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Flash Movie Review: House at the End of the Street

As I drove to the movie theater, I had to wonder who made the decision that put Jennifer Lawrence (Winter’s Bone, The Hunger Games) into this film. From the ad campaign it looked like this was a horror movie; why would Jennifer put herself into this type of film? All I could think was Jennifer would look back at this film as a speed bump in her career. Playing teenaged Elissa, she and her divorced mother Sarah, played by Elisabeth Shue (Leaving Las Vegas, Hollow Man), moved to a small town to get a fresh start. Upon arriving at their new home, the two discovered a tragic event had taken place at the house next door, several years ago. The parents were murdered by their daughter, who then fled the scene, never to be found again. The only survivor was her brother Ryan, played by Max Thieriot (Jumper, The Pacifier); who years later returned to the house, only to be shunned by the townsfolk. Elissa ignored the warnings and tried to befriend the quiet neighbor. But, would Elissa be safe being alone with Ryan in that house of tragedy? While watching Jennifer in this role, I was relieved to see she still had not lost her command of the screen. This woman has a great screen presence. Elisabeth as the mother was the perfect antagonist to her daughter; their scenes together sparked across the screen. Unfortunately they could not save this cliched thriller that left me emotionally detached. I did not find the movie scary, though I liked a couple of the twists in the story. With a PG-13 rating, this was not a slasher type of movie; think of it more like Psycho light. I cannot remember seeing any blood in the movie, but I may have missed it when I was checking the time on my watch. Was this a bad choice for Jennifer? I do not think it will hurt her in the long run; but let us say, it was a lateral move in what I feel will be a long movie career for her.

 

2 1/3 stars

Flash Movie Review: The Cold Light of Day

Since I began posting movie reviews here, I have tried alternating between first run movies and those on DVD. You will notice with today’s review it is of a film I saw this past week at the theater, instead of one at home. The reason is simple; if you are so inclined to view this movie, do not spend any money seeing it in a movie theater. Do not waste any money on it. The first 15-20 minutes started out well, with Bruce Willis (Moonrise Kingdom, Die Hard franchise) as Martin doing okay, for what seemed like a typical role for him. Taking his family out sailing on his boat, Martin tried to keep the peace, though it was obvious there was tension between him and his son Will, played by Henry Cavill (Stardust, Immortals). When there was a slight accident on the boat, Will swam to shore to get first aid. With supplies in hand, he returned to the beach only to discover the sailing boat was gone. It did not take Will long to find the boat tucked away in a nearby cove. Imagine the surprise he got when finally reaching the boat he discovered it was deserted. The search for his family would lead Will on a high stakes chase, that involved the CIA and terrorists all looking for a mysterious briefcase. Let me make this easy for you: the story was dopey, the acting was putrid and the action scenes went by so fast, I had a hard time figuring out what the heck was going on. This movie looked like it was one of those payback films, where actors had to sign on to repay a favor to some producer or movie studio honcho. The whole time watching this movie I thought the missing family members were the lucky ones; they did not have to stay and watch this mess.

1 2/3 stars

Flash Movie Review: Arbitrage

Just because someone has financial wealth does not mean they are smarter or better; there is not a different set of rules for them, though they may think so. I have a relative who became wealthy and felt they could tell everyone else what they “should” be doing in life. It is quite annoying listening to them. I am certain there is more going on in the business world besides the Bernie Madoff types and Enron style scandals, that we do not hear about in the news. One could add from this movie Robert Miller, played by Richard Gere (Brooklyn’s Finest, Chicago), to the list of immoral, corrupt greedy businessmen. While Robert was in the middle of delicate negotiations to sell his company, he was involved in a terrible accident. If news were to get out about the incident, the ramifications would be monumental to his firm and family. How far would the unscrupulous Robert go to maintain control over his life before his greed ripped him and his empire apart? Richard Gere was excellent in this role, being smooth and sexy with a venomous bite. Susan Sarandon (Robot & Frank, Mr. Woodcock) did a beautiful job playing Robert’s wife Ellen, the charitable good spouse with a steely spine. The story was evenly paced, allowing the suspense to build long enough to keep my interest. A couple of noteworthy performances I want to mention were Brit Marling (Another Earth, Sound of my Voice) as Robert’s daughter Brooke and Nate Parker (The Great Debaters, Red Tails) as Jimmy Grant, the son of a former employee of Robert’s firm; who was trying to make a better life for himself. Except for the choice of ending that was not very satisfying to me, this was a solid adult movie that showed the ugliness of greed we have all seen before.

