beat. Other kinds of music would lull me to sleep. I do not remember doing it, but there is a photograph of me standing on a chair, wearing a big hat, which caught me in the middle of bouncing. One of the first things I learned, when I was at the appropriate age, was how to handle a vinyl record. Pulling it out from its record cover, sliding it out of its paper sleeve, making sure to balance the edge of it on the palm of a cupped hand, with the longest finger holding it from the hole in the center, or at least on the paper label, was the correct way to do it. My favorite feature on the phonograph was the repeat button. Once I found something I liked, I would play it over and over.      AT SOME POINT GROWING UP, WE started watching a television show called, “New York Philharmonic Young People’s Concerts. The conductor was Lenard Bernstein. It aired on Saturday afternoons, so I always made sure I was home by the time it came on. Mr. Bernstein was this animated character who sweated and laughed; he was enthusiastic about the things he was talking about. I loved it when he conducted the orchestra and sometimes, I would try to mimic his movements as if I were leading the orchestra. He explained what piece he was going to play, stopping at various times during it to explain what the notes they just played were telling the listener. After he explained the different sections, he would have the entire orchestra run through the piece. I learned about a variety of composers from him and would seek out their albums in our collection, after the shows ended. For decades, these shows have remained a fond memory for me, having contributed to my love for music. There was no way I was going to miss this film about such an extraordinary man, who had a prominent place in my early life.      AS A LAST-MINUTE REPLACEMENT, A YOUNG conductor quickly makes a name for himself, catching the eye of many people along his journey to fame. With Carey Mulligan (The Dig, She Said) as Felicia Montealegre, Bradley Cooper (A Star is Born, Silver Linings Playbook) as Leonard Bernstein, Matt Bomer (Magic Mike franchise, In Time) as David Oppenheim, Vincenzo Amato (Unbroken, Golden Door) as Bruno Zirato and Greg Hildeth (Radium Girls, Dr. Death-TV) as Isaac; this biographical, history drama excelled because of Carey and Bradley. They were incredible both together and apart, to the point they were absolutely believable. I found the story fascinating and thought Bradley did an excellent job of directing. The pacing kept steady, with an even mix of music and drama. The one thing I was disappointed in was the stories to each character did not venture far from the surface. Granted, it is almost impossible to translate a lifetime of a person’s life into a 2-hour movie; however, I did not get to the point where I clearly understood each of the main character’s back stories. And on a personal note, I would have enjoyed hearing more music. Nonetheless, this easily could be an Oscar contender for the acting categories.                 

3 ¼ stars 

Flash Movie Review: Thriller 40

WALKING INTO A CLUB ALONE FOR the first time can be a daunting experience. I remember being nervous because I was not the best when it came to making small talk. On the other hand, I did not realize the music would be so loud that I could barely hear the person standing next to me. The first time I went to a club, I spent the whole time standing just off the dance floor, watching people dancing on what looked like a stainless-steel dance floor. I was fascinated at the way people were dancing, some were on the beat, others were not, some thought they were doing the same moves that John Travolta did in Saturday Night Fever but were not. It was interesting watching how people went up to strangers to ask them for a dance. I felt safe in my little nook overlooking the dance floor and preferred to just be an observer. In my brain, it was important for me to feel like I was fitting in with the crowd; I simply was interested in what people wore, how they moved and when I could hear how they talked to each other. Honestly, being a people watcher by nature I loved the experience. And I also had the video monitors that were spread throughout the club that were always a nice diversion.  My usual time frame was to stay between 2-4 hours. As I made my way home, I would try to remember certain songs I had heard through the night that I liked, to see if I could purchase them.      IT WAS ONLY AFTER A FEW times going that something extraordinary took place one night. Everything was the same; I was standing in my nook watching everything around me while tapping my foot to the beat of the music playing. The monitors that were all playing music videos suddenly went dark and the music stopped. People turned, looking at each other with perplexed looks on their faces. Suddenly words appeared on the screens; it was a quote from Michael Jackson. Then an image of an old car appeared driving down a country road. Michael was behind the wheel. No one moved in the club; everyone’s attention was directed at what was taking place on the monitor screens. The only sound in the place was the ice clinking in people’s glasses. After the car ran out of gas the scene changed to Michael and his date walking down the lane. It was not much longer before Michael started singing and dancing around her. I had never seen a video go this long and, more impressively, told a story. It was just like a movie! If by chance anyone reading this has never seen the video, I will not mention any more details about it. Let me just say everyone in the club went wild with the video. After it was over the DJ played the song again and everyone, I mean everyone including me, packed onto the dance floor as we all tried imitating some of the dance moves while laughing and smiling at each other. That is the way I was able to break the ice with several people that night and wound-up becoming friends with them. All thanks to that extended Michael Jackson video.      IT IS FORTY YEARS LATER AND as you can see; I still remember the first time I ever saw that video. Prior to its debut, there was nothing like it in the music industry. This documentary directed by Nelson George (Finding the Funk, A Ballerina’s Tale) was a behind the scenes peek at the creation of the Thriller video. If you are not a fan of Michael’s music, then you probably would not get much out of this movie. Because of my fond memories, I thoroughly enjoyed watching this picture filled with personal interviews of people involved back then, along with current artists like Mary J. Blige, Brooke Shields, Misty Copeland who were affected by seeing Michael’s performances. I would have appreciated more people talking about their feelings and experiences, plus allowing the performance clips to go on longer. No matter how Michael’s career veered to his early death, at that moment in time when the Thriller album came out, it was an historical event that to this day can still move people.

