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Flash Movie Review: Felix and Meira
Silence is something I yearn for in a movie theater, not in a relationship. I have always felt silence aka non-communication was a hurtful act. If someone needs to gather their thoughts or calm down before speaking, I totally understand it. However, if a person does not want to talk about an issue, what do you do and where do you go with that? I remember working with an employee a long time ago who by herself was bubbly with an outgoing personality. When she was accompanied by her husband to any of the company events, her eyes looked dead and she was always low key; it was like being with a completely different person. It turned out her husband was always going out with his friends, leaving her home alone. He also was heavily involved with some hobby that kept him out in their garage for hours. It was apparent to me that if the two of them continued the way they were going something was bound to happen to end their marriage. I have seen and been in enough relationships to know people sometimes evolve out of them or worse, go into a relationship thinking they can change the other person. It is tough once a person starts thinking they do not belong or feel they are missing something. I have stated in past reviews that love is a powerful force and even with this film I still stand by my statement. MEIRA, played by Hadas Yaron (Fill the Void, Out of Sight), was a Hasidic Jewish wife and mother who felt lost within their tight knit community. Her husband Shulem, played by Luzer Twersky (Romeo and Juliet in Yiddish, Where is Joel Baum?), did not understand what could possibly be wrong. After bumping into the stranger Felix, played by Martin Dubrevil (7 Days, L’Affaire Dumont), at the bakery one day; Meira started thinking more about her life. This film festival winning dramatic movie was one made up of subtleties. With a quiet slow pace the story took its time to let the scenes soak in. I thought the acting was excellent as the characters evolved with the aid of gentle nuances and gestures. Some viewers may find this romantic film slow going and I have to say it came close to feeling like that for me. However, what kept me involved in the characters was the interesting way their emotions would come out; I think the appropriate term here would be: the way the characters wore their hearts on their sleeves. An interesting thing to note here; I do not suffer from claustrophobia but throughout this movie I felt a heaviness closing in on me at times. I think that says something about the film. There was French, Yiddish, Hebrew and Italian spoken with English subtitles.
3 stars
Flash Movie Review: Fill the Void
Where yesterday’s movie review talked about the internal struggle between the heart and the mind, today’s movie made me think about the external forces one could face regarding love. I find it perplexing when I hear people say, “He comes from a good family” or “You cannot marry someone outside your faith.” What do these things mean? To me being able to say, “I love you,” is one of the most profound statements a human being can say. It supersedes what anyone else has to say on the subject. Looking at relationships historically, marriages were arranged for various reasons. In some cases families were joined for political reasons, while others were done simply to combine farmlands. In this quiet drama the attempt to join two people in marriage was done, in my opinion, for selfish reasons. Yiftach Klein (Policeman, Noodle) played Yochay, the brother-in-law of Shira, played by Hadas Yaron (Out of Sight). When Yochay’s wife (Shira’s sister) died during childbirth; Shira’s mother Rivka, played by Irit Sheleg (Night Terrors, Abba Ganuv III), suggested Shira marry her brother-in-law and become a mother for the new born baby. On one level the story made me uncomfortable; however, when I viewed the movie as a glimpse into a family’s struggle between old world traditions and modern independent thinking, I was able to see it as a historical study. This film festival winner provided a peek into an ultra-Orthodox Hasidic community in Tel Aviv Israel. The acting was well done by Hadas and Yiftach, as they used their bodies to convey the enormous pressures being placed on them. However, there was a negative side in focusing on the physical. I wished there had been more verbal interactions between the characters because I found myself getting bored. Gratefully the filming had a stark, sharp look to it. The way Shira’s pale whiteness contrasted with the darkly clothed men around her was interesting to watch. It may be due to my feelings about love being a personal thing, but I found this film to be somewhat sad. It is already hard enough when the heart and mind wrestle over the direction of love; but then adding outside influences creates a bigger challenge. Hebrew with English subtitles.
2 1/2 stars
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