 

3 stars

Flash Movie Review: The Secret in Their Eyes

Though it is a cliche, I firmly believe the eyes are the windows to the soul. There have been people where I looked into their eyes and only saw a dark, thick aspic. Then I have gazed into other people’s eyes and saw my peripheral vision expand; as I stared into veils of color stretching for miles, sharing a common pulse. I have always been leery of anyone who does not make direct eye contact with me. In this outstanding thriller, the eyes were essential in the telling of this dramatic story. Benjamin Esposito, played by Ricardo Darin (Nine Queens, Son of the Bride) was a retired federal agent for the justice department in Argentina. Hoping to write a novel based on one of his former closed murder cases, Benjamin returned to his old office to meet with department chief Irene Menendez Hastings, played by Soledad Villamil (Red Bear, Life According to Muriel). Using flashbacks, we observed the determination of Benjamin and his partner as they tried to find the killer of Liliana Coloto. But when it came to things closer to his life, Benjamin was incapable of acting upon them. Would revisiting the case give him the courage to express what had been laying inside of him for all these years? This movie captured me from the start, with its exciting story and wonderful acting by the entire cast. Each scene was perfectly placed and filled with a rich layering of emotions. The film, rightly so, won the Oscar for best foreign movie. What really moved me about this film was the way the actors used their eyes to convey their feelings and move the story forward. A couple of scenes with blood and violence. Spanish with English subtitles.

4 stars — DVD

Flash Movie Review: Compliance

A movie has to stir something in me, take me into its story. That does not mean I am only expecting happy, pleasant feelings. I have friends who only go to movies that make them happy; and if there is singing and dancing, all the better. There are very few limitations on what I am willing to watch on the big screen. When I went to see this unusual movie I did not know it was inspired by true events. It was quite uncomfortable for me to sit and watch what was taking place on the screen. Now before you decide that is all you have to hear and move on to a different review, let me explain. This movie did what it was supposed to do–it moved me. Knowing the story was based on a kernel or maybe a bushel of truth only creeped me out more. Fast food restaurant manager Sandra, played by Ann Dowd (Garden State, Marley & Me), took a phone call at work from a man who identified himself as a police officer. She was told her employee Becky, played by Dreama Walker (Gran Torino, The Invention of Lying), had stolen money out of a customer’s purse and the victim was at the police station to file a complaint. A woman who did things by the book, Sandra was instructed to secure her employee until the police could arrive at the restaurant. However, until the officer was able to get there, he wanted her to do more than just secure Becky. I just have to tell you I was dumbfounded by the unfolding scenes. But I want to point out that I was okay; the movie was doing what I wanted it to do, stir something inside of me. The story negotiated a fine line between reality and absurdness. How could anyone think what they were doing was okay? Since the movie was based on documented occurrences, I guess there are people out there who believe anything they are told. Ann Dowd’s acting was outstanding. One could see by her expressions how her mind was trying to comprehend the variety of requests. What a movie experience; you will either walk out in the middle of it or stay and be mesmerized by the incredible things taking place.

2 3/4 stars 

Flash Movie Review: The Possession

In a new marketing twist, Hollywood is going from remaking previous movies to converting their religion now. In this suspenseful thriller, the movie studio took the story from the film The Exorcist and changed the religion to the Jewish faith. They could easily have called this movie The Yiddish Exorcist. I do not know if it has to do with society’s short attention span or whether we have become desensitized to violence in general; but, I did not find this movie that suspenseful. It needed a longer build up of tension to achieve true apprehension. With the coming attractions being shown, I was already prepared for some of the scenes, which took away the excitement for me. There were a few scenes that worked well, but I felt it was due to the well honed actors. Divorced parents Clyde and Stephanie, played by Jeffrey Dean Morgan (The Losers, Watchmen) and Kyra Sedgwick (Gamer, The Closer-TV) work together to save their youngest daughter Em, played by Natasha Calis (Donovan’s Echo, Sharp as Marbles) from an ancient evil spirit. This was not an original idea, but I really liked the matching up of Jeffrey and Kyra; they added emotional heft to the film’s story. Another plus to the movie was the avoidance of a cliched soundtrack, letting the scenes handle the build up of an impending terror. I gave this scary film a passing grade; however, I hope this is not an example of what we can expect a suspenseful film to be in the future. Personally, it does not matter to me what religion is used; I just hope the movie studios work on what is needed to build up the tension, in what is supposed to be a scary movie. Scenes with blood.

 

2 1/3 stars

Flash Movie Review: Premium Rush

There is nothing like riding a bicycle with the wind slipping across your skin, a waterfall spreading itself out on your left, with granite obelisks standing at attention as you pass them; all while traveling up a lush winding path. Well, at least that is one of the places I periodically describe to the members in my cycling class, as we are doing a standing climb on our bikes. Seeing this adrenalin pumped movie, I now have another scenario I can bring into the classroom. Bicycle messenger Wilee, played by Joseph Gordon-Levitt (Inception, The Dark Knight Rises) was one of the riders who used a bike with no brakes. He could be found weaving and darting through cars and pedestrians in New York City at top speed. Detective Bobby Monday, played by Michael Shannon (Take Shelter, Revolutionary Road), caught wind of a package in Wilee’s possession, that could make a difference in his dire financial predicament. The story, parts told in flashback, was not complicated; it drove the high octane action scenes. Having always enjoyed Joseph’s past characters; this was another good performance by him; as the honest, affable bike messenger Wilee. But the true star of this film was Michael Shannon. He had the look, the mannerisms and the intensity for his imposing role as the desperate detective. My one complaint about the movie was the multitude of chase scenes; they started to become routine for me. Despite that gripe, at the end of the movie I still felt I got a good workout. Stay for the beginning of the credits to see the actual injury Joseph Gordon-Levitt occurred while filming a scene.

