The reason I enjoy a good suspenseful horror film is to experience the visceral emotions they produce inside of me. It is an adrenaline rush that gives me more energy; I find it comparable to the testing of the security alert system they do periodically on the radio. I feel a good fright from time to time keeps the body tuned up for life’s daily challenges. In the comfort of my theater seat I know what I am watching on screen has no actual bearing on my daily life. What I am seeing is not real to me so I know the feelings I experience during the movie are fleeting. I have been fortunate and hope I never have to personally experience actual horrors in my lifetime. I do not see how I could not mention the horrific tragedy that took place in Orlando, Florida this past weekend. It seems trivial for me to sit here and talk about a horror movie when I know many lives have been affected by the nightclub shootings. I am uncomfortable writing my review today when I know whatever things I mention about this film seem almost ridiculous to the realities of life presently. No matter the event, I am sure each of us has encountered some form of horror. Let us face it, life can be challenging. I thought I was done seeing the ugliness humans can inflict once I settled into middle age. Sadly it is not the case and in my opinion it appears to have increased in size. May love, kindness and acceptance for each other make us strong during this time. Thank you for listening to me; I felt I had to acknowledge the reality before delving into my escape into this picture. STRUGGLING as a single parent raising her children Peggy Hodgson, played by Frances O’Connor (A.I. Artificial Intelligence, Bedazzled), did not know what was happening to her daughter Janet, played by Madison Wolfe (The Campaign, Joy). Her daughter’s actions would affect the entire family. This sequel grabbed the viewer immediately thanks to director James Wan (Saw franchise, Furious 7). Multiple scenes were ideally set-up to produce suspenseful results. Another reason why I was drawn into this movie was due to Vera Farmiga (Source Code, Up in the Air) and Patrick Wilson (Hard Candy, Watchmen) as Lorraine and Ed Warren. They really pulled as much as they could from the script which at times got bogged down in a repetitive mode. I felt the story went on too long; they could have cut out a couple of scenes that were just there to show another example for a similar event. From the first film I knew this story was based on a true story, but I had a hard time believing it because of the things I saw in this sequel. Yet when at the end of the film they showed the actual people the actors portrayed, it made for an eerie feeling inside of me. It is not often a sequel is better than the first film but overall this movie provided a good escape from the horrors of reality.
2 ¾ stars
At some point the two individuals decide to spend their lives with each other and the weaving begins. Like craftsmen their lives intermingle into a finely woven mesh, similar to a fishing net. The two cast their net out into the sea of hope and dreams, letting the currents spread it wide to capture good fortune. Their net will remain strong through any type of storm; the only thing that could create a hole is doubt. If either person discovers they cannot love unconditionally then the net of their life begins to unravel, parts splitting off and traveling to darker depths. I have always believed a relationship will last when both parties accept their significant other completely. There have been so many times where I have seen someone falling in love who thinks they are in love, but is more in love with the idea of falling in love. Sure they may be fond of the person they are dating, but somewhere inside of them they have this little checklist displaying the things that are “wrong.” There is this friend of mine who for some reason enjoys testing me on my definition of beauty. They will point to a stranger and ask me if I think they are beautiful. I know they want an answer based on the looks of the person, but I keep saying I cannot tell if they are beautiful until I know what is inside of them. Sure there may be surface features that are attractive but it can be so fleeting; the character, the personality, the morals, the compatibility of a person would be some of the elements that are more important to me. Maybe it is easier to simply say their soul. FILLING in as a model for his artist wife Gerda, played by Alicia Vikander (The Man From U.N.C.L.E., Ex Machina); Danish artist Einar Wegener, played by Eddie Redmayne (The Theory of Everything, My Week with Marilyn), donned the clothing that was picked out and suddenly felt more like himself than he ever did before. This film festival winning biographical drama was based on a true story. It was brilliantly brought to life by Eddie and Alicia; their acting was amazing to see. The depth of their emotions was authentic and convincing to me; I easily see an Oscar nomination for both of them. Even the supporting cast, such a Matthias Schoenaerts (Rust and Bone, The Drop) as Hans Axgil and Amber Heard (Pineapple Express, Zombieland) as Ulla, was a good compliment to the two main stars. Set during the early 1920s in Copenhagen, the sets and outdoor shots were ideal. The story was captivating and interesting almost to the end; however, the last part of the film fell apart for me. I felt the script let the cast down. In addition, there were a few scenes that did not register as true compared to other ones. This incredible story explored the meaning of love and the cast delivered it.
