Blog Archives
Flash Movie Review: Game Change
I am a defensive pessimist and I am proud of it. As with most things in life there are pluses and minuses associated to everything. On the one hand I am better equipped to handle deviations from a set plan. The reason being, I look at all the negative options that could happen; so, if there is a change, more than likely I have already prepared for it. On the down side, when I am asked to do something my first reaction is to say no; until I can process the request. I know what some of you must be thinking. Let me just say I prefer to shake hands with my neurosis instead of wrestling with them. I think if the political players on Senator John McCain’s team had my ability, things would have been different. This movie was about John McCain’s 2008 campaign for president. I will not be getting into the political aspect of the story; I am reviewing the film and its screenplay. Ed Harris (A History of Violence, The Abyss) did not necessarily look like Senator McCain, but I enjoyed his performance. Woody Harrelson (Seven Psychopaths, The Messenger) was excellent as McCain’s chief political advisor Steve Schmidt. The best performance from the cast was Julianne Moore (Being Flynn, Children of Men) as Sarah Palin. She had the look and mannerisms backed by her excellent acting ability. Whether the events presented here were true or not, one could not help but see Sarah in a sympathetic light. I found it fascinating to witness the dealings behind the public events surrounding the campaign. If any part of the planning depicted in this film for the Katie Couric interview was true; all I have to say is, “Wow.” By the director inserting actual footage into this movie, it added validity to the story. This DVD could be used as an example to show people the pitfalls of being an optimist–in my opinion.
3 stars — DVD
Flash Movie Review: Promised Land
I resent it when I am treated like a number or statistic by a large corporation. What happened where the corporate world felt it was not important to offer a personal touch when dealing with customers? At least that has been my experience. This point was driven home by the bank that had my mortgage. When I decided to refinance with them, I never imagined I would spend the following 6 months in corporate hell. From denying my application due to a mistake they made, to giving me three different dollar amounts I would need at closing; the only way I could get someone to listen to me was to show up at one of the bank’s branches and let my dark side out, making a scene. This is not my usual modus operandi but I felt no respect from them. The premise for this movie was set up in a somewhat similar way: large energy company pitted against a small town. Matt Damon (We Bought a Zoo, The Adjustment Bureau) played Steve Butler, the company’s representative whose job was to buy up the drilling rights from the town’s homeowners. Joining him was his partner Sue Thomason, played beautifully by Frances McDormand (Almost Famous, Moonrise Kingdom). What the energy company expected to be an easy job was met with resistance from science teacher Frank Yates, played by Hal Holbrook (Lincoln, Into the Wild) and environmentalist Dustin Noble, played by John Krasinski (It’s Complicated, Big Miracle). With Matt and John having written the screenplay, I was hoping for a deeper developed story that provided more insight to both sides. Instead this movie was only a generic version of the proverbial David and Goliath story. The character of Alice, played by Rosemarie DeWitt (Rachel Getting Married, Your Sister’s Sister), rang false to me and changed the dynamics of the story, leading it to a poor ending. This film could have been better if they went with an edgier story; which would have made for a serious, dramatic movie.
2 1/3 stars
Flash Movie Review: The Miracle Worker
Gaining physical strength is far easier than mental strength in my opinion. For my body to get strong I can lift weights, practice yoga or do pushups. It is more challenging for me to be mentally strong. I can still hear the negative comments that were thrown at me like poisonous darts that paralyzed the synapses of my mind. Even today when I try something new the echoes of negativity can be heard in my head. For the first review of the new year, I wanted to review a film that inspires strength. This classic movie was filled with tough courage and fortitude. The story was about deaf, blind and mute Helen Keller and her tutor Annie Sullivan. With no means to communicate with her family, Helen was nearly uncontrollable to the point her parents were thinking to institutionalize her. One last option was hiring Annie from the Perkins Institute for the Blind. What ensued literally was a battle of strength, stubbornness and love. Both Patty Duke (Valley of the Dolls, The Patty Duke Show-TV) and Anne Bancroft (The Graduate, The Elephant Man) won Oscars for their phenomenal performances as Helen Keller and Annie Sullivan. At the time Patty was the youngest person at 16 years of age to have won an Oscar award. With keen directing by Arthur Penn (Bonnie and Clyde, Little Big Man), the scenes in this film were just as powerful today as they were when the film first appeared on the big screen. Please understand by my film choice I am not setting up a comparison of our problems to Helen’s plight. The strength displayed in this drama is a motivation for me. I never make new year resolutions; so for the year ahead of us, I wish everyone emotional and mental robustness.
