In one version of being singled out you could win cash or valuable prizes. I was a member of a studio audience during the taping of a TV game show and won a television set because I had the correct numbers drawn on my admission ticket. There are other ways one can experience a positive result by being picked out of a group; a couple of examples could be the employee of the month or the valedictorian of a graduating class. The other version of being the recipient of everyone’s attention can be a dangerous one. In this version it only takes one person to single you out and depending on the hierarchy of the other people around, you could be marked for pretty much any type of abuse. Whether it starts with a bully in school, a coworker or a complete stranger; the results can be detrimental to your health. I hope none of you experience this type of scenario. For those of you who unfortunately have, you can confirm it literally is a death race when you are being chased by a person or a group that means to inflict harm on you. The taunts, the yelling from the crowd constantly rings in your ears like a massive clock tower stuck on the tolling of its bells for 12 o’clock. There never is a time to negotiate or even figure out why you were chosen; you just need to find somewhere safe fast. My past anxieties welled up right at the start of this action thriller. TRAVELING to Southeast Asia for a new business opportunity Jack Dwyer, played by Owen Wilson (Midnight in Paris, Night at the Museum franchise), and his family had only recently arrived shortly after the country’s prime minister was assassinated. They came just in time for an angry chaotic rebellion. This picture took off quickly with some well orchestrated tense scenes; I found myself breathing quickly from my nervousness due to the unfolding mob scenes. With Lake Bell (What Happens in Vegas, In a World…) as Jack’s wife Annie and Pierce Brosnan (Some Kind of Beautiful, After the Sunset) as Hammond, I thought the cast did an admirable job with the physically tough roles. This movie had a distinct shift in the middle of it. The first half of the film was much better than the last half. If the writers would have stayed with the original story line I think this would have been a better film. During the second half the film felt like one of those monster movies where no matter what the characters did there always seemed to be a monster waiting for them. I think it would have been more powerful if the writers had spent more time on the reasons that led up to the rebellion. This would have resulted in a better experience. There were scenes with blood and violence.
2 1/2 stars
The stage musical of Les Miserables is one of my favorite shows, having seen it three times. It has one of the best musical scores I have ever heard besides incredible set designs. At least the productions I have seen. The story set in the 1800’s in France, revolved around the life long pursuit by police officer Javert of Jean Valjean, a former prisoner who broke parole. There were so many different aspects of the story to hook in the viewer; from redemption and unconditional love to salvation and honor. Everything I loved about the stage show was abused in this film version. While watching this 2 hour and 37 minute movie, I felt the director Tom Hooper (The King’s Speech, Red Dust) sucked the life out of this classic tale. As much as I was impressed with his Oscar winning film The King’s Speech, I was disappointed in this ugly movie. The reason I use the word ugly is because the majority of the scenes looked like they were shot with camera lenses stuck in portrait mode. Constantly seeing angled shots of the actors’ faces quickly became a bore. Then there was the quick cutting from shot to shot, along with using a spiraling camera shoot on actors and buildings, that made me slightly nauseous. Shame on Mr. Hooper; it would have been easy to add drama to the scene if we could have seen some of the body language of the actors. Hugh Jackman (Real Steel, X-Men franchise) who I normally enjoy, had something wrong here as Jean Valjean. While every actor singing had a mellowness to their voice, it seemed as Hugh was forced to sing in a higher key. His voice was shrill and grating on my ears. Russell Crowe (Gladitor, A Beautiful Mind) as Javert did an admirable job with his singing. Playing factory worker Fantine, it seemed as if Anne Hathaway (Rachel Getting Married) knew she had one chance to make the Oscar voters notice, giving it her all to her song performance. I will say she did a great job. The surprise for me was Eddie Redmayne (My Week With Marilyn, The Other Boleyn Girl) as Marius. I had no idea he could sing and do it so well. Sacha Baron Cohen (Hugo, The Dictator) and Helena Bonham Carter (Alice in Wonderland, Dark Shadows) were comic relief as the crooked innkeeper and his wife. I knew I was going to witness misery in this movie; I just did not realize it would be my own over this poorly done film.