I AM USED TO WAITING IN LINE at the drive thru lane of a restaurant; but I was not prepared to do it at a funeral home. As I arrived at the funeral home, I saw there were several cars lined up as if they were preparing for the procession to the burial ground. Pulling into the lot behind the last car an employee of the funeral home, who had been standing off to the side, walked up to me to explain how to proceed through the visitation. I was to follow in single file, as one car at a time will pull underneath the porte-cochere. The occupants can then get out of their car and walk up to the locked, double glass doors of the lobby to pay their respects to the grieving family, who will be standing behind the doors with the casket. After the respects are paid, I was to return to my car and drive out of the parking lot. The last thing the man said to me was that there was not a sign in book; instead, I could go online to the funeral home’s home page and leave a comment for the family. I thanked the gentleman, closed my car window and waited for my turn. AFTER FIVE MINUTES, I WAS ABLE TO move forward one car length ahead. Outside my driver’s side window there was now a TV monitor that was set up on a stand. There was a slide show of photos rotating that showed different time periods in the life of the deceased. From birth to their first birthday part, their school years through college and family trips; I sat and watched the photos appear and disappear, providing me with a glimmer of what their life was like. I had lost track of time, as it became my turn to pull underneath and pay my respects. Getting out of the car, I walked towards the glass doors; the only thing I saw at first through the reflective glass was the open casket. It seemed to be floating in midair. As I got closer, images of the grieving family began to appear through the reflection as if they were materializing before my eyes. Out of the family members standing, the father looked the worse. I could not tell if what I was seeing was distorted by the reflective glass; but the father looked like he was in a state of shock. The solid stone expression on his face never changed. With lifeless eyes and a neck that looked like it had been replaced by a spring, he simply kept nodding his head up and down while staring directly ahead. It looked like he was missing a part of himself; similar to the way the main character did in this mystery drama. WHEN HER DAUGHTER DID NOT COME home it was up to Debra, played by Sienna Miller (The Lost City of Z, American Sniper) to be in charge of raising her grandson. She only needed someone to raise her. This film festival nominated movie also starred Sky Ferreira (Baby Driver, Elvis & Nixon) as Bridget Callahan, Kentucker Audley (Funny Bunny, The Middle Distance) as Brett Tobeck, Christina Hendricks (Good Girls-TV, The Neon Demon) as Katherine and Will Sasso (The Three Stooges, Happy Gilmore) as Terry. Set in rural Pennsylvania, this acting by Sienna and Christina was outstanding. At first, I was not sure where the story was going; but with the acting and directing I fell into the events taking place while becoming emotional attached. This was a quiet film where some of the characters needed more emotional depth. However, the performances of the actors made up for any deficiencies. This was both such a heart wrenching and triumphant story that Sienna navigated with expert skill.
3 ¼ stars
What was it about the Three Stooges that I enjoyed as a child? Back then I laughed at the physical slapstick, the way they talked and the crazy predicaments they would always get into. As I watched this movie I had some of those old memories come back to me. Kudos to the Farrelly brothers, the directors, on capturing the look and feel of those episodes from my childhood. I was impressed with Chris Diamantopoulos (Wedding Daze, Under New Management), Sean Hayes (Will & Grace-TV, The Bucket List) and Will Sasso (Life as we Know it, Madtv-TV) as Moe, Larry and Curley. The three expertly handled the demanding physical comedy. Interestingly enough, I was a bit uncomfortable with the constant hair pulling, eye poking and other abusive acts. The scenes I preferred had more goofiness to them, such as the salmon scene or the different office door signs. Why this movie did not work well was due to having 3 different stories in it. I understood it was trying to keep the same episodic pacing as the old show, but in a movie it did not gel well. The Three Stooges trying to raise money to save their childhood orphanage was the more real story, in my opinion. Though I did laugh at some of the scenes in the Jersey Shore story line. For me, the hire for murder story did not belong in this movie. Just because this movie had nyuck, nyuck, nyuck and “why coitainly” in it, did not necessarily mean it was a great reboot of the stooges. If you see this movie, stay for the credits.
2 1/4 stars