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Flash Movie Review: What Maisie Knew

One of the purest forms of innocence can be found in a small child. Without the opinions, prejudices or hatred that can be found in adults; children have the ability to be all inclusive. For that reason it is tragic when a child pays the price for an adult’s war. There is one kind of war that involves bullets and bombs, which is horrifying enough. But there is another type of war and this one involves only two adults–the mother and father of the child. It saddens me when I see one parent using their child as a pawn in a fight against the other parent. I cannot bring to mind anything uglier than a couple sacrificing their child for their own personal gain. Because of the excellent acting in this drama, it made watching this film harder for me. Updating this Henry James story to modern day New York City; the plot was about aging rock star Susanna’s, played by Julianne Moore (Being Flynn, A Single Man) bitter divorce battle with her husband Beale, played by Steve Coogan (Ruby Sparks, Our Idiot Brother). All of this is seen through the eyes of their young daughter Maisie, played by relative newcomer Onata Aprile. For such a young girl, her face easily conveyed the emotions she was feeling. A surprise for me was watching Alexander Skarsgard (Battleship, True Blood-TV) as Lincoln. Familiar with his towering vampire role on True Blood, I was impressed with his acting ability in this film. Alexander’s character was one of the strongest in the cast. I could have used more background information on the characters, but it was a minor complaint. It would be hard not to get involved in the story with the strong emotions playing out on screen. All one could do is hope Maisie does not become another casualty of war.

 

3 stars

Flash Movie Review: Fair Game

I do not know what you would call it exactly, but there is a certain freedom in being able to say anything I want when reviewing a movie. All I am doing is expressing my opinions and feelings, the same as any other reviewer. No matter what I write, I know there will be no retaliation from the movie studio. It would never occur to me that someone associated with a movie that I rated would go after me or a member of my family. I am fortunate to live in a country that gives its people the right to speak their mind. I have to tell you though, after seeing this film I am not that sure anymore. It was one thing to be familiar with the story when it actually was in the news; but it was another to watch the story unfold on film. In the capable hands of director Doug Liman (The Bourne Identity, Mr. & Mrs. Smith), this political thriller was frightening to me. Using each of their books as a basis; Doug created a taut suspenseful film about CIA operative Valerie Plame, played by Naomi Watts (The Impossible, J. Edgar) and her American diplomat husband Joe Wilson, played by Sean Penn (Gangster Squad, Milk). After Joe wrote a disparaging article, critical of the current political administration, government officials decided to expose Valerie’s cover. Naomi and Sean were so good in their roles and in their relationship to each other; I felt they were channeling the real individuals. By showing the couple’s home life with their children, it only added more intensity to the horror of their situation. After watching this movie I was left thinking about what life would be like if no one was allowed to speak their mind. We would be left with what George Orwell told us about, a world ruled by Big Brother.

 

3 1/4 stars — DVD

Flash Movie Review: Stories We Tell

Some of the best family stories are the ones that border on the edge between reality and fantasy. With so many storytellers in my family telling and rehashing family events, one has to question the validity of the tales being told. One story I remember hearing had to do with a great uncle of mine. Furious at a nephew who was mistreating another nephew of his, my great uncle broke into the house of his nephew, catching him in the middle of taking a bath. It did not stop my great uncle. He went right up to him, pointed a gun at his head and told him to leave the other nephew alone. My great uncle turned around and walked out of the bathroom, leaving the frightened nephew sitting in a ever expanding pool of yellowed water. Now how much of that was true, I will never know. Truthfulness aside, I love the use of story telling to pass down a family’s history through each generation. Oscar nominated writer/director Sally Polley (Mr. Nobody, Dawn of the Dead) had a gold mine of family stories to sift through in making this remarkable documentary. Using actual footage and reenactments of family events alongside interviews with family and friends, the film was not your typical documentary; it played like a good dramedy with a wild story. Sally’s mother was a colorful Canadian celebrity which I found funny when compared to Sally’s deadpan style of interviewing. It was fascinating to see where the line of questions started and where they wound up taking Sally and her family, delving into the history of the rumors and tales each had heard growing up. As I watched this movie I was reminded of a children’s game called “Telephone.” It is a game where a group of kids sit in a circle and one child whispers a message into the next child’s ear. Then each proceeding child whispers the message to the next one until the message makes its way back to the first child’s ear. The message always evolved into something else as it was whispered along. I was thoroughly entertained by Sally and her family. If for no other reason than to listen to another family’s story.

