Flash Movie Review: Carol
Seasoned eyes pause during their trek, scanning the room as they catch a reflection of themselves in someone else’s eyes. The stillness seems to have gone on for a long time, but no one around would have noticed anything different. The two sets of eyes unlock to continue on their way, knowing they will come back to this new laid trail to tread softly upon it once again. When they do this time a shadow of a smile escapes like a gentle sigh as the tiniest of lines appear at the corners of those eyes. The lines are proof that the eyes are settling in for a longer duration. Now here is where the sets of eyes may differ for each set is projecting a series of random images that have played before. A walk down by the lake, sitting at an outdoor cafe on a warm day, helping to take off a thick winter coat; the difference is the added appearance of the new person you have noticed across the room. They are pictures of a possible future that must return to the reality of the mind’s photo album. Some people are quite skilled at all of this because there is a strong sense of self. What happens though when that strong sense is missing? It has been called flirting, prowling, hunting and teasing; some individuals are blatant about it while others are more subdued. When the intentions come from a place of respect and affection any name would do. If the opportunity appears to experience a true and deep love, who would not want to embrace it? STORE clerk Theresa Belivet, played by Rooney Mara (Pan, Side Effects); found she suddenly felt different when she saw customer Carol Aird, played by Cate Blanchett (The Lord of the Rings franchise, Cinderella). It was not just the hat Carol was wearing. Directed by Todd Haynes (I’m Not There, Velvet Goldmine), this film festival winner was an exquisite visual period piece from the 1950s set in New York City. With Sarah Paulson (American Horror Story-TV, 12 Years a Slave) as Abby Gerhard and Kyle Chandler (The Wolf of Wall Street, Zero Dark Thirty) as Harge Aird; the acting was perfect for the story, in an intimate and refined way. I thought Rooney’s acting was one of her best performances. The costumes and sets were created with the utmost style for the era; I liked the look of them. I understood for the era there had to be a certain shall we say subtleness to the script; however, I felt it diminished my overall enjoyment in viewing this dramatic romance. In turn, the pacing tended to run slow for me. There were passages where the emotional level stayed consistent far too long; it needed more dramatic variance in my opinion. Watching this film was like getting a beautifully wrapped present that contained a sweater for you but just not in the right size.
Posted on January 8, 2016, in Drama and tagged 3 stars, cate blanchett, drama, film festival winner, new york city, romance, rooney mara, sarah paulson, todd haynes. Bookmark the permalink. 4 Comments.