THE MAN’S FACE ON THE PAGE of my business magazine looked familiar to me. I stared for a moment and felt I knew him but not at his present age. Reading thru the accompanying article it turned out I was right; we had been friends in elementary school. He had the same wavy hair and dark eyes except the hair was silver gray instead of black. From what I read he was an executive officer of a venture capital firm. I was completely shocked because, at least during our time in school, he was quite conservative; you could say he was not a risk taker at all. The idea of him now putting capital into startup companies surprised me. It seemed like a total contradiction and for some reason it amused me. We hadn’t had any contact for decades, so my perceptions were based solely on a younger version of himself. If someone were to have asked me what I thought he would be doing when we grew up I would have said sales or marketing; it just seemed he had the type of personality that would cause a person to say he was a “people’s person.” FROM READING THAT ARTICLE ABOUT HIM, I started thinking about other people I had known for a long time. I looked at my perceptions of the person compared to the career they had chosen. In some cases, it was obvious to me there were many who had a good fit between their job and personality. There were some who surprised me because they did not do very well in school; yet, they were now employed doing some technical work that I thought would have been way beyond their capabilities. In fact, one was a scientist; working on testing the strength of a new compound. This person used to cheat on their exams when we were in school. I am sure I mentioned this before but there are several of my former classmates who were stunned to find out I teach in the health and fitness industry. Having been an overweight geek who flunked PE twice; no one, including myself, would have imagined that I now conduct yoga and cycle classes. It really is amazing to me how we all wind up in our chosen career paths. I guess it goes to show you one can never underestimate what a person wants to do in life. This was certainly true for the main character in this family adventure fantasy. NONE OF HIS CLASSMATES WOULD BELIEVE Alex, played by Louis Ashbourne (Alice Through the Looking Glass; Noddy, Toyland Detective-TV), was the one to save the future. How could they, he did not believe it himself. This film festival winning movie also starred Denise Gough (Robin Hood, ’71) as Mary, newcomer Dean Chaumoo as Bedders, Tom Taylor (The Dark Tower, Doctor Foster-TV) as Lance and Angus Imrie (Pond Life, Kingdom-TV) as young Merlin. This fun film reminded me of those live action fantasy films from the 70s and 80s. It had a sweet charm to it that I found enjoyable. The script was written with the young teen in mind, but it also provided amusement for the adult. The story was an updated version of the King Arthur and the round table tales and I liked the blending of the old and modern takes. There was nothing extreme in this picture; everything was kept within a safe parameter. This movie may not win any major awards; but for a couple of hours of light entertainment, this film was an easy viewing for me.
2 ½ stars
THOUGH HER EYES WERE COVERED WITH OVERSIZED sunglasses, the sun was reflected in each lens to make it look like she had stars in her eyes. I stared at the photograph for some time, wondering if the photographer realized that when they captured the image. Hanging next to this photograph was one that depicted something completely different. It was done in black and white and at first glance I thought it was a photo of a closed toilet seat. The camera had shot it from the front at eye level to the seat. I assumed the photographer was attracted to the dark splotches on the seat’s rims; personally, I thought it looked nasty. As I read the information card next to the photograph it turned out the subject of the photo was actually a small bunch of ripe bananas, done in closeup. I was surprised and had to look back at the photo hanging on the wall. Now that I knew what it was I could make out the three bananas stacked on each other; what a hoot! In photography I have always gotten a kick out of taking photos of ordinary things in such a way as to play with the viewer’s perceptions of it, turning the subject into something extraordinary. AS I WALKED AROUND THE GALLERY I saw some gorgeous photographs. When the subject was human, I spent more time in front of it wondering why the person was photographed; what was their back story? One photo had an elderly woman sitting on a park bench. She was knitting a scarf while wearing it. The finished end was draped around her neck then rolled down her chest to her hands that held two large knitting needles. The needles looked like they were pointing to one spot. I wondered why the woman was sitting outside with her knitting; was she waiting for someone, did she like sitting outdoors because of the lighting and temperature? Did the photographer even know her, I wondered? Usually I have seen people knitting in waiting rooms; this photo piqued my curiosity. There