Flash Movie Review: Two Days, One Night
Where some departments are inviting and welcoming to fellow employees, there are others that are structured like secured fortresses to keep away all outsiders. Working in an office means you acquire a pseudo family, quirks and all. I have worked for a few companies and I have found the larger ones mirror the globe. Depending on the department managers, it can feel like you are traveling to a different country when entering their fiefdoms, where employees never mingle with those from a different department. I worked for an individual who treated all the employees as if they were his personal assistants, from washing his car to picking up his laundry; I could not wait to get out of there. Luckily I have worked at places where all the employees in the department felt like family. We would always celebrate each other’s birthdays and be there for each other during the sad occasions. Like any family there would be disagreements and spats; but when you think about it, most employees are together 8 hours a day. For some that can be more time together than with one’s own blood relatives. I will say one of the negatives to having a family environment at the workplace is when one employee’s work is dependent on another employee. It can be hard to separate the lines between employee and pseudo family member. SANDRA, played by Marion Cotillard (Inception, The Immigrant), discovered her boss offered her fellow employees a choice to either keep her as an employee or receive a cash bonus upon her termination. With her husband Manu, played by Fabrizio Rongione (The Kid with a Bike, Rosetta), pushing her to fight for her job, Sandra would have to confront each of her fellow workers to ask them to vote for her to stay on the job. This Oscar nominated and film festival winning drama was an interesting viewing experience. The movie started out slow; at first I was not sure what was going on since it seemed as if the story had started in the middle. Gratefully Marion was outstanding in the role so I was able to stay interested. With her acting I could easily feel her pain and discomfort as she went from employee to employee. Written and directed by Jean-Pierre and Luc Dardenne (The Kid with the Bike, L’Enfant), I found the story’s idea compelling. There was however a few slow parts in the film and one scene in particular did not ring true for me. If this makes sense, this picture was more of a cerebral experience since there was not much action. The thing that rang true about the script was the way the employees interacted with each other. French was spoken with English subtitles.