 

3 1/2 stars

Flash Movie Review: All Good Things

Everyone has a breaking point; it is just the reactions that are different. Some people quietly remove themselves from the situation that pushed them over the edge; others may explode with anger. I have been working to separate myself from the latter group, trying to teach myself to walk away when I get angry. It has not been easy. When I get pushed past my breaking point a floodgate opens up, releasing years of stored anger and hurt that sears through my veins before erupting out of my mouth. If  I am fortunate to have a friend with me, who has the ability to read my face and see the subtle telltale signs of my transformation, they will try to diffuse the situation before I go over to the dark side. Age may have something to do with it, because as the years have gone by the intensity levels have diminished. I cannot say the same thing for the main character in this crime mystery, inspired by true events. A talented actor was needed for this role and Ryan Gosling (Drive, Gangster Squad) was eerily perfect playing David Marks. Son of real estate magnate Sanford Marks, played by Frank Langella (Robot & Frank, Frost/Nixon), David did not want anything to do with the family business. He thought he could succeed on his own when he met Katie, played by Kirsten Dunst (Upside Down, Melancholia), a tenant in one of the family’s buildings. Settling into what appeared to be an idyllic life with Katie, it would not take long before mounting pressures pushed David to the brink. In one of her best performances, Kirsten was wonderful playing an intelligent woman of simple means who experiences life on a new level. Frank was great as he oozed with entitlement playing the chairman and demanding father. I wished the script would have been better because there were spots int the story that I found perplexing. Not that I was bored at all; the powerful acting kept me watching what essentially was a love story mixed with a murder mystery. There is a fine line between rational and irrational behavior. It all depends on where we place the breaking point. A couple of brief scenes with blood.

 

2 3/4 stars — DVD

Flash Movie Review: The Iceman

It is not necessarily based on their outer appearance or what they may have said, you just get a negative feeling about the person. Though there was little talk about it, there was a boy in grade school who did mean things to animals. I knew to keep my distance from him. My instinctive radar has helped me steer clear of evil people through my adult life. There have been times where I have met someone and immediately got a negative reaction from them. Looking into their eyes is how I confirm the feeling. If I see a dark murkiness in there eyes, where light does not reflect off of the surface; I know there is something festering inside of them that is cold and brutal. To give you an example, take a look at the star of this crime thriller, Michael Shannon (Take Shelter, Mud) as Richard Kuklinski. Michael is such a gifted actor; his performances always come with a deep intensity. Based on a true story, Richard Kuklinski was hired as a contract killer by crime boss Roy Demeo, played by Ray Liotta (Identity, Smokin’ Aces). The movie followed Richard’s dual life: doting father and loving husband during the day and cool killer at night. Winona Ryder (Black Swan, Edward Scissorhands) was wonderful playing Richard’s wife Deborah, who was completely unaware of her husband’s real profession. Though the script was weak in telling the story fully, the incredible acting kept everything moving forward. With Ray matching his acting intensity to Michael’s skills, I was never bored. In addition to these stellar actors there was Stephen Dorff (Public Enemies, Blade) as Joey Kuklinski, an almost unrecognizable Chris Evans (The Avengers, Sunshine) as Mr. Freezy and Davide Schwimmer (Nothing But the Truth, Friends-TV) as Josh Rosenthal. Each of their performances contributed to the overall tour de force acting done in this film. Playing the deep duality of a ruthless killer and family man should earn Michael Shannon an Oscar nomination in my opinion. Whether it is from birth, childhood or environment; there are people who are simply evil. I have seen this evil and it was in Michael’s wicked performance of a cold heartless killer. Multiple scenes had violence and blood.

