“THAT IS THE way it has always been done,” is a response that I have had a love/hate relationship with for a majority of my life. On one hand I am of the mindset “if it ain’t broke, then don’t fix it.” In other words if things are working fine then do not make any changes. Having lived this way for a long period of time, I am challenged when it comes to making changes. Since I am not a spontaneous type of person, you can imagine how stressful it is for me when my routine is altered. But on the other hand, there have been times in my adult life where I survived a change and found out it made an improvement. One example would be changing from using multiple charge cards for making various purchases to only using one card; I saved time by only having to pay one bill a month instead of several. So I am aware some change is good. AN AREA WHERE change comes slowly is religion. Not that I am an expert by any means but I have seen where some traditions have been updated. I am referring to both the religion I was born into along with other ones I have been exposed to via friends and family. There are some traditions that I admit seem odd to me. Maybe in a different time they made sense but to my sensibilities they appear to have little relevance to the current world. I remember a time where only males led a service; the first time I saw a female do it, I recall how some in the congregation were, shall we say, uncomfortable. Personally I did not think it was a big deal since I always felt everyone had the right to communicate to a higher power the way they saw fit. I do not believe one person has an inside track to their God’s ear. It can be a struggle for some people; it was obvious in this dramatic film festival winning movie. LIVING IN AN ultra-orthodox community in Brooklyn widower Menashe, played by newcomer Menashe Lustig, was being told he could not raise his son Fischel, played by Yoel Falkowitz (The Hudson Tribes), without a mother. Menashe wanted to prove them wrong. With newcomers Ruben Niborski, Meyer Schwartz and Yael Weisshaus, this picture at times seemed more like a documentary than a fictional story. The emotions portrayed by the cast came across as real, with several touching scenes throughout the movie. Some viewers may be totally unfamiliar with what is being portrayed on screen; I do not think it will have an impact on following the story. Speaking of the story, I found this one interesting as it touched on religious beliefs, parenting, family and childrearing. I could see it easily becoming a topic of conversation for viewers afterward. My issue with the script was the lack of dramatic variance. It felt like the scenes remained in a certain pocket of intensity. At one point I was losing interest because it seemed as if the same scenario was repeating itself. Because I enjoy getting exposed to different religious traditions, I still had a curiosity about the unfolding story. Yiddish was spoken with English subtitles.
2 ¾ stars