It started in high school, where there were a couple of teachers who had an edge to them. In other words their teaching styles were not the norm. Students, me being one of them, gravitated to these teachers’ classes because we felt they understood us, treating us more like adults than high school students. However, when I went to college I really started to understand the power an instructor could have over their students. My European history professor was an expert in his field; our textbook was written by him. He was German with a heavy accent whose field of expertise was World War II. His classes were filled with these incredible tales of high drama and intense personal insight to what was actually taking place in the areas he travelled. I do not know if it was due to his intensity or passion, but he was the only instructor I had who used a healthy dose of profanity. And pity the student who was not paying attention and asked him to repeat himself. The teacher would say stuff where these days he would have been written up by his supervisor. His outrageous behavior would not only draw students to him, it would turn some of them into groupies; or worse yet, into these tail wagging pets who would do anything to get his praise. MARTIN’S, played by Elijah Wood (The Lord of the Rings franchise, Green Street Hooligans), sole purpose for doing his graduate work at Oxford University was to get Professor Arthur Seldom, played by John Hurt (The Elephant Man, V for Vendetta). He was willing to try anything, even solving a murder, to get Arthur’s attention. John Hurt was the draw for me in watching this crime thriller. I have to say he gave a good effort to bring his character to life. The beginning of the story held my attention as the cast, which also included Julie Cox (Second in Command, Almost Heaven) as Beth and Leonor Watling (Talk to Her, My Life Without Me) as Lorna, were introduced. It appeared this film festival winner was going to be a traditional mystery like an Agatha Christie story. However, it was quickly apparent the writers did not know what they wanted to be; an Agatha Christie, Sherlock Holmes, Jessica Fletcher type of sleuth mystery. I started not believing in the scenes as the script spiraled out of control. Everything started to feel like one big visual version of the board game Clue. Watching this DVD on a do nothing type of day would be ok I guess, but I cannot recommend signing up for class.
1 3/4 stars — DVD
I am curious to know where it first began how the mindset of one being wealthy equated to being better than someone else. From various news and media sources I have seen, I definitely can see being rich does not mean one has good taste. When I see some of these celebrities in their massive estate mansions, I have to wonder do they really need all of that space and stuff. Seriously, how many bathrooms does one need in their house? Enough for a party of 25 being able to all go to the bathroom at the very same time with no waiting? My first experience where I saw a wealthy person exerting their so called power over another individual was with a distant family member. Because they were successful in business, aka making lots of money, they began telling other family members what they should be doing to get ahead in life. Though I was young at the time I was offended by the way they would talk down to people, treating them like they were ignorant just because they were not as rich. Success and wealth are not terms I necessarily use to denote financial status. A person who has close and long relationships with family and friends is a wealthy person to me. POWER came to those who were wealthy in this futuristic science fiction film. After an experiment failed to reverse global warming, mankind was virtually wiped off the planet. Only a small group continued to survive in a self-contained train that continuously circled the globe. Even though the passengers all suffered under the same horrific experiment, inside the train there still were divisions of class. And with class power was soon to follow. This film festival winning thriller gave me a fantastic ride. With Chris Evans (The Avengers, Captain America franchise) as Curtis, Tilda Swinton (Only Lovers Left Alive, Moonrise Kingdom) as Mason and Octavia Spencer (Fruitvale Station, The Help) as Tanya; the cast was well represented with abundant talent and star power; yet, I did not see any advertisements for this action movie. The story was interesting and easy to follow even with its surprise turns. I thought the look of the film was perfect in the way the viewer became a witness to the contrasts within the train. It was interesting how the few special effects were not very good; but it was okay, since this film was predominately story driven. What a pleasant surprise to watch a science fiction movie, having no prior awareness of it, that had a feasible story and was wildly entertaining. It really had a power over me and I was fine with it.