 

3 stars

Flash Movie Review: Twelve

Wisdom comes with age and if that is the case then I am still a teenager. Well at least it does when it comes to my driving since I visited South and North Dakota, where they have no posted speed limits. If no one is in the car with me, I am an assertive driver. I cannot understand why cars want to keep getting in my way. Now before you think I am some reckless maniac, I at least do not text or brush my teeth in the car. Except for the driving thing, I was never one for acting out in public. Who knew how true it was when my folks, along with my aunts and uncles, told me I would understand when I got older. If I only had the sense back then that I think I have now. After seeing this dramatic thriller, I wondered if the characters could say the same thing. I do not know if it had to do with not being a party animal or part of the popular group, but I felt old watching this movie. The parties I attended in high school and college were nothing like the ones shown here. Chace Crawford (The Covenant, Gossip Girl-TV) was drug dealer White Mike. Ever since his mother died of cancer, White MIke had stayed on the fringe with his peers. He purposely kept his childhood friend Molly, played by Emma Roberts (Nancy Drew, Wild Child), in the dark about his drug dealing, telling her he worked at his father’s restaurant. When his cousin was murdered, White Mike’s life began to unravel, the effects being felt all around him. I found individual scenes interesting; but when pieced together with Kiefer Sutherland’s (24-TV, The Reluctant Fundamentalist) narration, the drama waned. The acting was decent from Chace and Emma, along with Rory Culkin (Signs, You Can Count on Me) as Chris, Curtis “50 Cent” Jackson (Real Steel, Morning Glory) as Lionel and Esti Ginzburg (Movie 43) as Sara Ludlow. Part of the problem was director Joel Schumacher’s (The Phantom of the Opera, Phone Booth) reliance on the story being told to us instead of showing it. If teenagers really act like they did in this film, then I am glad I am old. A couple of brief scenes with blood.

 

2 stars — DVD

Flash Movie Review: Love is All You Need

There has not been a wedding I have attended where there was not at least one character in the crowd. It never fails that there is one person who has had too much to drink. Since I am a people watcher, I am fascinated with what people wear to such occasions. I remember attending a wedding ceremony where I swear a woman was dressed up like an entertainer from a gentleman’s club; if you get my drift. There has been several wedding receptions where one person refuses to sit near someone else, making the wedding planners crazy as they try to accommodate the requests. These days I attend these functions assuming I will be getting dinner and a show. In this romantic comedy I felt I was one of the guests at the affair. The difference was I did not know a single soul. However, by the end of the movie I knew a lot about those in attendance. Pierce Bronson (The Ghost Writer, After the Sunset) played British company owner Philip. His son Patrick, played by Sebastian Jessen (Nothing’s All Bad, Rich Kids), was engaged to marry sweet Danish woman Astrid, played by Molly Blixt Egelind (Okay, Fighter). Finished with her last treatment for cancer; Astrid’s mother Ida, played by Trine Dyrholm (A Royal Affair, The Celebration), was well enough to travel to the wedding taking place in Italy. Ida was going alone since she refused to travel with her husband Leif, played by Kim Bodnia (Bleeder, Pusher). Maybe it was because I was not related to either family, but I had a good time watching this film. The fact that it was mostly filmed in Italy did not hurt either–the scenery was breathtaking. There was more heft to the story than the usual romantic comedy movies I have seen. Trine’s face was so expressive that I could feel her emotions. The chemistry between her and Pierce had a mature realness. Except for Patrick’s aunt and cousin, I thought the writers created believable characters, while avoiding cheap humor for a quick laugh. Just like a real wedding, this film gave me a reason to laugh, to shed a tear and to smile; I was glad I attended. Some Danish and Italian with English subtitles.

 