3 stars

Flash Movie Review: Entergalactic

ONE OF THE BEST PIECES OF advice given to me was I need to love myself before someone can love me. Never having a great self-image of myself, it took a long time to find my way to accepting and loving myself. Prior to getting to that place, I went through a period where I had a series of multiple dates that each one did not last more than two or three months. Looking back, I can see one factor that did not work in my favor. By not feeling good about myself and/or where I was in life, I was not able to connect with others on a deeper level. I stayed very guarded, not willing or to be more precise, not able to express a sense of joy and wonder about life. Most of my first dates were more like an interview, with me as the interviewer. It was easier for me to hear about someone else’s issues and try to fix them than me working on myself. I especially enjoyed the challenge when a first-time date talked about their ex, which many people say is a red flag. It never bothered me unless it sounded like they missed and wanted to get back with them, which has happened to me. On some level, hearing about someone else’s troubles with a previous partner made me feel like I was not the only one suffering from a bad relationship.      FROM MY EXPERIENCES, WHEN ASKED I have offered advice to my friends who are dealing with dating issues. I have one friend who has avoided looking at their recent past relationships that ended with sadness. It is as if they take all their feelings and emotions and put them in a box to be stored somewhere in the back of their brain. I remember when their previous relationship ended and one week later, they were out on a date. When they finally asked me for advice, I asked them if they saw a pattern taking place from each breakup. Maintaining a safe environment for them to finally open up about it, they discovered certain things they do in each relationship. Once that connection was made, they got into exploring more about themselves and I could not be happier that today they are in a loving relationship that turned into marriage. When things fall into places where one feels good about themselves, their career, their life, then they can really make connections with other human beings. And I am not only talking about connecting on a love relationship, but with friends and family, the world opens for them to spread and share that love. I saw it in this animated, musical romantic comedy.      AFTER GETTING HIRED BY A POPULAR publishing company and moving into a dream apartment, a graffiti artist finds himself balancing the aspects of his new life. He can also forget about the girlfriend who dumped him…or could he? With Kid Cudi (Need for Speed, X) voicing Jabari, Jessica Williams (Fantastic Beasts franchise, Booksmart) voicing Meadow, Laura Harrier (Spider-Man: Homecoming, White Men Can’t Jump) voicing Carmen, musical artist Ty Dolla Sign voicing Ky and Timothee Chalamet (Dune, Call Me by Your Name) voicing Jimmy; I found this film exciting. The reason is because it took a generic rom-com scenario and injected it with a new, creative flair that made viewing and listening to it so enjoyable. I thought the animation was excellent, to the point where one could almost see the characters as living, breathing human beings. The musical soundtrack fit the story perfectly and I liked the way the songs were introduced during it. Even when scenes were predictable, it did not matter to me because of the way the movie told the story. This was a confident and well-done production all around.

 

3 ½ stars 

Flash Movie Review: Wham!

