EVERY STEP A DECEASED FAMILY MEMBER has taken during their lifetime has led to you. I have thought about this from time to time, usually when I learned something new about a relative. When I found out a portion of my family members decided to immigrate to Canada during the war instead of the United States, I wondered what my life would have been like if I had grown up in Canada. Growing up I might have seen a few of the Canadian relatives when I was very young, but I do not have any memories of them. If they were still alive, I would ask them why they chose to go north instead of following the rest of the relatives who came to America. Was there a disagreement or dislike that pushed them to break away, is something I always wanted to know? Or better yet, what would my life have been like if my relatives had never moved from their home? I think about the number of labels one can gain in one’s lifetime; from daughter or son to brother or sister to husband or wife to cousin to aunt or uncle to grandparent and so on. Each of us has a role in the family tree. IN THE SCHEME OF THINGS, I do not think my family tree is much different from anyone else’s family. As far as I know there is nothing too dramatic or outrageous like other families I have heard about. There is a friend of mine who had never met an uncle because the man, in his late 20’s, fell to his death. At that point this uncle’s portion of the family tree ceased to grow. I have another friend who in high school found out she had 2 step brothers living in another state. It turns out her father had a 2nd family no one knew about; including my friend’s mother, the wife. It wasn’t until college that my friend had her first contact with these 2 boys and was stunned to see how much they looked like her (their) Dad. Because of those 2 boys she became a sister, a cousin, a niece and eventually an aunt; all of that simply from this occurrence, though however tragic it was for her and her mother. Newton’s laws of motion could be used to let every family member know, for every action there is an equal reaction; the examples of this can be found in this dramatic romance movie. COLLEGE SWEETHEARTS ABBY AND WILL, played by Olivia Wilde (The Words, The Lazarus Effect) and Oscar Isaac (Star Wars franchise, Annihilation), find themselves on a path that has lasting effects on those before and after them. Written and directed by Dan Fogelman (This is Us-TV, Danny Collins), this multigenerational story had a fine cast such as Mandy Patinkin (Wonder, Homeland-TV) as Irwin, Olivia Cooke (Me and Earl and the Dying Girl, The Signal) as Dylan and Antonio Banderas (The Skin I Live In, The Mask of Zorro) as Mr. Saccione. Where the episodic telling of a story works in Dan’s television show, I found it annoying for this film. There was a heavy-handedness that made for many syrupy actions and scenes; I felt like I was being told how to feel, very manipulative. It was as if scenes were purposely done to get the audience to tear up. Boredom set in quickly for me and it was not until the last third of the film where my interest finally piqued. I liked the idea of the story and had to wonder how things would have played out if there was a different writer. As I left the theater I thought how much my life would change by me having sat in the theater at this particular time and day.
1 ¾ stars
In a way you can call it a controlled scare. When one goes to see a horror film it is a given that they could get scared but nothing will happen to them. I enjoy going to see a suspenseful horror film if it is done well. The type that puts the viewers on the edge of their seat, holding their breath, waiting to see what will happen next. Just as I believe we should choose food from every color group, I feel the same way about experiencing all emotions. I believe it is healthy for the body to feel happiness just as well as sadness; it provides definition in living one’s life. Another thing, I find reality to be scarier than anything in a movie. There was a film I recently reviewed about Mt. Everest; it was thrilling and scary to see what the climbers endured because there is no way you would find me anywhere near the place. Instead I get to live it vicariously through film. These true scary stories we hear about, that actually happened to someone, can make for a powerful film watching experience. This is why I particularly look forward to seeing movies that were based on true events. Some of them have historical value while others can tell the story about the obstacles one individual had to overcome in their life. I appreciate all of them and that is why I could not wait to see this biographical drama. THIRTY-THREE miners made their way down the only path into the mine that most of them have taken many times before. Except this time their path was changing to a one way road. This film festival winning movie had a story familiar to me; I had seen and read about it on the news. Based on true events the large cast involved in this story included Antonio Banderas (The Skin I Live In, The Big Bang) as Mario Sepulveda, Juliette Binoche (Godzilla, Clouds of Sils Maria) as Maria Segovia and Lou Diamond Phillips (Young Guns, Courage Under Fire) as Don Lucho. I did not mind the acting however what they had to say was pretty corny. The script was riddled with this rah, rah courage that did not seem real to me. It was a shame because the story was truly unbelievable. I assume everyone must know about it but just in case I will refrain from divulging much about the story. To think the actors were portraying actual people who lived this experience, it really was a miracle. I found the special effects effective because they looked so believable to me. Part of the issue with this picture may have to do with the writers having to include so many characters; I never got a true sense of what each of the individuals was experiencing through this event. Seeing pictures of the actual miners at the end of the movie really drove home how lucky and amazing they were to be alive to see their story now made into a film.