4 stars — DVD
Flash Movie Review: Rust and Bone
There is a wide chasm between dependency and codependency. As my mother entered the world of Alzheimer’s disease, she had to depend on my father’s instructions for the simplest of tasks. Then there was a couple I knew where the husband continually cheated on his wife. She always took him back; she felt she deserved it due to low self-esteem. This would be an example of codependency. As the story unfolded in this dramatic movie, I could not clearly say if the two main characters were dependent on each other or not. One person was emotionally handicapped while the other was physically. Former kick-boxer Alain van Versch, played by Matthias Schoenaerts (Black Book, Bullhead), with his son Sam, played by newcomer Armand Verdure, moved from Belgium to his sister’s house in Antibes France. Having taken a job as a bouncer at a nightclub, he met Stephanie who was too drunk to drive home. Alain drove her home and left her his phone number. From that one act of kindness, their lives would begin traveling on a parallel course, each one seeking to fulfill a need. Marion Cotillard (The Dark Knight Rises, Big Fish) was incredible playing whale handler Stephanie. She already has received nominations for her acting in this role. Matthias’ character was the perfect blend of a good heart masked over by brute strength. I would not say the relationship between Alain and Stephanie was a traditional love story. To the credit of the director and writers, I felt they brought out the beauty of the film by not making a standard love story. The screenplay went to a much deeper level as we observed two damaged individuals trying to make their way in life. My only criticism was the ending felt a little too neat and tidy, compared to the rest of the movie. With several brilliantly filmed scenes; this dark, emotionally charged film left me pondering the fine line between codependency and dependency. Brief scenes of blood and violence. French with English subtitles.
3 1/3 stars
Flash Movie Review: Howl
There was a time when women could not wear pants. It was not allowed during the period my brothers were in high school. It used to be one could not marry out of their race. Experiencing any type of freedom today, one must look to the past to see who fought for those rights. As a member of the blogosphere, I have read some posts that made me blush. I may not agree with the author of the post, but I would certainly fight for their right to say it. If I am not comfortable reading or seeing something, I simply stop and move on. Being fortunate to live in a country that allows it citizens the freedom of speech, I was curious to see this film about a trailblazer who reinforced that freedom of speech. Poet Allen Ginsberg along with his friend Jack Kerouac were pioneers of what became known as the Beat Generation. Allen’s poem Howl is considered today one of the great works of American literature. When it was first published in the 1950’s, there were many who felt it was obscene. The obscenity trial that ensued was the focus of this film. James Franco (127 Hours, Spiderman franchise) gave an engaging performance portraying the poet Allen Ginsburg. The lawyers at the trial, Jake Ehrlich and Ralph McIntosh, were played by Jon Hamm (The Town, Friends With Kids) and David Strathairn (Lincoln, L.A. Confidential) respectively. I could appreciate the use of three segments to tell this movie; the events that led up to Ginsberg writing his famous piece, the trial itself and the use of animation to enhance the recitation of the poem. But where each segment was interesting, I felt it took away from giving me a fuller story. For example, I would rather have had extra screen time showing more of Allen’s life and his thoughts about the trial. Even having more interaction between Ginsberg and Jack Kerouac, who was played by Todd Rotondi (Phileine Says Sorry, The Heartbreaker), would have been interesting. The casting for this film was well done, including the small parts for Mary-Louise Parker (Red, Saved!) as Gail Potter and Jeff Daniels (Looper, Dumb & Dumber) as David Kirk. This movie was a compelling history lesson for me. Strong language and visuals of sexual content.
2 2/3 stars — DVD
Flash Movie Review: Django Unchained
You are getting something more with your purchase of a ticket for this movie. You are receiving passage to a director who lovingly pays tribute to his elders with this film. Quentin Tarantino (Pulp Fiction, Kill Bill franchise) looks at past filmmakers’ achievements and updates them for a current audience. And in this case he also channels a little bit of Mel Brooks into a couple of scenes in this film. I am not a fan of blood and guts violence, so when I view a Tarantino movie I know there will be a heightened intensity to any kind of confrontation. But Quentin adds a stylized touch to such violence; case in point, the viewer sees a red mist of blood sprayed onto a patch of cotton plants instead of the intended victim. Then there is Quentin’s choice of music for the various scenes; it clearly conveys the actors’ feelings on an audible emotional level. The story starts out simple: a bounty hunter becomes a mentor to a recently freed slave, needing his assistance in tracking down the wanted Brittle brothers. As you may know with any story written by Quentin, there are multiple story lines added. The acting was outstanding throughout this wild film. Jamie Foxx (Law Abiding Citizen, Ray) played slave turned bounty hunter Django. His performance was a simmering, restricted anger on the verge of boiling over. His mentor was the precise, German transplant Dr. King Schultz (you have to love the irony of his name) played brilliantly by Christoph Waltz (Carnage, Water for Elephants). One of my favorite actors, Leonardo DiCaprio (Titanic, The Departed) was cast as the maniacal southern plantation owner Calvin Candie. Adding his own special touch to the cast and story was Samuel L. Jackson (Jackie Brown, Unbreakable) as Calvin’s servant Stephen. The great use of dialog, the captivating photography and the imaginative camera angles all helped to make this movie a wonderful homage to what was referred to as the spaghetti western movies. Clocking in at 2 hours and 45 minutes, this film could have used stronger editing. Be prepared to laugh, wince, cringe, stare with disbelief, have your ears assaulted by vulgar negative words, witness ripped or bullet ridden bloody flesh as you enter the unbelievable world of Quentin Tarantino.