were other photographs that showed individuals in a variety of emotional states. Coming out of one of the photos was an anguished looking woman who looked like her skin was melting; she looked deflated and sad. I came up with a few scenarios that all ended in some type of tragedy. But isn’t that what art is supposed to do; make one think and react to its content? That is exactly what was taking place in this film festival winning drama; the subject’s story came to life right before my eyes. CLEO, PLAYED BY NEWCOMER YALTA APARICIO, was the maid for a middle-class family that had some issues behind its façade. Set in Mexico City during the 1970s, this movie also starred Marina de Tavira (The Skies-TV; Love, Pain and Vice Versa) as Sra. Sofia, newcomer Diego Cortina Autrey as Tono, newcomer Carlos Peralta as Paco and newcomer Jorge Antonio Guerrero as Fermin. Directed and written by Alfonso Cuaron (Gravity, Children of Men), this film was visually stunning. Shot in black and white, Alfonso took his time with each scene. There was always something else going on besides the main subject in the scenes, filling up each frame with feelings and emotions. The story essentially was basic; there was very little action to speak of until the last half of the film. In fact, I found the script somewhat slow at times and felt Alfonso was spending too much time on some shots. For newcomers I was surprised to see how well the cast did with the script. I only wished there was more to the story. This was one of the most beautifully filmed pictures I have ever seen; however, I found out the back story of some subjects may not always be so exciting.
3 ½ stars
I DID NOT CRINGE UNTIL SHE attempted to speak. She had assistance walking across the stage of the awards show; it was expected considering her frailty and advanced age. In her day, decades ago, she was a top billing major star. Now as I watched her trying to talk, it was obvious to me she was quite confused. I had no idea if the producers of the show requested her or her management team offered her; either way, I felt uncomfortable and sad. Growing old is harder when it is done in the public eye; I think about myself with the classes I teach. Will I know when it is the time to hang up my cycling and yoga apparel? Will I graciously retire when I realize, if I even realize, I am not teaching class at the same level as I have in the past? These are things I have given thought to as I have grown older. I look at some people who have obviously had extensive plastic surgery and wonder why they did it. There has never been a time I have seen an older celebrity and not known they had altered themselves simply by looking at their semi-paralyzed face or their skin stretched tightly like plastic wrap sealing a bowl of leftovers. What is it they are trying to do? ONE OF THE ANSWERS I CAN come up with is they do it because they still need to get adulation and compliments from people. I would like to know how having a wrinkled face would stop someone from admiring you. I went to a concert that was being held in a small movie theater; the headliner was a celebrity who was past his prime. What I mean is their voice could no longer handle their song catalog and their dance moves were reduced to a simple swaying side to side. He was only one of the musical acts; so, there were some people in the audience who had no idea who this man was and what songs he had sung that brought him fame. If it were me I could not get on stage and perform unless I categorically knew it would be at the same caliber as before. As I write this I am reminded about former celebrities who either do advertisements or shall we say low-brow projects. I always wonder if they need the money or they are so starved for attention. Regarding this film festival winning biography, I haven’t yet decided which one the comedy duo needed. AFTER THEIR FAME AND FORTUNE HAD dimmed in the world Laurel and Hardy, played by Steve Coogan (Philomela, The Dinner) and John C. Reilly (Holmes & Watson, The Sisters Brothers), decided they would re-capture it by doing a live tour. It didn’t matter to them that they were older and maybe not as wise. This comedic drama’s story was based on actual events. Without a doubt this picture’s fate was dependent on Steve and John. Gratefully, the two of them were stupendous. I might have to tip the scales more to John’s Oliver Hardy being more authentic, but it still would be a tight race between the two of them. With them front and center the other actors like Shirley Henderson (Transporting franchise, Bridget Jones franchise) as Lucille Hardy and Nina Arianda (Midnight in Paris, Florence Foster Jenkins) as Ida Kitaeva Laurel; though good, were more in the background for me. I thoroughly enjoyed watching this picture. Seeing some of the original comedy acts Laurel and Hardy used to perform and getting the back story on them was a treat. I thought the script and direction worked hand in hand to produce a well-rounded bit of comedic history. Make sure you stay through the credits to see actual clips of the two the producers reproduced in this wonderful film.