3 1/4 stars
The strongest ones seemed to be the biggest jerks as far as I can remember. They were athletically inclined; able to throw or hit a ball harder than anyone else. If a ball was not available, which was usually the case during the rest of the school day; they had no problem knocking a student down in the school’s hallways. If nothing else then anything a student was carrying was fair game; it was not uncommon to hear textbooks smacking the floor between periods. I was one of the larger boys, but it was not from muscles. As a result my negative perceptions of those who were strong were formed quite early. It was not until new neighbors moved in across the street when I met an exception to my mindset. He was my age but taller than most of the students in our class; English was his 2nd language but no one would know. I would hear the way his family talked to each other whenever I bumped into them outside our apartments. There was a politeness about him that was foreign to most of the athletes in my class. During any contact sports, he would be the only one who would offer a hand to a fallen opposing teammate. Yet no one ever picked on him as if his unusual name and mannerisms made him mysterious; no one wanted to take a chance by confronting him. I had this crazy notion that as long as I could reach and step into his expansive shadow, no one would pick on me. HERCULES in this action adventure film reminded me of my former neighbor. Dwayne “The Rock” Johnson (Pain & Gain, Snitch) went through a grueling workout regimen to play the part of the Greek demigod, Hercules. Directed by Brett Ratner (Rush Hour franchise, Tower Heist), this fantasy film was all action with a story similar to a graphic novel. Hercules was a muscle for hire, who with a close band of friends, agreed to train Lord Cotys’, played by John Hurt (V for Vendetta, The Elephant Man), soldiers even though they sorely lacked fighting skills. The unprepared troops were forced into a battle that Hercules was not sure they could win. Though the fight scenes were big and over the top, the story was weak in my opinion. I felt there was such a disconnect between the battles and the drama that I became bored with what appeared to be the same thing happening over and over. Too much brawn and a poor script made this just an okay film; nothing that will muscle it into the top spot at the box office. There were scenes of violence and blood.
2 1/4 stars
Once two people have a shared history of intimacy together, it will always reappear when one is in the presence of the other. They may have not seen each other in a long time; but as soon as they meet, that oasis of intimate vulnerability floats up from the recesses of their minds to create terra firma. A gentle puff of breath slipping across an ear can remind one how they were being held as they dove into a luxurious sleep. The scent of their hair can bring back the vision of a wide open vista of sun stained cliffs cascading into a deep canyon as both sat close, taking in the majesty of the moment. So knowledgeable of each other’s ways, the two created a world unto themselves that is separate from the reality around then. Two individuals who had this connection in this dramatic romantic film were Eve and Adam, played by Tilda Swinton (The Grand Budapest Hotel, Adaptation) and Tom Hiddleston (War Horse, Thor franchise). Aware of Adam’s despondent reclusiveness, Eve traveled from her home in Tangier, Morocco to be with him in Detroit, MIchigan. With the world around them in decline they had their own little safe haven until Eve’s sister Ava, played by Mia Wasikowska (Jane Eyre, The Kids are all Right), showed up at their front door. This film festival nominated movie grew on me like Spanish moss on a thick humid day. Tilda and Tom were so deliciously good together as the centuries old vampires. The whole cast was strong but I could not take my eyes off the two of them. They were able to convey a feeling, an emotion simply by the turn of the head or the gaze of their eyes. The script was smart and hip with quick spurts of fresh humor. Since some of the characters were vampires, the whole picture had a certain darkness to it; but, there was a subtle lightness that made for deep languishing scenes. I really enjoyed the way the director’s or maybe it was cinematographer’s penetrating use of light sources played with the blackness. Though this film was listed as horror, there was nothing I would consider scary in the traditional sense. If you are squeamish at the sight of blood, no matter the vessel it may be in, then yes there were scenes that had blood. However, I can only think of one scene that might be considered gory. Despite a bit of uneven pacing, by the end of the movie I felt I had visited an old couple who knew each other so well, they did not have to ask how the other one felt, they just knew. Brief scenes of blood were shown.