3 1/2 stars
Flash Movie Review: Big Fish
A storyteller takes something ordinary and makes it interesting. With an added twist of words the mundane can be transformed into an extraordinary tale. Before I even began my schooling, I was exposed to a master storyteller–my father. Out of the entire family, my dad was the person who provided tall tales and comic relief for everyone. Anyone who was within ear shot would be drawn into my father’s fabrications. As a salesman, he covered the entire city and always found fodder for his next anecodote. The story of my dad stopping by to surprise my mother and me at the grocery store was completely transformed when he retold it. He would say he went into the store and found me crying at the service desk, separated from my mother. When the service manager asked him who he was, my dad said he was my father. The manager turned and asked me if that was my dad and all I could cry for was my mother, never acknowledging my father. It was these tall tales I grew up with and why this touching movie resonated with me. Albert Finney (Erin Brockovich, Annie) was the colorful character Ed Bloom. After being diagnosed with cancer; his estranged son Will, played by Billy Crudup (Almost Famous, Watchmen), returned home to reconcile with his dad and find out the truth behind the wild stories he had heard growing up. Told in flashbacks the younger Ed Bloom was portrayed by Ewan McGregor (The Impossible, Beginners). Director Tim Burton (Beetlejuice, Planet of the Apes) surprised me with this touching, imaginative story. The entire cast blended together so well, that I had no trouble going from fanciful stories to current reality. Jessica Lange was wonderful as she played Ed’s grounded wife Sandra. It was fun to see a younger Steve Buscemi (Fargo, Reservoir Dogs), Danny DeVito (Batman Returns, Twins), Marion Cotillard (Inception, Contagion) and Helena Bonham Carter (Les Miserables, Harry Potter franchise) make up part of the ensemble. This charming movie is being turned into a Broadway play. I believe it will easily transfer to the big stage and do quite well for this simple reason: if you cannot exaggerate the story, then it just isn’t worth telling.
3 1/3 stars — DVD
Flash Movie Review: This is 40
My introduction to my 40th birthday was having the bagger at the checkout line calling me “sir” and asking if I needed help with my bags. Asking several friends what they noticed when they crossed the threshold into middle age, the responses were quite varied. One person suddenly felt expandable waist bands on blue jeans was a good idea, while another was perplexed why Suri kept suggesting he sit down and take a rest. Then there was the friend who wondered if she was going to be banned from Target or Express, having to spend the remainder of her years shopping at Lane Bryant or some discount store. At a wedding would I never be able to get up to shake my hips on the dance floor unless it was a Cha Cha or that generic version bands always play of Kool & the Gang’s Celebration? For those in a relationship, would they start dressing alike once they reached that magic number? In this comedy, the married couple are on the verge of turning 40 years old. Leslie Mann (17 Again, Knocked Up) played Debbie who wanted nothing to do with turning 40. Paul Rudd (Role Models, Wanderlust) was Debbie’s conflict avoiding husband Pete. Judd Apatow (The 40 Year Old Virgin, Pineapple Express) wrote and directed this updated story about Debbie and Pete from Knocked Up. Settled into married life with daughters Sadie and Charlotte, played by Judd’s real life children Maude and Iris, the neurotic couple tried to cope with life’s daily annoyances. There were laugh out loud scenes through the movie, but be prepared for the vulgar language that everyone spews out, including the kids. I felt Judd used his real life experiences for a baseline, but then elevated them to an unrealistic level. Without going into stronger character development, the film went on longer than it needed. It started feeling as if we were going from one joke line to the next. Though I am still glad I went to see this movie, please do not tell me this is what happens to people who have been married for a long time.
2 2/3 stars
Flash Movie Review: The Impossible
I cannot remember the last time I have seen a movie that drained me as much as this remarkable film. The intensity, the human hardships, the physical challenges, all left me spent and exhausted. The trailers should have mentioned that tissues were required for all show times; tears periodically slipped out of my eyes during the movie. I am eternally grateful that I have not experienced a catastrophic event. The only awarenesses I have formed have been through media sources. After witnessing the amazing special effects in recreating the December 26th tsunami of 2004, I have a whole new knowledge on the variety of damages that can be inflicted on the human body. This movie was based on the true story of one family’s ordeal after a tsunami struck the Thailand coastal town where they were on holiday. Naomi Watts (J. Edgar, 21 Grams) was amazing in her role as the mother Maria. She may receive an Oscar nomination for this role; she exuded pain and suffering. Ewan McGregor (The Ghost Writer, Salmon Fishing in the Yemen) played Maria’s husband Henry. The real standouts of the cast were the three boys who played the sons of Maria and Henry. They were relative newcomers Tom Holland as eldest son Lucas, Samuel Joslin as middle child Thomas and Oaklee Pendergast as the youngest son Simon. In my opinion, Tom Holland was so good with his acting; I would not be surprised if he got a nomination for it. Adding a poignant element I felt was the inclusion of several actual survivors as extras. I have mentioned this before, that I try not to compare one person’s challenges to another. After feeling like an observer to this dramatic thriller, I am not only humbled; but I have been reminded that no matter how big I feel my problems are, they are not a life or death situation. May no one ever experience such a disaster again. Scenes of blood and bodily injuries.
3 1/2 stars
moviejoltz 