Blog Archives
Flash Movie Review: Guillermo del Toro’s Pinocchio
I CANNOT RECALL WHAT AGE I WAS except I remember I was not old enough to cross the street without holding someone’s hand. We had gone downtown to one of the old, regal movie palaces to see the animated movie, Pinocchio. It was my first time going to a movie theater and I was beyond excited. Having taken the subway, we entered out onto a busy intersection. The theater was one block away, but I could easily see it with all the flashing bulbs in its marquee. It was a Saturday afternoon matinee we were going to, and I did not expect to see a line of people waiting for the theater doors to open. I became anxious that there would be no seats left for us to see the film. After many assurances, we got into line and waited. To me, it seemed like it was forever before the doors opened and the line started moving forward. The lobby inside had tall arched ceilings. Figurines like angels and nymphs were hanging on the walls with some being part of the lights. Once we had our tickets, we entered the auditorium, and it was massive; I had never seen such a large room with three sections of seating. The wall at the far end from where we entered was covered by a thick, red curtain. We took seats in the middle of a row, halfway back from the curtained wall. It was not too long before the lights dimmed, and the curtain parted to reveal a movie screen. Gratefully, I sat on top of the coats that got piled onto my seat, so I could see the screen clearly. ALL I CAN SAY IS I WAS mesmerized by the movie. I laughed at parts of it and had to be consoled when Pinocchio and his father were swallowed by the whale. I had no sense of time or how long things were taking; all I was focused on was the movie and the box of chocolate candy I was holding tightly in my hand. At the end of the movie, I started clapping with the other kids in the theater. I wanted to stay and watch it again but was told we had to give up our seats so people for the next showing could sit down and see the picture. I was hesitant but the promise of pizza for dinner finally got me out of my seat. That very first movie theater experience to this day is still one of my fondest memories. And since that time, there has been over 50 films made about the little wooden boy, Pinocchio. From the ones I have seen, none compared to the original one I saw when I was a little boy. So, I must tell you I went into watching this newest one by Guillermo del Toro with little expectations. MASTER WOODCRAFTER GEPPETTO, VOICED BY DAVID Bradley (Harry Potter franchise, Catherine Called Birdy), was never the same after witnessing his young son’s death. His sorrow eventually motivated him to create a little wooden boy to honor his late son. There would be something more besides an honor for the father after he completed his work. With Ewan McGregor (Birds of Prey, Doctor Sleep) voicing Cricket, relative newcomer Gregory Mann voicing Pinocchio, Burn Gorman (Enola Holmes, Pacific Rim: Uprising) voicing Priest and Ron Perlman (Hellboy franchise, Nightmare Alley) voicing Podesta; this animated family drama was weird to me. I thought the stop-action photography was inventive and fun, but the script lacked joy and humor. The idea of setting such a beloved character in the middle of wartime Italy was so odd; it made viewing this film an unpleasant experience. If Guillermo wanted to make a statement about fascist Italy during WWII, then he should have devoted an entire movie to it instead of trying to combine childlike goofiness and death and destruction into one story line. I did not care for this film and would have preferred watching the original Disney one that I saw when I was a little boy.
2 ½ stars
Flash Movie Review: Crimson Peak
When one experiences a traumatic change in their life, the person should hold off on making any life altering decisions. I remember hearing this advice a long time ago and did not quite comprehend the magnitude of it. In the past when something rough happened to me I used to binge on food; I know, a classic case of stuffing one’s feelings. I have not done that in manny, many years. As I matured I started to understand the meaning of that wisdom and would force myself to have a pause in my life, to contemplate the issue and look for a solution or allow myself to go through the grieving process. There was one horrible breakup I went through where I did not leave the house for a few days, doing a marathon of movies on DVD. It actually helped me come to terms with the changes that took place. I realized I did not have control over them, learned how to acknowledge my feelings then worked at eventually letting them go. No one can tell you what to do during such times; I believe a person has to come to terms with their emotions. Though I will say I appreciated listening to the different advice my friends were offering me. Unfortunately I had a friend who was not in a space to listen to others when her long term boyfriend decided to end their relationship. She spiraled down into a deep depression. However in a matter of several weeks she all of a sudden introduced me to her new boyfriend. I thought it was rather quick and became more concerned after a couple of months later she told me she was going to marry him. I knew this was going to be trouble just as I knew there was trouble brewing in this dramatic fantasy film. AFTER the tragic loss of her father Edith Cushing, played by Mia Wasikowska (Alice in Wonderland, Jane Eyre), married and moved out of the country with businessman Thomas Sharpe, played by Tom Hiddleston (Thor franchise, Only Lovers Left Alive), to live on his estate. His mansion came with some dark secrets. Written and directed by Guillermo del Toro (Pan’s Labyrinth, Pacific Rim), this horror film was utterly gorgeous with sumptuous sets and period pieced costumes. The actors including Jessica Chastain (The Martian, A Most Violent Year) as Lucille Sharpe and Charlie Hunnam (Pacific Rim, Children of Men) as Dr. Alan McMichael were all wonderful in spite of the dull story. With such elaborate sets and scenery I really had hoped the story was going to be a strong gothic suspense drama. There was very little intensity throughout the film as if everything had fallen into a middle of the road type of mentality. Not to take anything away from the actors but due to the script, I found the house to be one of the strongest characters out of the movie.
2 1/3 stars
Flash Movie Review: Pacific Rim
I never understood why monsters would constantly attack Japan. The poor citizens were caught on film as they screamed and ran away from creatures, who had names like Godzilla, Rodan and Mothra. At the age where I would soon realize those horrible monsters were actually humans dressed in costumes; I could be found sitting on the floor in front of our console television, mesmerized by those massive creatures of destruction. Even today I can still hear Godzilla’s roar just before flames would shoot out of his mouth. Writer and director Guillermo del Toro (Pan’s Labyrinth, The Devil’s Backbone) has created a beautiful tribute to those old classic movies with this science fiction film. In the fine tradition of Japanese director Ishiro Honda (Godzilla, All Monsters Attack) and American visual effects creator Ray Harryhausen (Jason and the Argonauts, The 7th Voyage of Sinbad), Guillermo honored these 2 men with this visual masterpiece. Earth had been fighting a war against alien beings called the Kaiju (Japanese for strange creature). To combat the massive beings, the government created colossal robots called Jaegers (German for hunters), that were each synched with 2 pilots that were mentally connected. Under the command of Stacker Pentecost, played by Idris Elba (Prometheus, Thor), it appeared the Kaiju were learning to adapt with each battle. Cast in the starring role of Raleigh Becket was Charlie Hunnam (Children of Men, Sons of Anarchy-TV). This was not the best choice because he lacked screen presence. Compare him to Idris or Rinko Kikuchi (Norwegian Wood, The Brothers Bloom) as Mako Mori and you will see what I mean. Details were spent on the special effects and the fight scenes. The monsters were certainly imaginative; but I found myself drawn more to the robots. What was weak for me was the story, particularly some of the cheesy dialog. It did not help having the overly dramatic music accompanying several scenes. I hope they will make a sequel because there were parts to this film that verged on greatness. It just came up a little short in becoming one heck of an exciting thrill ride movie for me. Move over Godzilla, there is a new beast in town. Stay through the first set of credits at least.
2 3/4 stars