3 ½ stars
AT WHAT POINT DOES YOUR TOLERANCE for disruptive behavior end? I can go for a while depending on the situation, but then I am done. Let me give you an example: there was a friend of mine who enjoyed going to the movies with me. I thought I did as well until she started talking during the film. Once or twice I am okay with, especially if they did not hear a line of dialog; but, asking questions and talking during the show is totally unacceptable in my world. She would ask me things like, “What do you think will happen?” or “I do not think that dress looks good on her.” Really?!?! This is a reason to open your mouth and talk during a movie? I thought not responding would stop the talking, but that was not the case. She kept up the chatter even after I pointblank asked her to stop it. Because she was a good friend, I had a dilemma on my hands. Do I stop going to the movies with her or find a different option? My solution was simple (at least I thought so); I told her she was more than welcome to join me, but she could not sit next to me because of the talking. She tried by sitting a few seats away from me, but after a couple of times she lost interest in going with me and I was okay with it. THOUGH I AM STILL FRIENDS WITH that person there is someone else whose friendship I chose to end. We knew each other for several years. Since I was the only one with a car, a lot of our time together was down in their area. In those years they only ventured up towards me a few times, using public transportation or a car share. Everything was fine between us, always having a good time together. Then one time I asked if they wanted to see a theatrical production at a theater that was located near me; they agreed to see it. I checked on ticket availability and called them back later in the week. We decided on seats and I said I would go pick them up. They asked again the name of the theater and when I told them they asked if it was located up by me. Saying yes, they said they were not going to go “all the way” up there just to see a play. I realized right then this was a friendship of convenience on their part; it was okay for me to go down to them, but to come up to me was too hard? Since this was not the 1st time, I made the hard decision. Granted, not as hard as the decisions made in this dramatic movie. HOLLY BURNS, PLAYED BY JULIA ROBERTS (Wonder, Secret in Their Eyes), had everything set to celebrate the holidays. But then her son Ben, played by Lucas Hedges (Boy Erased, Manchester by the Sea), unexpectedly showed up from rehab. This film festival winner also starred Courtney B. Vance (Space Cowboys, Office Christmas Party) as Neal, Kathryn Newton (Blockers; Three Billboards Outside Ebbing, Missouri) as Ivy and Rachel Bay Jones (God Friended Me-TV) as Beth Conyers. This film stayed alive because of the wonderful acting done by Julia and Lucas. Their chemistry together blazed across the screen. There seems to have been a few recent films that have dealt with addiction, which put this story at a disadvantage. There was not something to set this script much apart from the others that were done, except for allowing the actors to wring out as much feelings and emotions as they could, and they did. Nonetheless, this picture kept me engaged with its tough choices.