In a way you can call it a controlled scare. When one goes to see a horror film it is a given that they could get scared but nothing will happen to them. I enjoy going to see a suspenseful horror film if it is done well. The type that puts the viewers on the edge of their seat, holding their breath, waiting to see what will happen next. Just as I believe we should choose food from every color group, I feel the same way about experiencing all emotions. I believe it is healthy for the body to feel happiness just as well as sadness; it provides definition in living one’s life. Another thing, I find reality to be scarier than anything in a movie. There was a film I recently reviewed about Mt. Everest; it was thrilling and scary to see what the climbers endured because there is no way you would find me anywhere near the place. Instead I get to live it vicariously through film. These true scary stories we hear about, that actually happened to someone, can make for a powerful film watching experience. This is why I particularly look forward to seeing movies that were based on true events. Some of them have historical value while others can tell the story about the obstacles one individual had to overcome in their life. I appreciate all of them and that is why I could not wait to see this biographical drama. THIRTY-THREE miners made their way down the only path into the mine that most of them have taken many times before. Except this time their path was changing to a one way road. This film festival winning movie had a story familiar to me; I had seen and read about it on the news. Based on true events the large cast involved in this story included Antonio Banderas (The Skin I Live In, The Big Bang) as Mario Sepulveda, Juliette Binoche (Godzilla, Clouds of Sils Maria) as Maria Segovia and Lou Diamond Phillips (Young Guns, Courage Under Fire) as Don Lucho. I did not mind the acting however what they had to say was pretty corny. The script was riddled with this rah, rah courage that did not seem real to me. It was a shame because the story was truly unbelievable. I assume everyone must know about it but just in case I will refrain from divulging much about the story. To think the actors were portraying actual people who lived this experience, it really was a miracle. I found the special effects effective because they looked so believable to me. Part of the issue with this picture may have to do with the writers having to include so many characters; I never got a true sense of what each of the individuals was experiencing through this event. Seeing pictures of the actual miners at the end of the movie really drove home how lucky and amazing they were to be alive to see their story now made into a film.
It can be frustrating when you know something is right but someone else does not believe you. We were driving on a stretch of road that was quite familiar to me, since it was part of my daily commute to work. I knew it so well that I could tell you where every pothole was on the road. For those of you not familiar with potholes, think of them as piranha that are swimming through the pavement, hungry for your car’s tires. So I told my friend who was driving to be careful as we were coming up to a treacherous part of the road. They insisted they knew what they were doing and told me I did not need to worry. I tried again, explaining how I took this road every day and knew where to avoid the potholes. By now you probably know what happened; they drove into a pothole that blew out one of the car’s front tires. Part of me wanted to say, “I told you so;” however, I kept quiet as they were cussing the entire time it took them to take off the flat tire and put on the spare one. There was a time where I would put up a better fight to prove I was right about something; but over time, I seem to either not have or choose not to spend so much energy to change someone’s mind, who doesn’t want to listen or consider what I have to say. Don’t you find this type of thing frustrating? Gratefully this occurrence did not turn out to be a life or death situation, unlike what was taking place in this historical movie. AFTER years of Spanish rule Filipino General Antonio Luna, played by John Arcilla (Metro Manila, Compound), did not feel any better about the United States taking control of the Philippines. Based on a true event this action film had the elements to make it a blockbuster type of picture. With Arron Villaflor (Maalaala Mo Kaya-TV, Paraiso-TV) as Joven Hernando and Mon Confiado (Faces of Love, Manila Skies) as Emilio Aguinaldo; there were bloody battle scenes, dramatic flair and intense emotional scenes. However, I found many scenes to be over the top; in other words, they were either overdramatic or excessive on the violence. I can appreciate the significance of the story since it took place during an important time in Philippines’ history; but I thought the execution of the story came across more like a soap opera. One possibility could have been the language barrier for me; I did not find much range in the actor’s acting skills. The funny thing about it though, I found the basic story line to be easily relatable to current times. Coming strictly as a movie reviewer I was frustrated that this picture did not do a better job in telling its story. Violent and bloody scenes were shown; Filipino, Tagalog, Spanish was spoken with English subtitles.