I AM MORE OF A “don’t fix it if it isn’t broken” type of guy. As long as the item is meeting my expectations/needs, then I am fine with it. If you recall in one of my recent reviews I said, “Just because something is new does not make it better.” This is true to me based on the multiple examples I have experienced while buying replacement items. When my refrigerator finally stopped working I had to buy a new one. The salesperson had all these reasons why the newer refrigerators were so much better than mine. I originally asked if mine was fixable which led the salesperson to go into their sales pitch for the newer models. Granted, the ones I looked at were nicer looking, brighter inside and had a variety of shelf configurations I could adjust depending on what I needed to store inside. After I came to the realization that the cost to fix my old fridge would be better spent on buying a new one, I chose one similar to what I had and had it delivered. Don’t get me wrong, there is nothing wrong with my new refrigerator; but for some reason it does not seem I can fit as much food into it as my old one did. MY PHILOSOPHY CAN BE EASILY APPLIED to movie remakes. If you look back at the reviews I did of movies that were remakes, you will not find many that were favorable. Just last week the film Little Women I reviewed was an updated version; it was one of the worst remakes I had seen in a long time. For the life of me I could not understand how the studio looked at that remake and thought they made a good picture. It makes me wonder where are the writers who have an original idea for a story? Honestly, I do not fully understand what the reasoning is behind the decision to do a remake of an established movie. Remember, don’t fix it if it isn’t broken; why would a studio want to take a well-known, classic film and do a remake of it? If the bar is already set up high, what are the studio’s chances of having a success? Maybe it is an economic decision, where if the 1st movie was successful then the new one has a built-in fan base. I do not have the answers, but I must tell you everything I just said about remade movies does not apply to this romantic, musical drama. HAVING BEEN TOLD SHE WAS NEVER good enough Ally, played by Lady Gaga (Machete Kills, American Horror Story-TV), had no reason to believe famous music celebrity Jackson Maine’s, played by Bradley Cooper (American Sniper, Silver Linings Playbook) comments about her. There was only one way to show her. With Sam Elliott (The Hero, I’ll See You in my Dreams) as Bobby, Andrew Dice Clay (Blue Jasmine, Pretty in Pink) as Lorenzo and Anthony Ramos (Mobsters and Men, Patti Cakes) as Ramon; I was stunned with this being Bradley’s 1st stint as a writer and director. His direction was simple and pure which was a beautiful compliment to Lady Gaga’s expressive face. Acting was in top form from everyone, but I do have to say I forgot Bradley was playing Jackson Maine; he was that believable. Doing all the singing live was a brilliant decision because it added a vibrancy to the scenes that truly made them stand out. Now there were a few slow spots for me, but they were just a minor distraction that I did not mind much. This is the 4th time this story has been done in movie form and I believe this not only can stand on its own, but it shines the brightest.
3 ½ stars
A life lived without an honest acknowledgement of one’s history is like living in a 3 walled house; eventually, the weight of reality will come crashing down. I know for I have seen it happen. When a person runs away from their life’s history, taking on a new identity, the facade never lasts long. There was someone I dated a long time ago that never talked about their childhood, parents, or even hobbies. It soon became apparent that my interests were becoming their interests. I saw how they were molding themselves to my way of living and found it unsettling. Essentially they were creating a life for themselves that was dependent on me. The problem they ran into was when there was an issue or crisis, they were ill equipped to handle it; they would implode. The relationship soon ended as I found out later they started a brand new, different life. In a powerful Oscar worthy performance Cate Blanchett (The Lord of the Rings franchise, The Aviator) played wealthy socialite Jasmine, a woman whose life crumbled apart upon the arrest of her crooked businessman husband Hal, played by Alec Baldwin (The Departed, It’s Complicated). With everything lost, Jasmine left New York for San Francisco to stay with her working class sister Ginger, played by Sally Hawkins (Made in Dagenham, Happy-Go-Lucky). Writer and director Woody Allen (Midnight in Paris, Match Point) has a knack for picking an ideal cast and letting them shine with their craft. Everyone in this drama was outstanding. Cate’s over the top brilliant performance was as perfect as it could be; she will be a front runner for the award races this year. I have never seen a poor performance from Sally and she was made to play Ginger. Besides the surprisingly excellent acting by Bobby Cannavale (Win Win, Parker) as Ginger’s boyfriend Chili; do not faint when I tell you comedian Andrew Dice Clay (Pretty in Pink, The Adventures of Ford Fairlane) as Ginger’s ex-husband Augie was living real in his role. I thought the switching of scenes from current to past events would be annoying; but instead, it gave them more intensity. There may not have been a lot of laughs but Woody’s script had a wonderful rhythm to it. This was a fascinating story about the lives people try to create for themselves.
3 1/2 stars