THAT NEW CAR SMELL IS SOMETHING some individuals want to experience every year. For me, by the time I trade in my vehicle, that smell is a distant memory replaced by enough odors to keep an olfactometer busy for years. In a previous review I mentioned how it seems to me everything being made these days is disposable. Cellular phones are heavily marketed to entice people to give up the one they have for the latest model with new features. Automobiles, though I do not consider them disposable, get released every year with either a major overall done to the model or minor tweaking of options. When I bought my car a friend of mine wound up getting the same model. After one year they traded theirs in for the new version. Keep in mind there was nothing wrong with their car, but they wanted the “latest and greatest.” The only difference I could see between our vehicles was their front grill had a different pattern and the rear taillights had the LED lights spaced further apart into 3 small sections, instead of one full rectangle. I am sorry, but that would not be enough for me to trade in a perfectly good car just for a couple of cosmetic updates. FOR A VARIETY OF REASONS THERE are people who like to have the newest or latest updated version of something they already have in their possession. I remember when I was much younger I was into the sugary cereals. One of my favorites after several years was being in the manufacturer’s terms, “re-formulated,” to provide a stronger taste. On the front of the cereal box they added the tagline: New and Improved. Even if I had not seen those words, I immediately could tell something was “wrong” with my cereal. I did not like the taste because it was now too sweet for me. All I tasted was sugar instead of the variety of grains that were used in the manufacturing of the flakes. It was so disappointing to me that I even called their toll-free number to complain about it. The excuse given to me was the taste had been based on the market research they did with consumer test groups. Truthfully, I did not care about any test groups; they were screwing around with my cereal. Not everything gets better necessarily when it is updated, in my opinion. If you would like to see some proof then watch this current version and compare it to the French one I reviewed called, The Intouchables. PARALYZED FROM A SEVERE ACCIDENT PHILLIP Lacasse, played by Bryan Cranston (Trumbo, Argo), needed constant care. It would take someone highly qualified and capable; so why did he choose Dell Scott, played by Kevin Hart (Night School, Ride Along franchise), an inexperienced ex-convict? With Nicole Kidman (Aquaman, Boy Erased) as Yvonne, Aja Naomi King (The Birth of a Nation, Four) as Latrice and Jahi Di ‘Allo Winston (Proud Mary, Feed the Beast-TV) as Anthony; this film festival winning comedic drama had potential. Based on a true story, I thoroughly enjoyed the French version; so, I was open for this Hollywood version to be just as good. Bryan and Kevin had some scenes that worked well, but I felt the script did not give them the opportunity to really show what they could do in the acting department. Bryan, I expected to give a fine performance; but, I was surprised to see Kevin attempting a little bit more than what he has done with his previous roles. Nicole seemed out of place to me. There were parts of the story that I felt were included to manipulate the viewers. If you haven’t seen The Intouchables then you will possibly enjoy this film.
ONE CAN NOT HELP BUT FEEL special as they walk into the building. The heavy glass doors with the gold trim are the first clue that one is about to enter a place that cannot be considered ordinary. The vestibule has a sturdy tiled floor; the low ceiling is held up by walls covered in deeply colored damask fabric. The material is framed in portions with an intricately carved plaster, painted in gold to match the trim of the doors. Entering the main lobby is not so dissimilar from walking into a grand hall of a European palace. Marble floors replacing the tile in front, there are huge crystal chandeliers that are longer in height than width. They look like oblong, translucent candy wrapped with intricately patterned, colored wrappers with the ends twisted shut. There are matching grand staircases both front and back with red velvet covered steps and oversized, limestone balustrades. One can only imagine they are used by royalty. Spaced equally between the two staircases are doors that all lead into an amphitheater. Undulating rows of seats perched on a sloping floor descend to a stage where a red colored curtain blocks everyone from seeing anything behind it. Only when the lights dim does the curtain rise to reveal the actors who were waiting behind it. THERE IS A FEELING OF INCLUSION when one goes to see live theater. You could be sitting in the middle of a packed auditorium of strangers but feel as if the actors are bringing you into their story. I am a huge fan of seeing staged shows; there is something about seeing actors in the flesh compared to the big screen. Actors on stage have no chance for a retake; whatever happens they must be prepared to “go on with the show.” Seeing their emotions on display adds authenticity to the performance that I find connects me in a different way from actors in movies. Neither one is better than the other; it is simply a different form of communication. As you know I can get lost into a movie where I feel I am part of the movie; this is part of what I need to give a film a 4-star rating. At a play or musical the actors have more time to form relationships that carry them through the entire production. It connects them on a deeper level than acting in movies where they can do take after take of one scene. When I saw today’s film I felt I was at the theater watching a live performance. WITH A BABY ON THE WAY Tish Rivers’, (played by relative newcomer KiKi Layne), joy was short-lived when the baby’s father Alonzo “Fonny” Hunt, played by Stephan James (Race, Across the Line), was arrested for a crime he did not do. This Golden Globe and film festival winning romantic, crime drama also starred Regina King (Ray, Enemy of the State) as Sharon Rivers, Colman Domingo (Selma, Lincoln) as Joseph Rivers and Michael Beach (Aquaman, Soul Food) as Frank Hunt. Based on James Baldwin’s novel, this film slowly unfolded to reveal a real-life portrayal of two families in Harlem. The acting was outstanding from every actor; I especially enjoyed the chemistry that KiKi and Stephan poured into their roles for each other. With a beautiful soundtrack and thoughtful cinematography, this was another achievement for writer and director Barry Jenkins (Moonlight, Medicine for Melancholy). Scenes seemed to be grouped into a series of acts, where I felt I was watching entire and complete feelings between the characters. I honestly believed everything I was seeing was totally real. There is nothing more I need to say, except this picture was a perfect conduit between film and theater.
