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Flash Movie Review: Presence

I WAS CONVINCED THE OUIJA BOARD had all the right answers. My friends and I went through a period when we were using the board every week. I admit I was naïve, but I thought the pointer was moving of its own volition. When we first started using it, I took the pointer and looked for some telltale sign that it used magnets or had some hidden device that moved it across the board but found nothing. Where some friends were asking elaborate questions, I kept my questions to a simple yes or no answer. I wanted to know if I would lose weight during the summer, or whether I would be a writer, or become rich. Out of those three questions I got a YES to all of them except the rich question. It still thrilled me. For several weeks, we enjoyed quizzing the Ouija board. However, it was a Saturday night, where we all got together at one of the friends’ houses for a pizza night, we were in the basement consulting the board when suddenly all the lights went out. It was right when a friend made a snide comment about the board because he did not get an answer he liked. It freaked us all out and we huddled together until our friend’s parents came down the stairs with flashlights. After that episode, we started avoiding the Ouija board.      IT WAS NOT UNTIL COLLEGE, WHEN one of my wishes came true. I had lost enough weight to go down a couple of pants sizes. The university allowed first-year students to live off campus in designated apartments and I was lucky enough to have gotten one. The building was more than a few decades old, but I did not mind. I had a studio apartment that shared a communal kitchen with the other apartments on the floor. Saturday nights tended to be quiet since most of the students were out partying. I preferred to stay inside and catch up on my assignments since I was carrying a full load of classes. At first, during those times, I did not pay much attention to the creaks and sounds of the building. But, when a closet or bathroom door in my place slowly creaked with movement, I would get freaked out. There was no logical reason I could produce for the sudden movement of my doors; I would quietly sit still and try to listen to any sound that could help justify the occurrence. It started to feel to me as if there was some type of force that was making the doors move. I do not know if I would call it a presence, but I decided to move at the end of the school year. Having seen this psychological thriller made me wonder if something had happened years ago in my college apartment.      HAVING MOVED INTO A NEW HOUSE, a couple of family members began to feel like they were not alone. It would not take long to convince the other family members. With Lucy Liu (Stage Mother, Charlie’s Angels franchise) as Rebekah, Chris Sullivan (Agnes, This is Us-TV) as Chris, Callina Liang (Bad Genius, Tell Me Everything-TV) as Chloe, newcomer Eddy Maday, and West Mulholland (A Great Divide, Dark Harvest) as Ryan; this horror movie directed by Steven Soderbergh (Traffic, Let Them All Talk) was not really a horror film in my opinion. However, there was suspense, and I enjoyed the buildup of it. The cast was good, but I did not care for the camera work, where it looked like the camera was following everyone around, with all that comes with it like shakiness and close-ups. It was a shame because I felt those who are sensitive to motion sickness might get uncomfortable watching this picture. The idea of the story was interesting, but the buildup went on too long. I felt there could have been more tension and bigger scares, even though there were a couple of good moments. This was a no-frills movie, no silly or scary creatures or space aliens. I just wished it would have lived up to its hype.

2 stars

Flash Movie Review: Enter the Void

According to the Merriam-Webster dictionary, the word avant-garde means: an intelligentsia that develops new or experimental concepts especially in the arts. For me, when I hear someone is avant-garde I know I will either appreciate the artist’s work or I will not. The French director Jean Cocteau was considered avant-garde and I thought his version of Beauty and the Beast was extraordinary. For this movie that was nominated for the Palma d’Or award at the Cannes Film Festival, it was considered to be director Gasper Noe’s striking avant-garde piece of work. The story was about brother and sister Oscar and Linda, played by newcomer Nathaniel Brown and Paz de la Hueria (A Walk to Remember, The Cider House Rules). Transplanted to Tokyo, Linda was a stripper and Oscar was a drug dealer. When Oscar was shot dead by the police, his spirit stayed on with the ability to visit past, present and future events. This film was shot as if the camera lens were the eyes of Oscar’s spirit, as we witnessed a gambit of events from the sister’s mourning to childhood, all the way back to conception at the molecular level. I did not mind the use of the camera lens as a set of eyes. It was the extended use of strobe lights and extra long held shots of psychedelic light patterns that I found annoying. The film itself lasted much too long at 161 minutes; it was sorely in need of some strong editing. The idea of the story was intriguing but the execution of it made the film boring for me. Besides the few brief scenes of blood, there were several sexually graphic scenes. Maybe the concept for this hallucinating movie went completely over my head. I just did not get it and found myself being drawn to reading the magazine sitting on my coffee table.

 

2 stars — DVD