IT FELT GOOD TO BE NEEDED and I felt the same about them. We had met at a mutual friend’s birthday party; by the time I had to leave, we agreed to meet for dinner later in the week. Over that first meal we discovered things we had in common, including their best friend was married to a cousin of mine. It was things like this that sparked our attraction for each other. Now here is a little secret; the entire time we were together, I felt as if I was dating out of my league. In the very beginning of our relationship I would question, or 2ndguess myself because I could not believe how well things were going. Listening to them talk about their circle of friends/business contacts used to make me feel uncomfortable because they sounded so sophisticated or important. It eventually passed because we were settling into a comfortable, loving place. Though, I never pushed to be introduced to their friends; I thought in good time they would get comfortable to bring me around them. I never questioned it because I was taking a slow pace in introducing them to my friends and family. Looking back now, I should have questioned it. THERE WAS NO WARNING, NOT EVEN an indication, when they told me our relationship was no longer working for them. The only way I could describe how I was feeling was shellshocked. Seriously, I felt as if everything was going along wonderfully; we never even had a disagreement about anything. I tried to get more input about what was not working, but all I was getting was the same “not working” excuse. I must tell you breaking up is harder to deal with when you do not get an explanation or feedback you can process and possibly see things through the other person’s eyes. I mean, if there is something I did that caused this unfortunate turn of the relationship, I certainly would like to know about it; so, I could look and maybe grow from it. All I had to do it turned out was wait one week and I got my answer. The mutual friend we had called and told me that my ex was already dating someone else. Wow, that did not take long. I guess my feeling needed was correct; however, it was for the wrong reasons. They were using me until they found someone who better fit their needs and wants, I guess. I know some people who get into a relationship, know right from the start where they stand with the other person. I do not know if that would make me feel any better about the relationship; it seems like that could be the start of a love/hate relationship. In this musical drama, you can see what I am talking about. BOTH THE RECORD PRODUCER AND MANAGER knew what type of record they wanted to make. What they did not know was the singer had her own ideas. With Viola Davis (Fences, Widows) as Ma Rainey, Chadwick Boseman (Black Panther, 21 Bridges) as Levee, Colman Domingo (Lincoln, Selma) as Cutler, Glynn Turman (Super 8, Sahara) as Toledo and Jeremy Shamos (The Big Sick, Magic in the Moonlight); this film festival winner hit the right chord with Viola and Chadwick playing off of each other. They both provided powerful performances that carried this story all the way to the end. I had a hard time, at first, getting into this story. There were some flat scenes that did nothing for me. I could see where they might have been more intense on the stage; however, they did not translate well to the big screen. On the other hand, there were some intense attention-grabbing scenes that made me want to watch more. I could see Chadwick and Viola getting nominations during this year’s awards season and if that was the reason the movie studio used them to make money off this film, I am sure the actors were quite aware of it.
ONE CAN NOT HELP BUT FEEL special as they walk into the building. The heavy glass doors with the gold trim are the first clue that one is about to enter a place that cannot be considered ordinary. The vestibule has a sturdy tiled floor; the low ceiling is held up by walls covered in deeply colored damask fabric. The material is framed in portions with an intricately carved plaster, painted in gold to match the trim of the doors. Entering the main lobby is not so dissimilar from walking into a grand hall of a European palace. Marble floors replacing the tile in front, there are huge crystal chandeliers that are longer in height than width. They look like oblong, translucent candy wrapped with intricately patterned, colored wrappers with the ends twisted shut. There are matching grand staircases both front and back with red velvet covered steps and oversized, limestone balustrades. One can only imagine they are used by royalty. Spaced equally between the two staircases are doors that all lead into an amphitheater. Undulating rows of seats perched on a sloping floor descend to a stage where a red colored curtain blocks everyone from seeing anything behind it. Only when the lights dim does the curtain rise to reveal the actors who were waiting behind it. THERE IS A FEELING OF INCLUSION when one goes to see live theater. You could be sitting in the middle of a packed auditorium of strangers but feel as if the actors are bringing you into their story. I am a huge fan of seeing staged shows; there is something about seeing actors in the flesh compared to the big screen. Actors on stage have no chance for a retake; whatever happens they must be prepared to “go on with the show.” Seeing their emotions on display adds authenticity to the performance that I find connects me in a different way from actors in movies. Neither one is better than the other; it is simply a different form of communication. As you know I can get lost into a movie where I feel I am part of the movie; this is part of what I need to give a film a 4-star rating. At a play or musical the actors have more time to form relationships that carry them through the entire production. It connects them on a deeper level than acting in movies where they can do take after take of one scene. When I saw today’s film I felt I was at the theater watching a live performance. WITH A BABY ON THE WAY Tish Rivers’, (played by relative newcomer KiKi Layne), joy was short-lived when the baby’s father Alonzo “Fonny” Hunt, played by Stephan James (Race, Across the Line), was arrested for a crime he did not do. This Golden Globe and film festival winning romantic, crime drama also starred Regina King (Ray, Enemy of the State) as Sharon Rivers, Colman Domingo (Selma, Lincoln) as Joseph Rivers and Michael Beach (Aquaman, Soul Food) as Frank Hunt. Based on James Baldwin’s novel, this film slowly unfolded to reveal a real-life portrayal of two families in Harlem. The acting was outstanding from every actor; I especially enjoyed the chemistry that KiKi and Stephan poured into their roles for each other. With a beautiful soundtrack and thoughtful cinematography, this was another achievement for writer and director Barry Jenkins (Moonlight, Medicine for Melancholy). Scenes seemed to be grouped into a series of acts, where I felt I was watching entire and complete feelings between the characters. I honestly believed everything I was seeing was totally real. There is nothing more I need to say, except this picture was a perfect conduit between film and theater.