The use of satire to tell a story is a perfectly valid art form. Satire is defined as a way to use humor to show someone or something is foolish or bad. It was first used in the early 1500s. Many authors and film directors have used satire as a way to get their creations past some form of censorship that was imposed on them or the surrounding area around them. The first time I heard about this movie nothing was mentioned about it being a satire. The focus was on the title which is a combination of Chicago and Iraq. I have been following all the controversy about this film and what amazed me was how vehemently some people were complaining about this movie without knowing anything about it. Some elected officials of Chicago were up in arms that this film would paint a “bad” picture of their city. I found their thinking flawed due to the fact that innocent people are indeed being shot in the city; one cannot hide that fact. What is most troublesome is no one ever comes forward, so it seems, to identify the shooter for fear of retaliation. Freedom of speech is everyone’s right and if director and writer Spike Lee (Inside Man, Do the Right Thing) wanted to shine a light on one city’s particular issue, then he has the right to do so. SEEING yet another person being killed in her neighborhood Lysistrata, played by Teyonah Parris (Dear White People, Mad Men-TV), enlisted the help of her fellow female citizens in a plan she felt would force people to stop killing each other. With a story based on an ancient Greek play, this dramatic film immediately jumped into the viewer’s face. There was a powerful soundtrack and strong acting from actors like Nick Cannon (The Killing Room, Roll Bounce) as Chi-Raq, Samuel L. Jackson (The Avengers franchise, Big Game) as Dolmedes and John Cusack (Dragon Blade, 2012) as Father Mike Corridan; there were several gripping scenes throughout this movie. There were two issues I had regarding how the story was being told. The first one was a majority of the dialog was spoken in a way similar to rapping or a slam poetry session. One had to pay attention to the words to get the meaning; however, there were times that it went too fast for me to understand what they were saying. Also, after a while I was tired of devoting so much energy to the dialog instead of the action and scenes. The other issue I had concerned the unevenness with the scenes; they came across choppy where some were strong and others weak in their attempt to tell a story. There were times where I felt they were even cartoonish. The bottom line here is this film is shining a light on a problem; it is using satire to make it palatable for the viewer. There were scenes with blood, sexual situations and strong language.
2 3/4 stars
The elderly couple swirled around the dance floor as the bottom of the woman’s dress trailed behind her like a settling morning mist. They dipped, spun and veered from side to side in synch to the beat of the music calling out to them from the tall black speakers that stood like sentries around the dance floor. There was an elegant grace to their movements that did not betray their actual ages. Speaking with them after the dance I discovered they were in their upper 70s and had been dancing together since their wedding day over 50 years ago. When I complimented them on their beautiful movements they thanked me, telling me I should have seen them when they were younger. The couple took turns explaining their moves that involved lifts, fast spins and quick footwork in unison across an entire dance floor. Due to their ages they could no longer do such things and be graceful about it or at least without throwing out either of their backs and falling to the ground. Here was a couple who did not look their age but knew their body’s limitations as it aged; I admired their practicality and honest spirit. AGING gracefully was not an option in the latest for this movie franchise. As the third installment this action film treaded on familiar ground. Sylvester Stallone (Grudge Match, Bullet to the Head) returned as Barney Ross, the head of an elite covert fighting force. After a mission had failed, Barney decided it was time to form a team of younger players who would have to go up against the man who brought Barney’s original team down; revenge had no age limit. Along with the cast from the previous films; this movie had Harrison Ford (Ender’s Game, Cowboys & Aliens) as Drummer, Antonio Banderas (The Skin I Live In, Desperado) as Galgo and Wesley Snipes (Blade franchise, Demolition Man) as Doc. I can just hear you wondering what happened to the younger team members. They were in this adventure thriller; I just wondered if they were happy about it. This could have been a fun somewhat campy film, especially with its great opening scene, if the script had been better. Unfortunately the story was poorly executed. The only older actor that looked like he did some of his own stunts was Jason Statham (Snatch, Homefront) as Lee Christmas. I think the most physical thing Arnold Schwarzenegger (The Last Stand, The Terminator franchise) as Trench did was walk across a hallway. There was violence and blood as a multitude of stunt doubles did the physical work. I am afraid this third film was aged and tired; it needed to be retired.
1 3/4 stars