3 stars

Flash Movie Review: The Great Gatsby

The haves and have nots, the rich get richer while the poor get poorer, the upper class exploiting the lower class, wealthy husbands and their mistresses; any of these topics can be found in today’s headlines. They also are part of F. Scott Fitzgerald’s classic novel, The Great Gatsby. Brought to the big screen by director/writer Baz Luhrmann (Moulin Rouge, Australia), we saw the lavish surroundings where the wealthy play; oblivious to those of lesser means. The marketing of this movie has been intense, showing glimpses of spectacular parties, classic cars, mansions; all accompanied by a heavy hip hop beat. Leonardo DiCaprio (Inception, Django Unchained) played Jay Gatsby, a mysterious wealthy man whose life had been motivated by his love for one particular woman. Carey Mulligan (Drive, Shame) was Daisy Buchanan, a wealthy socialite married to the unfaithful Tom Buchanan, played by Joel Edgerton (Warrior, The Odd Life of Timothy Green). Set up as the narrator of this story was midwesterner Nick Carraway, played by Tobey Maguire (Spiderman franchise, Brothers). I enjoyed the performances from each actor; they did their best with what was written for them. The costumes and sets were brilliantly reproduced to reflect the era of 1920’s Long Island, New York. With such detail given to the look of this film, I found the choice of music to be a distraction. At a particular scene I glanced down at my watch to make a mental note of the time. It was approximately 50 minutes into the story before I started caring about any of the characters. I found the 1st half of the film to be bloated as it lumbered along. The last half of the movie contained most of the drama, almost force feeding it to the audience. The heavy handed way the story was told made it sag under its own excessiveness. This extravagant film could have benefitted from an austerity program. A couple of brief scenes with blood.

2 1/2 stars

Flash Movie Review: Blancanieves

Whether they were read, seen or told to us; fairy tales are stories that have stayed with us from our childhood. Who did not want to be a princess or a prince when they were a little kid? I was convinced that when I grew up; one day, I would swoop in and rescue who would become the love of my life. There was something about fairy tales that not only gave me a sense of hope; they provided me with an outlet to let my imagination grow and explore new passageways through my mind. Right from the beginning of this movie, I felt a kinship with writer and director Pablo Berger (Torremolinos). Using the tale of Snow White and the Seven Dwarves as a foundation, Pablo took the story and pushed it towards a dark, humorous, creative drama; that was a visual masterpiece. Some of you know I was not a fan of the silent film The Artist. Where I thought it was more of a gimmick for that movie; in this one, I absolutely loved the silence of no spoken words. The soundtrack came to the forefront to steer the story to some incredible heights. Set in Spain during the 1920’s; famous bullfighter Antonio Villalta, played by Daniel Gimenez (Bad Education, A Painting Lesson), had a beautiful daughter named Carmen. There was only one person who did not like the young girl and that was her evil stepmother Encarna, played by Maribel Verdu (Pan’s Labyrinth, The Blind Sunflowers). The richness of this black and white film only increased the enormous screen power of Maribel. This Oscar nominated movie was magical to me; I had no sense of time passing and felt I was taken to a different world. Absolutely beautiful to watch, I am willing to say this film will become a modern classic. Spanish with English subtitles.

 

4 stars

Flash Movie Review: The Reluctant Fundamentalist

It is one thing to have a first impression of a person; it is another to act on it. When I first meet someone and form a first impression, I consider it a photograph that I stash in an imaginary photo album. After I really get to know the person, it is fun to go back and see how close my first impression was to the real individual. I am reminded of a man who used to be in one of my yoga classes. When he first walked into class I sensed a sudden shift of energy in the room. Several participants quieted down as they warily gazed at the thick, 6+ foot tall imposing figure with shaved head and piercing dark eyes. They were reacting to his looks, assuming he was a certain type of person. In actuality he was a fun, gentle addition to the class. This movie posed a powerful question that involved impressions; it is one of the reasons I went to see it. Riz Ahmed (Four Lions, Shifty) played Changez, a U.S. educated, rising Wall Street star from Pakistan. During one of his business trips abroad, the World Trade Center in New York City was attacked. His return flight back home would bring him to a changed country. Riz was excellent in this role, as was Kiefer Sutherland (Phone Booth, 24-TV) playing Riz’ boss Jim Cross. I thought Liev Schreiber’s (Defiance, Repo Men) role as Bobby Lincoln was an excellent character for him. In what was a total miscast, Kate Hudson (Almost Famous, Bride Wars) was absolutely wrong for the role of Changez’ girlfriend Erica. Not only was her acting poor, I found her character’s story arc ridiculous. With the exception of her, I was able to appreciate what the director and writers were trying to do with this film based on the best selling book. What could have been a thought provoking, powerful movie instead was a film that was too long, filled with melodramatic moments and a sprinkling of intense thrilling scenes. Lesson learned: Do not always believe your first impressions from the movie trailer. Brief scenes with blood in them.

 

2 1/2 stars