I THOUGHT I HAD TAKEN EVERY precaution. No matter how many times the bank tellers ask me to insert my ATM card, I must always remind them I do not have one. Nor do I have a debit card. This was one of my decisions to protect myself. It is not that I think the bank has poor security protections, it is because I feel the passageway to get into their websites/portals is only protected by asking for my login and password. I chose not to do electronic banking, prefer instead face to face transactions at the bank. But besides banking, I did all the things that experts suggested one should do to protect their personal identity. I only use one specific charge card for any online purchases, and it has a security alert on it. The passwords I use are the ones that experts have suggested we use with upper and lower cases along with characters. I even pay bills the old-fashioned way with a paper check, envelope and stamp. With everything I do, I thought for sure it would be unusual for me to have any of my personal information stolen. Well, I was wrong because just recently I was the victim of identity theft. WHEN I RECEIVED THE OFFICIAL NOTICE that my unemployment benefits were approved, I was flabbergasted because I am still employed. Looking over the document, all the information was correct about my employer and my social security number. I decided to talk to my company’s HR department to find out what was going on. The next day with letter in hand, I happened to mention my situation to an employee who it turned out got the same letter. He told me several employees received the letter from unemployment and it was a scam. Along with the letter there was a debit card that needed to be activated. If I had activated it, the scammers would have known they scored, and I would have lost access to my savings. I could not believe how this happened to me, especially because of the things I denied myself as a layer of protection. The first thing I was instructed to do was to freeze my credit report. Next, I had to file a complaint with the FTC, the Federal Trade Commission. Filling out information on a government website for identity theft, I then filed a police report. When I walked up to the front desk of the police station, all I got to say was I had my identity stolen and the officer asked if it was the unemployment scam. It turns out they were familiar since they received multiple claims on it. Even with everything I did I still feel violated and vulnerable. Now having watched this action thriller, I am even more paranoid about my plight. UNBEKNOWNST TO LAWYER ROBERT CLAYTON DEAN, played by Will Smith (Gemini Man, Collateral Beauty), there was a reason why he was the target of a concentrated effort to attack and destroy his identity. With Gene Hackman (The French Connection, Runaway Jury) as Edward Lyle, Jon Voight (Midnight Cowboy, Runaway Train) as Thomas Brian Reynolds, Lisa Bonet (High Fidelity, Angel Heart) as Rachel F. Banks and Regina King (If Beale Street Could Talk, Ray) as Carla Dean; this film festival winner was a tense and thrilling film to watch. The action was exciting and intense as it set up a typical good vs bad scenario. The acting was fine for this type of picture; I totally enjoyed Gene and Will in their roles. Though there was nothing too deep in the script and character development was more of a bystander, this thrill ride of a movie was totally entertaining to me. And that is despite the subject being identity theft. I may have to revert to hiding cash in cans at my house.
ONE CAN NOT HELP BUT FEEL special as they walk into the building. The heavy glass doors with the gold trim are the first clue that one is about to enter a place that cannot be considered ordinary. The vestibule has a sturdy tiled floor; the low ceiling is held up by walls covered in deeply colored damask fabric. The material is framed in portions with an intricately carved plaster, painted in gold to match the trim of the doors. Entering the main lobby is not so dissimilar from walking into a grand hall of a European palace. Marble floors replacing the tile in front, there are huge crystal chandeliers that are longer in height than width. They look like oblong, translucent candy wrapped with intricately patterned, colored wrappers with the ends twisted shut. There are matching grand staircases both front and back with red velvet covered steps and oversized, limestone balustrades. One can only imagine they are used by royalty. Spaced equally between the two staircases are doors that all lead into an amphitheater. Undulating rows of seats perched on a sloping floor descend to a stage where a red colored curtain blocks everyone from seeing anything behind it. Only when the lights dim does the curtain rise to reveal the actors who were waiting behind it. THERE IS A FEELING OF INCLUSION when one goes to see live theater. You could be sitting in the middle of a packed auditorium of strangers but feel as if the actors are bringing you into their story. I am a huge fan of seeing staged shows; there is something about seeing actors in the flesh compared to the big screen. Actors on stage have no chance for a retake; whatever happens they must be prepared to “go on with the show.” Seeing their emotions on display adds authenticity to the performance that I find connects me in a different way from actors in movies. Neither one is better than the other; it is simply a different form of communication. As you know I can get lost into a movie where I feel I am part of the movie; this is part of what I need to give a film a 4-star rating. At a play or musical the actors have more time to form relationships that carry them through the entire production. It connects them on a deeper level than acting in movies where they can do take after take of one scene. When I saw today’s film I felt I was at the theater watching a live performance. WITH A BABY ON THE WAY Tish Rivers’, (played by relative newcomer KiKi Layne), joy was short-lived when the baby’s father Alonzo “Fonny” Hunt, played by Stephan James (Race, Across the Line), was arrested for a crime he did not do. This Golden Globe and film festival winning romantic, crime drama also starred Regina King (Ray, Enemy of the State) as Sharon Rivers, Colman Domingo (Selma, Lincoln) as Joseph Rivers and Michael Beach (Aquaman, Soul Food) as Frank Hunt. Based on James Baldwin’s novel, this film slowly unfolded to reveal a real-life portrayal of two families in Harlem. The acting was outstanding from every actor; I especially enjoyed the chemistry that KiKi and Stephan poured into their roles for each other. With a beautiful soundtrack and thoughtful cinematography, this was another achievement for writer and director Barry Jenkins (Moonlight, Medicine for Melancholy). Scenes seemed to be grouped into a series of acts, where I felt I was watching entire and complete feelings between the characters. I honestly believed everything I was seeing was totally real. There is nothing more I need to say, except this picture was a perfect conduit between film and theater.