BEING CHOSEN AS THE FAVORITE ONE does not necessarily make one’s life easier; the title can come with some pitfalls. At a previous job where I worked, there was an employee who was the favorite of the owner. Everyone at the company knew it. In fact, even if it was your first day you would soon realize this employee had a special relationship with the owner. Here is just one example of how the owner treated this employee differently than the others. During the holidays we used to receive a variety of gifts for the owner. He would always open these packages in his office, bringing out the shipping boxes for us to break down and recycle. I would say on the average he kept 75% of the gifts sent to him; the ones he did not, he would give to this employee right in front of the rest of us. Depending on what the item was, this employee would either leave it sitting on her desk (which used to annoy all of us) or take it out to her car to bring home. Not once did the owner offer a rejected gift to one of us. Now, I did not care whether I got a gift or not; but I, like everyone else around me, felt it was not fair and was certainly not a morale booster. AS TIME PASSED SOME OF THE EMPLOYEES grew resentful of the “favorite” employee. When anyone would bring in a taste treat of food; if they were going around and offering pieces of it as opposed to putting it out in the kitchen, they would bypass this one employee. Actually, they would wait until the person was away from her desk then go around passing out their food items, so as to avoid the favorite one altogether. I could not say for certainty if this type of treatment was proper because as far as I knew it was not this employee’s fault. Now if there was something going on between the two of them, I had no knowledge. Let me say this though, it seemed from time to time she used her favorite role status to her advantage. For example, there was never a problem for her to leave early from work; but for the rest of us, the owner would always resist our requests while trying to make us change the day or the time, so we would not have to leave early. It came to a point where I just stopped thinking about it; it wasn’t worth the energy. And when I say energy this biographical, comedic drama will give you an idea of how much energy it takes to deal with such things. USING HER POSITION AS THE QUEEN’S CONFIDANTE Lady Sarah, played by Rachel Weisz (My Cousin Rachel, Disobedience), enjoyed exerting her power over others. But that show of power could be quite enticing for anyone who wanted some of the same. This film festival winning movie starred Olivia Coleman (The Lobster, Hot Fuzz) as Queen Anne, Emma Stone (Battle of the Sexes, Magic in the Moonlight) as Abigail, and James Smith (In the Loop, The Iron Lady) as Godolphin. I was so intrigued with this story that I had to do some research about Queen Anne. It quickly became apparent to me that the writers took a basis of facts and elaborated on it to funny extremes. The three actresses were dynamite with the conniving, the wickedness and humor of the script. As much as I enjoyed this aspect of the movie and its super acting, I felt some scenes were unnecessary. There were several that felt like they were added to give this picture an artistic flair; it only slowed the story down for me. All in all, I cannot say this will be a favorite of mine this Oscar season, but I still had a good time watching it.