2 3/4 stars 

Flash Movie Review: Gaslight

Back in college, one of my sociology professors had a variety of colorful terms in describing people’s marriages. One of his favorite terms was “holy deadlock,” which described a married couple who should not be married to each other; but stay together for reasons that have nothing to do with love. This teacher was an expert in the field, at least that is what he would tell us. I wonder what he would have to say about the couple in this movie. Ten years after her aunt’s murder; newlywed Paula Alquist, played by Ingrid Bergman (Anastasia, Notorious), returned to her aunt’s house with her new husband Gregory Anton, played by Charles Boyer (Barefoot in the Park, Tales of Manhattan). Returning to the house where her aunt’s body was found, Paula soon started to experience strange oddities; each one driving a wedge between the couple. Ingrid won her 1st Oscar with the wonderful performance she did in this psychological thriller. Charles brought a sophisticated darkness to the role that was creepy to me. The supporting cast filled out the spaces around the leads, giving each scene an added rich texturing to the story. It was something to see the film debut of a young Angela Lansbury (Bedknobs and Broomsticks; Murder, She Wrote-TV) as Nancy, earning her an Oscar nomination for her incredible acting. The Oscar winning art direction made this beautiful black and white movie a visual treasure. This was a breathtaking masterpiece on all levels, proving that some movies are simply ageless.

 

4 stars — DVD

Flash Movie Review: The Spanish Prisoner

To get the rich flavor out of certain foods, one must coddle and fuss over them. Think of your mother’s homemade spaghetti sauce sitting on the stove for hours; where it would simmer and bubble, emitting small puffs of steam into the air. Similar to that, this mystery slowly simmered as the various actors blended together into a rich, thrilling story. Watching this movie was a nostalgic experience for me; a throwback to a different time where the actors told the story, not the special effects or locales. This film slowly drew me into its story with its twists and turns. Joseph A. “Joe” Ross, played by Campbell Scott (Music and Lyrics, The Dying Gaul), created a formula that would bring millions to his company; run by Mr. Klein, played by Ben Gazzara (The Big Lebowski, Looking for Palladin). Altered attitudes and issues of trust came into play after Joe befriended the mysterious Julian “Jimmy” Dell, played by Steve Martin (Shopgirl, The Jerk), who warned Joe about taking steps to protect his creation. Written and directed by David Mamet (Glengarry Glen Ross, Hannibal), the driving force to this film came from the dialog. Filmed in 1997, the pacing took its time in revealing the story, allowing the actors to shine in their craft. It was fun to see a young Felicity Huffman (Trasamerica, Desperate Housewives-TV) and Ed O’Neill (Married with Children-TV, Modern Family-TV) who had small roles in this layered movie. Set in a past time, the wordy script took pleasure in reeling me into its web of intrigue and I went willingly.  One brief scene with blood.

 

3 stars — DVD

Flash Movie Review: Killer Joe

Though Matthew McConaughey (Magic Mike, Bernie) bares his posterior again with this movie, he is not accepting your dollar bills. Oh no, he is taking much more here. As Killer Joe Cooper, Matthew was this creepy, menacing character who was a police detective with a little business on the side. He was a hired killer. It was one of the best performances I have seen out of him. Right now thinking about some of his scenes sent a shudder of dread through me. Hired by deeply in debt Chris Smith, played by Emile Hirsch (Into the Wild, Milk), to kill his mother for the life insurance money; Joe Cooper extracted much more than what this trailer trash dysfunctional family had planned. As you just read the previous sentences, I am certain you will be stunned to  learn as I was, that this film was part comedy. The utterly outrageous predicaments filmed in a raw yet beautiful way by director William Friedkin (The Exorcist, The French Connection) gave this movie a film noir look and feel to it. The entire cast was excellent, particularly Gina Gershon (P.S. I Love You, Bond) as Chris’ stepmother Sheila Smith; who was okay with the murder plot against her husband’s first wife. Adapted from his own play, Tracy Letts (August: Osage County, Bug) wrote the screenplay. This crime thriller’s NC-17 rating was well deserved with its brutal bloody violence, nudity and foul language. In other words, this is one of those movies you will either love or hate. In one moment I would cringe at a scene, to immediately burst out in laughter in the following; this was one intense wild movie. If you have the stomach for this type of film, you may very well be a witness to future Oscar nominees Matthew McConaughey and Emile Hirsch.

 

3 stars