The weekends not only meant there was no school, they also represented Saturday morning cartoons. I always looked forward to spending Saturday mornings in front of the television to watch my cartoons. With a snack tray placed in front of me for my bowl of breakfast cereal drenched in milk and a glass of grape juice, I would sit through several shows in a row. Little did I know at the time that some of the cartoons were doing parodies of famous operas or satires on public issues; I just enjoyed being entertained by a slew of fanciful characters like a ghost, a rabbit, a young explorer and a duck. No matter what happened to the characters they would always bounce back; ultimately good always won over evil. You can only imagine how excited I must have been when I found my cartoon friends starring in a movie. Currently from time to time I have been able to catch a cartoon show here and there on television. The first thing I usually notice is the way the animated characters move; it seems as if they are stiffer in their movements today than I remember when I was a child. The other thing I noticed about today’s cartoons was the lack of creativity but that may be due to them being shorter in duration than the old classics. WHEN the Krabby Patty secret recipe was discovered stolen, SpongeBob and his friends would have to go topside to pursue the thief who took their beloved Krabby Patty recipe. Not at all familiar with the SpongeBob cartoons, this animated adventure film was a hybrid of throwback animation and modern special effects. It had that high energy zaniness that I remembered enjoying as a kid. Even the animation looked as if it were hand drawn like they used to be. I can see where children would be enthralled with SpongeBob and his fellow cast mates because there was always things happening around them. The use of humor was abundant and quick, with some of it geared to the parents in a lighthearted way. I thought Antonio Banderas (The Skin I Live In, Once Upon a Time in Mexico) did a wonderful job playing Burger Beard. When the action came up on land, the retro animation turned into CGI effects that only accentuated the fun craziness to the story. I really was surprised I enjoyed this movie as much as I did, but I think part of it was due to nostalgia. Not to take away from the effort put into this film, but I wondered if the movie studio had the writers and animators study some of the ageless cartoons from the past before they created this enjoyable adventure film.
The elderly couple swirled around the dance floor as the bottom of the woman’s dress trailed behind her like a settling morning mist. They dipped, spun and veered from side to side in synch to the beat of the music calling out to them from the tall black speakers that stood like sentries around the dance floor. There was an elegant grace to their movements that did not betray their actual ages. Speaking with them after the dance I discovered they were in their upper 70s and had been dancing together since their wedding day over 50 years ago. When I complimented them on their beautiful movements they thanked me, telling me I should have seen them when they were younger. The couple took turns explaining their moves that involved lifts, fast spins and quick footwork in unison across an entire dance floor. Due to their ages they could no longer do such things and be graceful about it or at least without throwing out either of their backs and falling to the ground. Here was a couple who did not look their age but knew their body’s limitations as it aged; I admired their practicality and honest spirit. AGING gracefully was not an option in the latest for this movie franchise. As the third installment this action film treaded on familiar ground. Sylvester Stallone (Grudge Match, Bullet to the Head) returned as Barney Ross, the head of an elite covert fighting force. After a mission had failed, Barney decided it was time to form a team of younger players who would have to go up against the man who brought Barney’s original team down; revenge had no age limit. Along with the cast from the previous films; this movie had Harrison Ford (Ender’s Game, Cowboys & Aliens) as Drummer, Antonio Banderas (The Skin I Live In, Desperado) as Galgo and Wesley Snipes (Blade franchise, Demolition Man) as Doc. I can just hear you wondering what happened to the younger team members. They were in this adventure thriller; I just wondered if they were happy about it. This could have been a fun somewhat campy film, especially with its great opening scene, if the script had been better. Unfortunately the story was poorly executed. The only older actor that looked like he did some of his own stunts was Jason Statham (Snatch, Homefront) as Lee Christmas. I think the most physical thing Arnold Schwarzenegger (The Last Stand, The Terminator franchise) as Trench did was walk across a hallway. There was violence and blood as a multitude of stunt doubles did the physical work. I am afraid this third film was aged and tired; it needed to be retired.
1 3/4 stars