NO MATTER WHERE ONE PLACES THE “BAR” there is always someone or something to cause it to be raised. Just look at the evolution of television. We started out with the Riccardo’s from I Love Lucy; they were not allowed to sleep in the same bed, despite being married to each other on the show and in real life. The censors would not approve them being filmed in the same bed. From that point in time there were a few television shows that had partial nudity if it was in the context of a documentary or historical event. The show that comes to mind is the mini-series Roots. Things took a bigger change in the 1990s when the TV shows “NYPD Blues” and “Once and Again” had episodes that contained nudity. For some viewers this was a big shock. Let me also add while this evolution was taking place there was another one going on that pertained to language. Scripts started showing up with slang and curse words in the dialog. I can still remember my shock hearing a TV character uttering a curse word; it took me by surprise even though I was a user of the word. Little did any of us know the explosion of nudity and swear words would be amplified upon the arrival of cable television. HONESTLY, I HAVE NOT GIVEN IT A lot of thought, but I wonder if there might be a connection between this viewing evolution, which by the way has led to reality shows, to blurring the lines between personal and professional lives. The reason why I am bringing it up is from my observations on how people focus their attention on other people’s personal lives. Look at some of the reality shows where people are being filmed 24 hours a day or the dating and swapping partner shows; I have no interest in such things. Two things I learned growing up; first, curse words were just adjectives. Derogatory words about race, gender, ethnicity and sexuality were the “bad” words. Secondly, if no one is being hurt, held against their will or abused; I do not care what they do in their private life. This fascination with people’s personal lives is weird to me. With the aggressiveness of photographers and reporters, there evidently is a market to sell intimate stories about celebrities and such. People judging and making decisions essentially about strangers is a waste of time and money, in my opinion. The reason I have been pondering this is due to today’s biographical drama. As I was watching it, it occurred to me that the events in this film were the beginning of people’s obsession with other people’s personal lives. APPEARING TO BE RIDING A WAVE OF popularity Senator Gary Hart, played by Hugh Jackman (The Greatest Showman, Eddie the Eagle), had his eyes set on the White House. A simple photograph would cause a detour in his campaign. This film festival winning movie also starred Vera Farmiga (Boundaries, The Commuter) as Lee Hart, J.K. Simmons (I’m Not Here, The Bachelors) as Bill Dixon, Mark O’Brien (Arrival, Bad Times at the El Royale) as Billy Shore and Molly Ephraim (Cricket, Last Man Standing-TV) as Irene Kelly. Set in the 1980s, what I found the most curious was the idea that Gary’s election campaign was the beginning of tabloid journalism. In fact, it was this aspect of the script I found the most interesting. I did not think the script otherwise was well written; it seemed as if events were broken down into cause and effect without much time spent on learning about the characters. I think a political junkie would enjoy this picture more than the average moviegoer. Maybe it is due to my disinterest in a person’s personal life, but I did not find this film very exciting, sordid details and all.
EACH OF US I BELIEVE CARRIES a daily pill box container inside of us. I can see each of those little squares holding a small aspect of our personality, those things that make us, us. Not in a split personality way, but I feel we all have different personas we need to wear depending on the situation. I know when I teach my class I am a different person than when I am a credit manager at work. In fact, there have been many people in my classes who are stunned when they hear I am a credit manager. It is funny because several of them said the same thing, that I seem too nice to be in that position. Think about it; when you accompany your significant other to one of their work functions, don’t you act a certain way? I am willing to bet most of you who do, are conscious of what you say and how you act in front of your loved one’s fellow employees and superiors. It always stuns me when an employee’s partner winds up stinking drunk and makes a scene in front of everyone. NOW THERE ARE SOME INDIVIDUALS WHO act the same no matter what environment they occupy; damn anyone who doesn’t like the way they act. I used to be one of those people; I would say I was an extreme version of who I am now. There is this game where players must guess which answer you would choose for each scenario that gets presented to you. I had to stop playing because everyone knew exactly how I would react in each situation. I firmly believe everyone needs to be true to themselves. Where I used to make sure people knew I did not like them; now I can be civil and