Flash Movie Review: Elle

THERE are some people who grow into their identity while there are others who seek out one and take it on. I have become more aware of people’s choices on how they describe themselves and/or how others do it for them. Let me ask you, how often do you hear these days individuals being described as kind, compassionate or sweet? The adjectives I have heard recently are mostly of a negative nature such as racist, workaholic or sexist. Then there are others I have heard that are associated with the person’s career. A banker, a flight attendant; they all seem to come with preconceived notions.   AS a matter of fact I know a guy who is a lawyer who used to be a pleasant person. Something about the job changed him however. He turned into all the negative, stereotypical features assumed for a lawyer. He became brusque, cutting off anyone who was not giving him a fast enough answer to his query. Oh and heaven forbid if an item advertised on sale did not ring up the lower price on the cash register; he would cut down the checker who probably had no idea the item was even on sale. It was ugly to watch as he would not let up even when a floor manager would come to override the price. Maybe my small, little world is not representative of society as a whole, but there seems to be a heightened intensity or harshness to people’s personas from what I can tell. I cannot tell if these traits were inherently buried inside the person or outside influences such as career had this effect on them.   SUCCESSFUL businesswoman Michele Leblanc, played by Isabelle Huppert (The Piano Teacher, Amour) found her life taking on aspects of her company’s work after she was attacked in her home. This film festival winning dramatic thriller directed by Paul Verhoeven (Basic Instinct, Total Recall) was all Isabelle’s stage. She was unbelievable in the role as she dominated over other cast members Laurent Lafitte (Little White Lies, The Crimson Rivers) as Patrick, Anne Consigny (The Diving Bell and the Butterfly, A Christmas Tale) as Anna and Charles Bexling (Summer Hours, Ridicule) as Richard Leblanc. Don’t get me wrong they were all good, but Isabelle was amazing as Michele. As for the story all I can say is it was a twisted tale. I found each story line interesting and surprised myself when I came to the realization that 2 of them were in a way mirroring each other. The script was well done, putting in a bit of humor here and there to balance out the levels of intensity. Now I will say there were a few scenes that seemed odd that left me feeling puzzled. It was after the film was over when I thought I figured a couple of them out, but nothing concrete. The subtitles were not a distraction, nor did they interfere with the ability to view the action in the scenes. There were a few scenes of violence that were uncomfortable to watch. This picture did make me wonder if life was imitating art. French was spoken throughout with English subtitles.

 

3 stars      

 

 

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About moviejoltz

From a long line of movie afficionados, one brother was the #1 renter of movies in the country with Blockbuster, I am following in the same traditions that came before me. To balance out the long hours seated in dark movie theaters, I also teach yoga and cycling. For the past 3 years, I have correctly picked the major Oscar winners... so join me as we explore the wonder of movies and search for that perfect 4 star movie.

Posted on December 7, 2016, in Foreign and tagged , , , , , , , , , . Bookmark the permalink. 6 Comments.

  1. I’m a huge Paul Verhoeven fan. I have all of his English language films, and most of his Dutch language films. Now he’s directed a French language film. This film is #1 on my list of must buy DVDs/Blu-Rays. I can’t wait to watch it.

  2. I finally saw Fantastic Beasts and you are correct, it did lag in some in places and a bit choppy. Fogler and Sudol seemed to have the best chemistry together even though they did well in their individual roles. Farrell and Redmayne are amazing actors but they did not appear to be playing off one another very well, rather more as separate entities. So many things could have factored into that equation. Was it the script, or perhaps a “rush” job with not enough reel for the editor to work with the time allowed? Sometimes actors do their best work if they are not micromanaged. Some actors can also be difficult to work with though I’ve not heard any negative talk about any of these actors, so who knows? Like you said, they did not appear to be well connected somehow. That’s my two cents worth.

  3. I meant to say “even though “the others” did well in their individual roles.

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