The foliage was dense causing the shade to be as thick as morning fog. My face and arms were getting scratched up from the thorny branches and sturdy vines as I tried to outrun whatever was pursuing me. I was freaked out hearing my heart beating in my ears. There were tiny pinholes of light striking the ground like lasers; if I happened to run through one of them I felt a pinch of heat on the top of my head. I saw the gaping hole too late and fell into it. Tumbling down its craggy wall, my clothing was taking a beating while trying to protect my skin. Complete darkness was rushing up to me as I heard one single growl and then I woke up. I had no idea where that dream came from; it made no sense to me. I refer to these as unconscious dreams; sometimes they make sense, sometimes not. The other kinds are conscious ones where a person imagines themselves in a different place, environment or time period. Though each I feel are important, the conscious ones can be strong motivators for a person. I remember growing up I would imagine myself living in a single family home that had a screened in porch and a short fence around the property. For years I would dream about the life I wanted to have when I was an adult. Interestingly I recently saw parts of a television reality show’s finale where they were interviewing the top players and I found it fascinating to hear some of the contestant’s responses. More than not they would say they had been dreaming about doing what they were doing for years; it was their dream coming true now. LOOKING around and seeing what his life could become Cosmo, played by newcomer Ferdia Walsh-Peelo, had bigger dreams. Written and directed by John Carney (Once, Begin Again), this film festival nominee shared a similar type of vibe with his other films. Set in Dublin Ireland during the 1980s I liked the look of this picture. With Aidan Gillen (Game of Thrones-TV, Blitz) as Robert and Maria Doyle Kennedy (Albert Nobbs, Jupiter Ascending) as Penny making up part of the cast I thought the acting was well done. What sold me on this film was the music. I enjoyed the way the songs played a part in the telling of the story. In some aspects I felt this movie was a younger version of John Carney’s Once film. I almost want to say it was a bit predictable, but maybe it would be better to say I found myself relating to certain parts of the script. Now there were a couple of times my mind started to drift but overall I found myself staying interested in what was going on; plus the 80’s pop songs were entertaining. There was enough taking place in this film to allow a majority of viewers to sit and dream about themselves.
When one hears the notes of a song harmonizing with their own heartbeat, it can be euphoric. Music is essential for me; I have songs that remind me of a number of friends, family members and past loves. This charming film to me was a musical, because the music was vital in moving the story along. The fact they cast musicians in the roles only added to the joy of watching and hearing this movie. When Glen Hansard, the male lead, was not fixing vacuum cleaners in his father’s store; he could be found on the streets of Dublin singing and playing his beaten up, old guitar. One day Marketa Irglova, the female lead, stopped to listen to his moving songs of love that immediately resonated with the chords of her own heart. From this crossing of paths, the two found the catalyst to push them closer to their dreams. Not typical Hollywood fare, this low budget independent film perfectly blended emotions into songs, which moved into scenes, that led to creative passion; all the while staying simple and real. This was a wonderful movie to watch, which allowed my heart to open up and replay some of its stored songs of love.
3 1/3 stars — DVD