lessen my exposure to them if I can. I will not kid you, it takes some finesse. There just are some individuals who are not nice; feel free to put in any other adjective, since I erased them during my editing of this review. I am no longer an “in your face” type of person; however, if need be I have that aspect tucked inside of me. And that is what I meant about we have a pill box container inside of each of us. To show you an example, there is an incredible one inside of this film festival winning, crime drama. AS THE SOLE WITNESS TO A SHOOTING Starr, played by Amanda Stenberg (The Darkest Minds, The Hunger Games), knew if she revealed herself people’s perceptions of her would forever change. She did not know if she was that strong to do such a thing. Also starring Regina Hall (Girls Trip, Scary Movie franchise) as Lisa Carter, Russell Hornsby (Fences, After the Sunset) as Maverick “Mac” Carter, Anthony Mackie (Captain America franchise, The Hurt Locker) as King and Issa Rae (A Bitter Lime, Insecure-TV) as April Ofrah; this movie took me away to another place. The story, which was completely current and important, blossomed with the well written script and amazing acting skills of the cast. Amandla would be someone to watch for because she was beautiful in her role. I thoroughly enjoyed the way the script went from a humorous spot to an intense moment, to finally end up in a thoughtful place. It felt as if the writers and director precisely dissected the story to present a complete picture to the viewer. Though the story may be something you have already seen on the news; I found this picture presented a different take on it and I am here to say my eyes were glued to the movie screen.
IS A PERSON JUST BEING GOOD to you enough to have a relationship with them? I have always had a curiosity about the things that are important to a person seeking and being in a love relationship. One of the things that piqued my curiosity was seeing news reporters interviewing the love interest of a person who had recently committed a crime or was in an altercation. Hearing the girlfriend say her boyfriend has always been good to her after he had just been accused of bludgeoning a man to death was the oddest thing to me. Let us say it was true, that he was kind and respectful of her; is that all one needs to fall in love? There seems to be more similar examples currently than I can recall years ago. A husband is stunned when he finds out his wife has been embezzling money from her place of employment for years. Behind the husband and reporter, parked in the driveway of the couple’s house, was a brand new expensive car. I find it all bizarre; how can someone only focus on certain aspects of an individual and base their affection solely on those features? I know I cannot do it. IN MY WORLD ACTIONS HAVE AS much importance as words; in other words, it is not just what a person says that will cement my feelings towards them. I think anyone can say anything and I have been in relationships where the person said things they knew would pull at my heart strings. And the words did; however, there were things they did that did not earn my trust. I had friends who had warned me, but you know how that goes; unless they are in your shoes, you feel your friends are not able to see the whole picture. It is funny because I have been in their place where I expressed my concerns about friends’ love interests. There was one person who was a user, who only cared about himself. Yes, he would do these sweet things for my friend that made her heart swell; but he had no empathy and was a cheapskate. If the opportunity came up where she asked me for my opinion I would tell her exactly what I thought. The one thing I would not do is tell her what she “should” do; I knew she would have to figure out what worked for her. Also, I remained respectful around him. My motto is, “I do not have to accept anything, but need to respect it.” And when it comes to this biographical crime film, no truer words have been spoken. If not, one could find themselves getting killed. DESPITE BEING COLOMBIA’S MOST NOTORIOUS DRUG LORD there was something about Pablo Escobar, played by Javier Bardem (The Sea Inside, Pirates of the Caribbean: Dead Men Tell No Tales) that made journalist and anchorwoman Virginia Vallejo, played by Penelope Cruz (The Counselor, Vicky Cristina Barcelona), fall in love with him. It wasn’t long before everyone knew. This film festival winning action movie also starred Peter Sarsgaard (Jackie, The Magnificent Seven) as Shepherd, Julieth Restrepo (At the End of the Spectra, Moria) as Maria Victoria Henao and Oscar Jaenada (The Shallows, Cantinflas) as Santoro. It goes without saying that Javier and Penelope were a perfect match since they are married to each other. I enjoyed the two of them in this story and picked up a couple of things I did not know about Escobar. However, the script was too superficial; I would have preferred if the writers went deeper into the characters. Instead there were scenes of blood and violence which were expected, but I felt there had to be more to this story than what was shown.