I WAS DEFINITELY IN THE MINORITY at the concert. Gratefully the venue had stadium seating; otherwise, I would have been ticked off with all the phone screens blocking my view. The place was packed with fans, and I was there with a couple of friends. As the band was performing, it seemed as if every person around me was watching the group through the screen of their phone as they were snapping photos and videos. Everywhere I looked there were people with their arms up, pointing their phone cameras to the stage. I sat there and wondered how many photos did a person need of their favorite band? It was crazy; instead of sitting there and enjoying the music, everyone was focused on capturing the musicians with their phones. It could not have been comfortable to hold one’s arms up for such a long time. I found it distracting because I did not pay good money to have these phones waving in the air. If I had been sitting on the main floor, I would have had a fight with the people in front of me if they had been using their phones. Why couldn’t people just allow themselves to enjoy the show and let it settle into their minds, to become a fond memory? CAPTURING AN EVENT ON “FILM” IS not exclusive to concerts; everywhere I look, there is someone snapping a photo. Restaurants are a popular location for people to snap pix of their food; I am not sure why they do it. Sure, some dishes look great; but unless one is going to try and reproduce it, I am not clear why one would want to have a photo of it. I know I am more old school, but I do not see the fascination of posting things about myself on social media sites. I am astounded with the amount of people’s video clips that show up on my sites’ feeds. People dancing, pranking, posing, dressing up and so on; it is like a different world for me. There are many individuals who, I believe, see this as a way to earn income and fame. The more outrageous antics are done, I think, with the hope of acquiring a bigger following. And once there is a bigger following then the next step is to find a way to monetize one’s site. I know someone who has been focusing on making a living by getting corporate sponsors or products to promote while flying to various circuit events. So far it looks like they are succeeding. I am not sure I can say the same thing for the family in this dramatic, science fiction mystery. A BROTHER AND SISTER ARE TRYING to keep the family horse business going despite unusual things taking place around their ranch. With Daniel Kaluuya (Judas and the Black Messiah, Black Panther) as OJ Haywood, Keke Palmer (Hustlers, Alice) as Emerald Haywood, Brandon Perea (The OA-TV, Insurrection) as Angel Torres, Michael Wincott (Talk Radio, What Just Happened) as Antlers Holst and Steven Yeun (Minari, I Origins) as Ricky ‘Jupe’ Park; there were parts of this film that were bold and spectacular in a Hollywood way. I thought Daniel and Keke were outstanding, especially Keke; this was such a different role for her, and I was totally impressed. There was a lot going on in the story and to tell you the truth, if there was a lot of symbolism or meaning, it was lost on me. The first part of the movie dragged for me, taking some time before I felt I was engaging with the story. I still am not sure about the chimpanzee scenes and that is all I will say about that. Having some quality moments in this picture, I wished it connected more with me. Or maybe that is the point.
2 ¾ stars
AS I WAS GETTING OUT OF my car, they appeared like three knights from a chess set. They floated out of the morning fog, three horse heads without bodies. I watched them as the fog around them swirled out of the way to reveal their bodies; two chestnut colored horses and one black one. There was a shine to their bodies as if morning dew had attached itself to them and spread out like a fine, high gloss polish. They were these beautiful, regal creatures who slowly walked towards me with ears pointed in my direction, trying to pick up a sound that could alert them to danger. I purposely drove just to see these animals after I received the invitation from a former boss’ former wife; I know, it sounded weird to me as I wrote it, but it is true. She had grown up with horses and had invited me to stop by and see her horses whenever I was in the neighborhood. Since I was going to be driving close to her town, I arranged to stop by her place; luckily, she was an early riser. The three horses remained in place while I slowly made my way to the fencing. Once there, I spoke softly to the three just so they could get used to my voice. The former wife appeared from behind the house and started walking towards me. WHEN I WAS IN COLLEGE, I had to take care of a horse for a semester as part of the class curriculum. Her name was Daiquiri and she was a strong-minded horse. My first time up in the saddle, she decided she wanted to check out the upper rows of the arena we were working in. The trainer ran over to us as Daiquiri was clopping her way up the stairs. Before I could say anything, the trainer had gotten ahead of us, so she could block Daiquiri from going any further. She grabbed a hold of the reins and told me to dismount. After, she led the horse to the top walkway so she could get her to the next set of stairs and make her way back down. Despite that incident, I grew to love and respect Daiquiri. My former boss’ former wife knew about my experience with a horse, so I think that is why I was the only one to get an invitation to her horses. Though I declined riding them, I enjoyed just being and watching them. There is something calming about horses; I cannot explain it, but this film festival winner might be able to show you what I mean. AFTER COLE, PLAYED BY CALEB McLAUGHLIN (High Flying Bird, Stranger Things-TV), got in trouble at school again, his mother decided to ship him off to stay with his estranged father. If Cole already did not want to stay with him, he certainly did not want to when he found out a horse lives with his Dad. With Idris Elba (Beasts of No Nation, Star Trek Beyond) as Harp, Lorraine Toussaint (Fast Color, Selma) as Nessie, Jharrel Jerome (Moonlight, Mr. Mercedes-TV) as Smush and newcomer Ivannah Mercedes as Esha; this drama was inspired by true events. I have never heard of the black cowboys of Philadelphia, but their inclusion in the cast made this gentle touching story more poignant for me. The acting was authentic, led by Idris’ performance. A story concerning a son and estranged father is something most of us have seen before; however, under this setting with the horses it brought a new fresh take that I thoroughly enjoyed. Even if you have no experience or interest in horses, this movie is worth the time in seeing it. As gentle as a horse and just as powerful.