WHEN I STARTED MY CAREER IN fitness, I did not have the goal to be the best in my field. On the contrary, I did not have the confidence to ever consider it. My hope was that no one would laugh at me. Now I did have a vision that kept me going; I wanted to create a safe space where everyone, no matter what their fitness level was, could be themselves and do their best while having a good time. Looking back at the classes I taught, I believe I achieved that goal. What I did not have was the drive to increase my exposure, such as working to be a fitness presenter at workshops and conversations. To do that, I would have had to collaborate with professionals in the fitness and medical worlds to create a presentation that was certified and safe. This would have taken up a good portion of my time that I did not want to give up. Seeing and getting to know some of the presenters, I realized I was not cut out to take on such an endeavor. The drive and motivation some of these individuals possessed was simply intense. It also included a strong sales personality which I absolutely did not have inside of me.      MOST EVERYONE I MET IN THE fitness world achieved their level of skill from putting in challenging work. I cannot say they were all talented, except it usually was a necessity to have a sense of rhythm. It was not like they were born with the skills to lead a fitness class, unlike a singer or painter. The reason I say this is because there was a woman who had a gorgeous singing voice. Compared to her classmates, her singing ability was beyond anything the other students could achieve. Once you heard her sing, you would be convinced she would go far. Now, she had a dream of performing on Broadway, ever since she was a little girl. In school, there was never a school production that did not include her. The teachers realized they could not keep casting her as the lead, but they were reluctant to choose other students because they knew it would not be the same. Gratefully, they did give other students a chance at being the lead. She did not mind, but she always learned the score in case something happened, and they needed to find someone to fill in. Her dedication was commendable, and it paid off because right after college, she was cast in a Broadway musical. She was in the ensemble but was the understudy for one of the female leads.      BECOMING FRIENDS IN SCHOOL, GEORGE MICHAEL and Andrew Ridgeley both had a love for music and decided they wanted to become the biggest pop stars in the world. They had stiff competition with Elton John, Tina Turner, Prince, and Whitney Houston. Directed by Chris Smith (American Movie, Jim & Andy: The Great Beyond); this music documentary was not only enjoyable to watch, but it provided me a flashback of a different era with some incredible music. With interviews and archival footage, I had no idea how devoted the two friends were to their craft and dreams. Whenever I watch a documentary about a well-known celebrity, it is a real treat for me to get the back story to that person’s famous contributions. I loved hearing how the two created their songs, besides getting insight into their insecurities and fears. This biography’s primary focus was the years Wham was in existence; it does not follow George and Andrew as they go their separate ways. I would have appreciated getting a deeper picture of their internal dramas, both at home and in business. It would have been interesting to see what the boys were doing prior to becoming friends. However, the lack of this did not deter me from enjoying watching and reliving the music they created. If you are not a fan of this group, then you will not care to see this biography. But if you are, then this film can put you in a happy place before you must go go.            

3 ¼ stars 

Flash Movie Review: Chevalier

ONE OF THE FITNESS CLASSES I taught had a weird dynamic. Well, at least it was weird to me. It was one of my larger classes where the members filled the entire studio. Things have changed but some time ago, aerobic classes were filled predominantly with women; most men felt self-conscious, based on my own personal survey. I would try to coax them in when I was working out on the fitness floor, but they had this unwarranted fear that they would look “stupid” and be looked down upon by the class. The reason why I said this class had a weird dynamic was because it had several men in it. One man was six feet five inches tall, with a massive build; there was no way he could blend into class. I remember the first time he walked into the classroom. Like I did with any new person, I went up to talk to him. The reason he came in was because his wife was a participant in my class and told him he would be surprised by it. What I noticed most when he found a place to stand in class was how the members around him were looking and making eyes at each other. I knew that look; it was because of his size. I was sure they assumed he would not be able to do any of the exercises or moves. Unbeknownst to any of us, his wife gave him some pointers and he did fantastic. At the end of class, drenched in sweat, he came up and thanked me.      FROM THAT EXPERIENCE, I REMAINED ATTUNED to watching how participants reacted to new people in class. There was another man who started coming to the same class. From introducing myself to him, I discovered he purposely chose my class to attend because it incorporated more dance moves than other classes. Being thin and trim already, I soon realized some of the female members were always trying to stand close to him. It was amusing to me. His moves were smooth and always on the beat; I knew he had to have had some dance training, even if it was just going out to clubs at night. Where some of the members avoided the large man, others were striving to get close to this other man because of his looks. The reason I know this to be a fact is because he told me at some point a member was asking if he was single. This is the weird dynamic I was speaking of. Because I always focused on internal qualities like brains, humor, and empathy with dating prospects; I get fascinated when people express their desires for external things like height, hair and weight. Now here is the kicker; several months later this thin man disappeared from class and the fitness center. Then one day all the newspapers came out with a photograph of him on the front pages. He was arrested and charged with killing his roommate. One of my first thoughts was how ironic all of this became. As they say, “Never judge a book by its cover,” nor should one judge this historical drama by its cover.      WITH HIS MOTHER TAKEN AWAY AND his father abandoning him, a young boy soon realizes he would need to be the best he can be if he wanted to survive in a world, he was not meant to be in. With Kelvin Harrison Jr. (Monsters and Men, It Comes at Night) as Joseph, Samara Weaving (Ready or Not, Snake Eyes) as Marie-Josephine, Lucy Boynton (Murder on the Orient Express, Bohemian Rhapsody) as Marie Antoinette, Ronke Adekoluejo (Been So Long, Christopher Robin) as Nanon and Marton Csokas (The Last Dual, The Equalizer) as Marquis De Montalembert; this film based on a factual story intrigued me deeply. Having been raised early on with classical music, I was stunned to find out there was truth to this story. The acting was right in synch with the character representation, especially from Kelvin. I will say I enjoyed the first half of the film more than the last half, simply because towards the end the script started becoming a generic version of itself and turning predictable. The script could have used more punch to keep things exciting as they were in the beginning. This was such a fascinating story, and I appreciated the extra knowledge offered before the ending credits.

3 stars